John Adams's opera Doctor Atomic is set to receive its UK premiere next Wednesday, February 25, in the English National Opera's production at the London Coliseum. New Statesman spoke with the composer about the piece, with its "shatteringly powerful" music, and about his place as "the leading American composer of his generation, still in full creative flow, prolific and inventive." The article examines Adams's operas, from his first, Nixon in China, which "transformed the world of opera," to his latest, the "shimmeringly beautiful" A Flowering Tree.

John Adams's 1985 piece The Chairman Dances is this week's selection for The NPR Classical 50, a series naming 50 essential recordings for everyone from first-time listeners to fanatics. "The idea here is that a foxtrot is being danced, but there's more than just the dance-like quality of the music that we hear," says critic Ted Libbey. "I find it very rich that Adams can pull all of these elements all together, and that you can hear this wonderful, exuberant and lush melody come out of this texture. It shows his ability to bring disparate pieces together in a way that does say something."

John Adams will be a featured composer of the Barbican Centre's 2009–10 season in a special John Adams Focus series next year. It will include six Adams works over six performances next February to July, featuring four UK premieres and two concerts with the composer leading the London Symphony Orchestra. The Times (UK) talks to Adams about his operas, with Doctor Atomic set to receive its UK premiere by the English National Opera next week.

Shortly after Barack Obama was sworn in as President, the Los Angeles Times music critic Mark Swed offered a list of "rich, wise, inclusive original voices" he might invite to the White House to signal his commitment to the arts. Others have even suggested the appointment of an arts czar. Given all the demands currently weighing on the President, though, Adams explains, in a Newsweek interview, that music appreciation has to start on a much more basic level. "[T]he one and only way to interest people in classical music is to get them to play it as children," Adams asserts. "I think people should just be exposed all the time to great art. That sounds like a really simple, grandiose statement, but I think it's really true."

John Adams led the Juilliard Opera Center in a concert performance of his 1991opera The Death of Klinghoffer on Saturday night, the culmination of Juilliard's FOCUS! 2009 festival. The distance of a new generation of performers "allowed this searing, mystical and ambitious work to come through without the doctrinaire baggage that has attached to it over the years," writes the New York Times's Anthony Tommasini. "What came through here, for me, was that this is one of Mr. Adams’s most intricate, entrancing and impressive scores. With these sympathetic young performers Mr. Adams was able to present it the way he envisioned it, or so it seemed as he took bows during the long ovation."

John Adams's String Quartet will receive its world premiere tonight in a performance by the St. Lawrence String Quartet at The Juilliard School's Peter Jay Sharp Theater. The concert is part of Juilliard's annual FOCUS! festival. The new piece is Adams’s second full-length work for string quartet, after 1994's John’s Book of Alleged Dances. The composer will participate in a pre-concert talk beginning at 6 PM. He leads the Juilliard Opera Center in a semi-staged production of The Death of Klinghoffer this Saturday night.

John Adams has been named the first-ever Creative Chair of the Los Angeles Philharmonic, beginning next season, the orchestra's first with Music Director Designate Gustavo Dudamel. "John’s work, vision and big knowledge of all music, especially new music, is so deep," says Dudamel. The 2009/10 season gets under way with an Opening Night Gala concert, pairing Mahler's First Symphony with the world premiere of Adams's City Noir. As Creative Chair, the composer curates the West Coast: Left Coast festival, beginning late November, with a residency by Kronos Quartet; a new work by Thomas Newman; a jazz trio with Joshua Redman; and concerts led by Adams.

Tonight marks the opening of The Juilliard School's annual FOCUS! festival, with a concert by the New Juilliard Ensemble featuring John Adams's Son of Chamber Symphony. Adams's inclusion in this concert and throughout the festival proceedings reflects its theme this year of California: A Century of New Music. Two major highlights of FOCUS! 2009 are the world premiere of Adams’s String Quartet, performed by the St. Lawrence String Quartet, and the festival's culminating event: a semi-staged production of Adams's opera The Death of Klinghoffer, with the Juilliard Opera Center led by the composer.

John Adams led the Pittsburgh Symphony Orchestra, of which he is the Composer of the Year, in two concerts this past weekend at Pittsburgh's Heinz Hall. Featured on the programs were Doctor Atomic Symphony, On the Transmigration of Souls, and selections from Nixon in China. The Pittsburgh Post-Gazette says the composer "has penned some of the best music of the last quarter century" and "gave us a reason to be proud again of the splendor that can emerge from 100 orchestral musicians. He is a composer of our time." The Pittsburgh Tribune-Review calls Transmigration "awesome and haunting to experience" and Doctor Atomic Symphony "a masterly new piece."

John Adams continues as the Pittsburgh Symphony Orchestra's Composer of the Year with two concerts this weekend, tonight and tomorrow night, in which he will conduct the orchestra at Heinz Hall. "The Pittsburgh Symphony Orchestra has scored a coup by presenting John Adams, arguably America's leading composer, as conductor," exclaims the Pittsburgh Tribune-Review. Featured on the programs are The Nixon Tapes, version 3, containing selections from Nixon in China; Doctor Atomic Symphony; and On the Transmigration of Souls.

John Adams's memoir Hallelujah Junction was featured on 2008's final episode of NPR.org's Book Tour, which broadcast a reading from the book the composer gave in November. The show's host calls Adams "one of America's leading avant-garde composers, and as he proves in this compelling memoir, possibly one of the loveliest human beings you're likely to encounter between the covers of a book." She describes his compositions as "erudite, philosophical, but spun through with the play and polish of popular culture."

Since the last Nonesuch Journal entry of 2008, which laid out scores of year-end best-of lists featuring Nonesuch albums and artists, still more critical praise has come in placing this music among the year's best.