In celebration of Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his Nonesuch archive, due September 13. Designed by the Grammy-winning team at SMOG Design, each box will comprise twenty 12" x 12" prints, numbered and signed by the photographer. Artists featured are Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres, who wrote a note for the box.

The Black Keys' Dan Auerbach and Patrick Carney are on the latest episode of SPIN's Sonic Impact podcast to discuss the story of the band and their music, on the release of their twelfth studio album, Ohio Players. "Despite reaching the heights of rock stardom," says the show, "the iconic rock duo from Ohio have stayed true to their raw roots, while at the same time expanding their sonic palette ..." You can hear their conversation here.

“A lot on this record is about how grief is not a punishment, it’s an act of love and it’s just another expression of love,” Hurray for the Riff Raff (aka Alynda Segarra) says of their new album, The Past Is Still Alive, on the inaugural episode of KEXP's new podcast A Deeper Listen. Host Emily Fox says: "The album's melodies are catchy, and the lyrics are so beautifully crafted. They drew me in and made time stop for a moment." You can hear their conversation here.

Sam Amidon stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. He chose music by Shye Ben Tzur, Jonny Greenwood, and the Rajasthan Express; Astor Piazzolla; Kronos Quartet featuring Amidon, Olivia Chaney, Rhiannon Giddens, Natalie Merchant; Sam Gendel; Word of Mouth Chorus; and Bill Frisell.

The Black Keys' twelfth studio album, Ohio Players, is out now. The album features several collaborations between band mates Dan Auerbach and Patrick Carney with various friends and colleagues, like Dan “The Automator” Nakamura, Beck, Noel Gallagher, Greg Kurstin, and others. Also out now: a video for the album track “On The Game,” co-written with Noel Gallagher. The video checks in on Derrick Tuggle, star of the band's 2011 "Lonely Boy" video, and includes a special appearance by skateboarding legend Tony Hawk. Tickets are on sale now for The Black Keys' North American tour.

The Staves start a North American tour at Union Stage in DC. John Adams conducts The Cleveland Orchestra in his City Noir. Sam Amidon is joined by fellow Sams Gendel and Wilkes in LA. Timo Andres’ The Blind Banister is performed in Sweden. Laurie Anderson gives a sold-out show at Koerner Hall in Toronto. Hurray for the Riff Raff is in Los Angeles, Pioneertown, and Phoenix. The Magnetic Fields perform 69 Love Songs at The Town Hall in NYC. Mandy Patinkin is in New Brunswick. Caroline Shaw and Sō Percussion perform in North Carolina. Yasmin Williams is in New Orleans.

"Comfort can come in the form of drawing attention to something that other people feel alone in seeing," Natalie Merchant tells Guy Raz on the latest episode of his podcast The Great Creators. "'Am I the only person who's noticing this?' Well, that's pretty isolating. But the comfort can come in someone saying, 'I see it too, and I'm frightened about it too.'" You can hear their conversation, about her life and career, including her new album, Keep Your Courage, here.

Rectangles and Circumstance, an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion, is due June 14. Shaw and Sō's Eric Cha-Beach and Adam Sliwinski "sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake," says Sliwinski. "The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.” Shaw and Sō co-produced the album with Grammy-winning engineer Jonathan Low (The National, Taylor Swift).

Sam Amidon, who is currently leading a US headline tour, is on the latest episode of BBC World Service’s Music Life along with Brìghde Chaimbeul, Rhodri Davies, and Linda Buckley. They discuss the roles of tradition and place in music, and what they might think about when performing. You can hear their conversation here.

NPR's Fresh Air with Terry Gross gave an encore broadcast to Carolina Chocolate Drops' 2010 interview and performance on the show. Original band members Rhiannon Giddens, Dom Flemons, and Justin Robinson spoke with host Terry Gross about their then newly-released Nonesuch debut album, Genuine Negro Jig, which went on to win the Grammy Award for Best Traditional Folk Album. You can hear the episode here.

This Easter Weekend, Sam Amidon celebrates the 10th anniversary of his album Lily-O at LPR in NYC with Bill Frisell, Shahzad Ismaily, and Chris Vatalaro, then heads to Cambridge. Ambrose Akinmusire is in NYC to lead his sextet at Harlem Stage. Laurie Anderson brings her Let X=X show to Portland and Seattle, where Hurray for the Riff Raff performs from The Past Is Still Alive. Jeremy Denk joins Dallas Symphony Orchestra. Brad Mehldau is in Boulder. Caroline Shaw and Sō Percussion play from Let the Soil Play Its Simple Part in Tucson.

The original cast album of Adam Guettel’s Broadway musical Days of Wine and Roses, with a book by Craig Lucas, starring Kelli O’Hara and Brian d’Arcy James, will be released on CD on May 17, following its recent digital release.  “Repeated listenings compound the amazement,” the New York Times says of Guettel’s work, which “has always offered that kind of challenge—initially leaving a feeling of: Beautiful, but wait, I need to hear it again—and those up for it have a way of coming away shining like Moses down from the Mount. The new score has the same effect.”