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Vagabon, aka Lætitia Tamko, has released “Do Your Worst,” a new song from her upcoming album, Sorry I Haven’t Called, due September 15 on Nonesuch Records, and a video for it directed by Angela Ricciardi. The song, produced by Tamko, Rostam, and Teo Halm (SZA, Rosalía, FKA Twigs), combines dance-floor euphoria, breakneck-paced jungle beats, and a DJ’s sense of pacing through Vagabon’s signature storytelling. You can watch it here.
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Vagabon, aka Lætitia Tamko, has released “Do Your Worst,” a new song from her upcoming album, Sorry I Haven’t Called, due September 15 on Nonesuch Records, and a video for it directed by Angela Ricciardi. The song, produced by Tamko, Rostam, and Teo Halm (SZA, Rosalía, FKA Twigs), combines dance-floor euphoria, breakneck-paced jungle beats, and a DJ’s sense of pacing through Vagabon’s signature storytelling.
"I was nestled in the German countryside when Teo Halm, who co-produced this with me, and I were experimenting in my home studio late into the night. I was listening to a lot of club music, and I set out to make an instrumental that drew from the music you’d hear at an underground club in Germany or the UK yet still lived in the Vagabon musical lexicon,” Tamko explains. “A year later, when I returned to the US, I got Rostam involved and he had a great idea of adding a layer of live drums on top of the breakbeat from my Germany session."
Sorry I Haven’t Called finds Tamko reinventing herself once again and features the most playful and adventurous music of her career. “I didn't feel like being introspective. I just wanted to have fun,” Tamko explains. Following her intimate 2017 debut Infinite Worlds, the New York artist favored expansive and evocative electronic textures in her breakthrough 2019 self-titled follow-up. But her latest LP feels like a wholly new era for Tamko, one that’s transformational and uncompromising. Across twelve vibrant tracks she wrote and produced primarily in Germany, she channels dance music and effervescent pop through her own confident sensibilities. These conversational songs are alive and unselfconscious, a document of an artist fully embracing her vision and reclaiming her joy.
In addition to her performance at Pitchfork Music Festival in Chicago this weekend, Vagabon is hitting the road this fall on a tour that includes a headline run in the US with support from Nourished By Time as well as Europe dates with Weyes Blood. See below for details; for all the latest, visit nonesuch.com/on-tour.
Watch: Vagabon Releases “Do Your Worst” From Upcoming Album, ‘Sorry I Haven’t Called’
Angela Ricciardi
Vagabon, aka Lætitia Tamko, has released “Do Your Worst,” a new song from her upcoming album, Sorry I Haven’t Called, due September 15 on Nonesuch Records, and a video for it directed by Angela Ricciardi. The song, produced by Tamko, Rostam, and Teo Halm (SZA, Rosalía, FKA Twigs), combines dance-floor euphoria, breakneck-paced jungle beats, and a DJ’s sense of pacing through Vagabon’s signature storytelling.
"I was nestled in the German countryside when Teo Halm, who co-produced this with me, and I were experimenting in my home studio late into the night. I was listening to a lot of club music, and I set out to make an instrumental that drew from the music you’d hear at an underground club in Germany or the UK yet still lived in the Vagabon musical lexicon,” Tamko explains. “A year later, when I returned to the US, I got Rostam involved and he had a great idea of adding a layer of live drums on top of the breakbeat from my Germany session."
Sorry I Haven’t Called finds Tamko reinventing herself once again and features the most playful and adventurous music of her career. “I didn't feel like being introspective. I just wanted to have fun,” Tamko explains. Following her intimate 2017 debut Infinite Worlds, the New York artist favored expansive and evocative electronic textures in her breakthrough 2019 self-titled follow-up. But her latest LP feels like a wholly new era for Tamko, one that’s transformational and uncompromising. Across twelve vibrant tracks she wrote and produced primarily in Germany, she channels dance music and effervescent pop through her own confident sensibilities. These conversational songs are alive and unselfconscious, a document of an artist fully embracing her vision and reclaiming her joy.
In addition to her performance at Pitchfork Music Festival in Chicago this weekend, Vagabon is hitting the road this fall on a tour that includes a headline run in the US with support from Nourished By Time as well as Europe dates with Weyes Blood. See below for details; for all the latest, visit nonesuch.com/on-tour.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Watch: Vagabon Releases “Do Your Worst” From Upcoming Album, ‘Sorry I Haven’t Called’
Vagabon, aka Lætitia Tamko, has released “Do Your Worst,” a new song from her upcoming album, Sorry I Haven’t Called, due September 15 on Nonesuch Records, and a video for it directed by Angela Ricciardi. The song, produced by Tamko, Rostam, and Teo Halm (SZA, Rosalía, FKA Twigs), combines dance-floor euphoria, breakneck-paced jungle beats, and a DJ’s sense of pacing through Vagabon’s signature storytelling.
"I was nestled in the German countryside when Teo Halm, who co-produced this with me, and I were experimenting in my home studio late into the night. I was listening to a lot of club music, and I set out to make an instrumental that drew from the music you’d hear at an underground club in Germany or the UK yet still lived in the Vagabon musical lexicon,” Tamko explains. “A year later, when I returned to the US, I got Rostam involved and he had a great idea of adding a layer of live drums on top of the breakbeat from my Germany session."
Sorry I Haven’t Called finds Tamko reinventing herself once again and features the most playful and adventurous music of her career. “I didn't feel like being introspective. I just wanted to have fun,” Tamko explains. Following her intimate 2017 debut Infinite Worlds, the New York artist favored expansive and evocative electronic textures in her breakthrough 2019 self-titled follow-up. But her latest LP feels like a wholly new era for Tamko, one that’s transformational and uncompromising. Across twelve vibrant tracks she wrote and produced primarily in Germany, she channels dance music and effervescent pop through her own confident sensibilities. These conversational songs are alive and unselfconscious, a document of an artist fully embracing her vision and reclaiming her joy.
In addition to her performance at Pitchfork Music Festival in Chicago this weekend, Vagabon is hitting the road this fall on a tour that includes a headline run in the US with support from Nourished By Time as well as Europe dates with Weyes Blood. See below for details; for all the latest, visit nonesuch.com/on-tour.
Yasmin Williams stopped by Acoustic Guitar to perform songs from her new album, Acadia, and more and to discuss the album. You can watch the session here. "Yasmin Williams is known for extending the boundaries of solo fingerstyle guitar, with progressive techniques and original compositions that blossom out of traditional folk and roots touchstones," writes Acoustic Guitar's Joey Lusterman. "On her latest record, Acadia, she expands her distinctive sound world even further." Williams kicks off a US tour later this month.
Congratulations to composer and pianist Timo Andres on receiving the Chamber Music Society of Lincoln Center's Elise L. Stoeger Prize—a $25,000 cash prize, awarded biennially by CMS to recognize significant contributions to the field of chamber music composition. Andres says: “I feel equally challenged and freed to take risks when I write chamber music, and writing it, I’ve learned the most about becoming a better composer and musician. To be recognized in this medium by one of its greatest institutional standard-bearers is a huge and unexpected honor.”
