WFUV: Dan Auerbach Performs from New Album, "A Fine Piece of Work" with His "Best Vocals to Date"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

The Black Keys' singer/guitarist Dan Auerbach stopped by the studios of New York public radio station WFUV for an episode of Words & Music from Studio A to perform songs from his recent solo release, Keep It Hid, with his uncle James Quine, and discuss the project with the show's host, Russ Borris, who calls the album "a fine piece of work ... marked by warm production and some of the best vocals Auerbach has recorded to date."

Copy

The Black Keys' singer/guitarist Dan Auerbach stopped by the studios of New York public radio station WFUV for an episode of Words & Music from Studio A to perform songs from his recent solo release, Keep It Hid, with his uncle James Quine and discuss the project with the show's host, Russ Borris, who calls the album "a fine piece of work ... [with] a really cool, low-fi, laid-back kind of groove."

"The Pretenders might have put Akron, Ohio, on the musical map," says Borris in his introduction, "but The Black Keys are right in line into the next generation of hometown faves."

Borris sees a natural progression from the Keys' tune "Things Ain't Like They Used to Be," the closing track off their 2008 Danger Mouse–produced album, Attack & Release, citing its "subtle and haunting sound," and Dan's new solo project. The sounds on the new record "draw from a wider range of Dan's influences," Borris continues, "anything from bluegrass to '60s psychedelica, and, of course, the blues."

In his online wrap-up to the segment, Borris admits to being a Black Keys fan for some time, leading him to be "really excited that its singer-guitarist was releasing a solo album." He sums up the resulting album as "Keys-ish, as expected, but also marked by warm production and some of the best vocals Auerbach has recorded to date."

You can listen online to Dan's live performance of the album track "Trouble Weighs a Ton" in the show's "Session Spotlight" or hear the full segment, also including a live performance of "Goin' Home," at npr.org.

featuredimage
Dan Auerbach horiz couch guitar (James Quine)
  • Thursday, April 9, 2009
    WFUV: Dan Auerbach Performs from New Album, "A Fine Piece of Work" with His "Best Vocals to Date"
    James Quine

    The Black Keys' singer/guitarist Dan Auerbach stopped by the studios of New York public radio station WFUV for an episode of Words & Music from Studio A to perform songs from his recent solo release, Keep It Hid, with his uncle James Quine and discuss the project with the show's host, Russ Borris, who calls the album "a fine piece of work ... [with] a really cool, low-fi, laid-back kind of groove."

    "The Pretenders might have put Akron, Ohio, on the musical map," says Borris in his introduction, "but The Black Keys are right in line into the next generation of hometown faves."

    Borris sees a natural progression from the Keys' tune "Things Ain't Like They Used to Be," the closing track off their 2008 Danger Mouse–produced album, Attack & Release, citing its "subtle and haunting sound," and Dan's new solo project. The sounds on the new record "draw from a wider range of Dan's influences," Borris continues, "anything from bluegrass to '60s psychedelica, and, of course, the blues."

    In his online wrap-up to the segment, Borris admits to being a Black Keys fan for some time, leading him to be "really excited that its singer-guitarist was releasing a solo album." He sums up the resulting album as "Keys-ish, as expected, but also marked by warm production and some of the best vocals Auerbach has recorded to date."

    You can listen online to Dan's live performance of the album track "Trouble Weighs a Ton" in the show's "Session Spotlight" or hear the full segment, also including a live performance of "Goin' Home," at npr.org.

    Journal Articles:Radio

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Wednesday, November 20, 2024
    Wednesday, November 20, 2024

    Laurie Anderson was on BBC Radio 4's Loose Ends to talk with host Clive Anderson about her new piece ARK: United States V, the premiere performances of which continue at Factory International's Aviva Studios in Manchester through Sunday, and more. You can hear the conversation here. The Quietus highlights ten key tracks from her catalog, from "O Superman"—"her most definitive track"—to "Flying at Night" from her new album, Amelia, "a poignant, moving reflection on what our heroes reveal about ourselves."

    Journal Topics: Artist NewsRadio
  • Tuesday, October 15, 2024
    Tuesday, October 15, 2024

    Rhiannon Giddens spoke with NPR's Morning Edition about the area in and around the town of Swannanoa, in her home state of North Carolina, as it recovers from the devastation brought by Hurricane Helene. She also talks about an earlier tragedy in the region—a 19th-century train tunnel collapse—that inspired the old work song "Swannanoa Tunnel," which she recorded with Silkroad Ensemble. "Why were we given the ability to sing and touch people?" Giddens asks. "And this is why: when you think about the destruction, there are no words, so a song can tap into something that then releases energy—now I can cry. That's what it's for, helping us all with the emotions that are bigger than we know what to do with."

    Journal Topics: Artist NewsRadio