Gidon Kremer returned to Lincoln Center in New York on Saturday for the second-annual White Light Festival, "an exploration of music’s power to illuminate our interior lives," to present a program titled Homage to J.S. Bach. The program centered around Bach's Chaconne for solo violin and included the US premiere of Silvestrov's Dedication to J.S. Bach. The New York Times calls the Bach piece "as transcendent a work as you will find." Kremer joins the Boston Symphony Orchestra this week at Boston's Symphony Hall for works by Schumann and Strauss.

Gidon Kremer and his Kremerata Baltica chamber orchestra closed out their tour of North America with performances at Lincoln Center's Alice Tully Hall in New York and Boston's Jordan Hall, featuring works from their latest Nonesuch release, De Profundis. The New York Times describes one such work as an "alluring, reflective piece." The Boston Globe says Kremer's performance "carries an electric charge precisely because the ear is almost always being led somewhere unexpected," and the Kremerata Baltica "play with great sensitivity."

Gidon Kremer and the Kremerata Baltica continue their North American tour with a sold-out show at the Newman Center in Denver, featuring works from their album De Profundis. The San Francisco Chronicle describes Sunday's show in Berkeley as "deeply satisfying" and Lera Auerbach's Sogno di Stabat Mater, off the album, as "fascinating. The San Jose Mercury News calls that piece "best of all" in this concert of "enchantment and mystery," the new album "superb ... dark and mesmerizing."

Gidon Kremer and the Kremerata Baltica launched their North American tour over the weekend. Los Angeles Times music critic Mark Swed calls their new album, De Profundis, "profound, pioneering," and says: "I can't think of another soloist before the public today who has Kremer's combination of depth and breadth—and technique." Time Out Chicago gives the album four stars, saying "Kremer’s ear and emotions are in perfect sync." The Denver Post says: "Like Kremer, the orchestra ... never fails to venture in unexpected directions, as its latest thematic album, De Profundis, makes clear." Seattle's Crosscut, reviewing the tour opener, says: "The concert crackled with the sense of inspired adventure that is their trademark."

Gidon Kremer and the Kremerata Baltica launch their North American tour in Seattle this Friday. Their latest Nonesuch release, De Profundis, was featured on NPR's All Things Considered Sunday, among select albums for the fall. The album "plays through like a fascinating mix tape, with a surprise around every corner," says NPR classical producer Tom Huizenga. "It's fantastic ... a very heady but very listenable and terrific mix of music and politics."

De Profundis, the new album from Gidon Kremer and Kremerata Baltica, receives five stars from Audiophile Audition. It's a program "of such sheer delight and exquisite beauty that I felt emotionally ravished when it was over," raves the reviewer. "One of the best collections of its kind that I have ever heard." The album is a Pick of the Week on WNYC's Soundcheck and CD of the Week from KBAQ, which says the music creates "a deep feeling of hope."

Today marks the release of De Profundis, the latest album from violinist Gidon Kremer, whom the Boston Globe calls "one of the most important violinists before the public today," and his Kremerata Baltica chamber orchestra. Kremer is featured in the Globe's Fall Arts Preview of Classical Music, which looks at his unconventional career, from "rebel genius" to an artist who "has retained a refreshingly unconventional musical perspective."

Nonesuch Records is set to release violinist Gidon Kremer’s De Profundis, featuring the Kremerata Baltica chamber orchestra, on September 14. The album’s 12 pieces, selected from Kremer’s performing repertoire, span nearly two centuries, from Schubert to Schnittke—artists who sought to "sustain humans by appealing to their profoundest emotions," says Kremer. De Profundis is available for pre-order in the Nonesuch Store.

The Boston Herald's list of the Top Ten classical albums of the year is out, and four of the ten are from Nonesuch: Kronos Quartet's Floodplain, John Adams's Doctor Atomic Symphony, Alarm Will Sound's a/rhythmia, and Gidon Kremer and Kremerata Baltica's recording of Mozart's Complete Violin Concertos. The Herald had named The Low Anthem's Oh My God, Charlie Darwin and Wilco's Wilco (the album) among the year's best in pop/rock.

Gidon Kremer and Kremerata Baltica's Nonesuch recording of the complete Mozart violin concertos has received the Silver Award at the Record Academy Awards published by Japan's The Record Geijutsu. Australia's ABC Radio National's Breakfast has chosen the recording as Album of the Week, saying, "played true to the style of when they were written, the music sounds fresh and appealing."

After Gidon Kremer's performance of Philip Glass's Violin Concerto at the composer's BBC Proms debut last week, The Independent gave it a perfect five stars, saying "it worked like a beautifully oiled machine, and finally achieved a shimmering beauty." Kremer's recording of the complete Mozart Violin Concertos gets four stars from the Daily Telegraph, the Sunday Times, and the Sacramento Bee, which calls it a "standout ... [E]very detail of the music jumps out and delivers a winning combination sure to satisfy the Mozart aesthete and novice alike."

Gidon Kremer and the Kremerata Baltica's latest Nonesuch release, a two-disc recording of the complete Mozart violin concertos, is out now. The Times (UK) gives it a perfect five stars, writing of Kremer: "His musical intelligence is so probing, his touch so light, his tone so bird-like, that I feel I’m hearing these five concertos for the first time ... His mind is as quicksilver as Mozart’s pen, excitedly darting from phrase to phrase in an intoxicating journey of discovery." The San Jose Mercury News says, "While listening, the world is right."