Hoodoo Zephyr

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Unique among the composer’s recordings, Hoodoo Zephyr is an electronic solo work created in the studio, released as a definitive “final cut.” Says Adams, “I was able to enter an imaginative world that I could never inhabit writing orchestral music.”

Description

Hoodoo Zephyr, the October 8, 1993, Nonesuch release by John Adams, features a behind-the-scenes look at the Grammy Award-winning composer of Nixon in China and The Death of Klinghoffer. Five Yamaha keyboards and a rack of samplers have served Adams in his recent composition and orchestration activities. Here he brings these midi synthesizers to the forefront, in a CD of seven short compositions inspired by Western landscapes.

Produced in the upstairs studio of Adams’s Berkeley home, Hoodoo Zephyr extends the range of a composer whose versatility is well documented. From the lyrical guitar solo of “Disappointment Lake” to the propulsive bass clarinets and tympani of the title track, Adams’s recognizable style is joined with an array of sampled sounds in a high-end romp through numerous musical vocabularies.

 

ProductionCredits

PRODUCTION CREDITS
Produced by John Adams
Engineer: Mark Grey
Consultant for mixing and production: Paul Dresher
Mastered by Robert Ludwig

Composed and produced January 1992 to May 1993 in Berkeley, California, utilizing the Korg Wavestation, Yamaha Electone, Yamaha SY77 and SY99, E Mu Systems Proteus I and E-Max II, Kurzweil K-2000 and Lexicon LXP-15.

Design by John Heiden
Photography by Deborah O’Grady

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

79311

Number of Discs in Set
1disc
ns_album_artistid
2
ns_album_id
8
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
John Adams
MusicianDetails

MUSICIANS
All songs composed and performed by John Adams

Cover Art
UPC/Price
Label
MP3
Price
9.00
UPC
603497098866
  • 79311

Track Listing

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

  • "Right from the start, the very first notes sound almost like a pickaxe going against rock and then against that the singing has a certain quality that I think has that same simplicity of affect," composer John Adams says of his 2017 opera, Girls of the Golden West, in a new Boosey & Hawkes video marking the work's recently released first recording. "All of that comes together in this opera in a way that I think only opera can actually address, because it addresses you on an intellectual level, but it also fundamentally touches you on an emotional level." You can see what else he had to say here.

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  • About This Album

    Hoodoo Zephyr, the October 8, 1993, Nonesuch release by John Adams, features a behind-the-scenes look at the Grammy Award-winning composer of Nixon in China and The Death of Klinghoffer. Five Yamaha keyboards and a rack of samplers have served Adams in his recent composition and orchestration activities. Here he brings these midi synthesizers to the forefront, in a CD of seven short compositions inspired by Western landscapes.

    Produced in the upstairs studio of Adams’s Berkeley home, Hoodoo Zephyr extends the range of a composer whose versatility is well documented. From the lyrical guitar solo of “Disappointment Lake” to the propulsive bass clarinets and tympani of the title track, Adams’s recognizable style is joined with an array of sampled sounds in a high-end romp through numerous musical vocabularies.

     

    Credits

    MUSICIANS
    All songs composed and performed by John Adams

    PRODUCTION CREDITS
    Produced by John Adams
    Engineer: Mark Grey
    Consultant for mixing and production: Paul Dresher
    Mastered by Robert Ludwig

    Composed and produced January 1992 to May 1993 in Berkeley, California, utilizing the Korg Wavestation, Yamaha Electone, Yamaha SY77 and SY99, E Mu Systems Proteus I and E-Max II, Kurzweil K-2000 and Lexicon LXP-15.

    Design by John Heiden
    Photography by Deborah O’Grady

    Executive Producer: Robert Hurwitz

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