Fearful Symmetries / The Wound-Dresser

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DescriptionExcerpt

The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.

Description

The CD of this album is available to purchase at ArkivMusic.

The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.

ProductionCredits

PRODUCTION CREDITS
Recorded November 1988 (Fearful Symmetries) and August 1989 (The Wound-Dresser) at Manhattan Center Studios, New York
Engineer: Paul Zinman
Assistant Engineer: Nelson Wong
Mixing Engineer: Everett Porter

Art Direction and Design by Frank Olinsky, Manhattan Design
Cover Photo by Matthew Brady, courtesy of the Library of Congress

Executive Producer: Robert Hurwitz

 

Nonesuch Selection Number

79218

Number of Discs in Set
1disc
ns_album_artistid
2
ns_album_id
11
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
John Adams
MusicianDetails

MUSICIANS
Orchestra of St. Luke's
John Adams, conductor
Sanford Sylvan, baritone (1)
Naoko Tanaka, violin (1)
Chris Gekker, trumpet (1)

Cover Art
UPC/Price
Label
CD+MP3
Price
0.00
UPC
075597921823BUN
Label
MP3
Price
9.00
UPC
603497099061
  • Fearful Symmetries / The Wound-Dresser
    by

  • 79218

Track Listing

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

  • "Right from the start, the very first notes sound almost like a pickaxe going against rock and then against that the singing has a certain quality that I think has that same simplicity of affect," composer John Adams says of his 2017 opera, Girls of the Golden West, in a new Boosey & Hawkes video marking the work's recently released first recording. "All of that comes together in this opera in a way that I think only opera can actually address, because it addresses you on an intellectual level, but it also fundamentally touches you on an emotional level." You can see what else he had to say here.

Buy Now

  • About This Album

    The CD of this album is available to purchase at ArkivMusic.

    The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.

    Credits

    MUSICIANS
    Orchestra of St. Luke's
    John Adams, conductor
    Sanford Sylvan, baritone (1)
    Naoko Tanaka, violin (1)
    Chris Gekker, trumpet (1)

    PRODUCTION CREDITS
    Recorded November 1988 (Fearful Symmetries) and August 1989 (The Wound-Dresser) at Manhattan Center Studios, New York
    Engineer: Paul Zinman
    Assistant Engineer: Nelson Wong
    Mixing Engineer: Everett Porter

    Art Direction and Design by Frank Olinsky, Manhattan Design
    Cover Photo by Matthew Brady, courtesy of the Library of Congress

    Executive Producer: Robert Hurwitz

     

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