Rokia Traoré returns to New York City for a performance of songs from her latest release, Tchamantché, at Le Poisson Rouge in Greenwich Village. The Chicago Tribune calls this week's performance at Chicago's Old Town School of Music "riveting," one that showed the many facets of the "fascinatingly complex singer ... who embraces but also stretches centuries-old traditions." Throughout, "the incredible Traoré was in command of stage, song and crowd alike."

Rokia Traoré's two-week US tour with music from her latest Nonesuch release, Tchamantché, continues tonight at the Cedar Cultural Center in Minneapolis. That city's Star Tribune describes Traoré's work as "fearless, sophisticated, genre-bending music" and says her "gorgeous vocals ... express the nuances of intimacy and emotion with the refinement of a calligrapher." The Washington Post describes Rokia's voice as "dramatic and entrancing" but concludes, "The album's real allure is its blend of traditional and contemporary elements ..."

Rokia Traoré's recently released album Tchamantché is lauded as the Malian singer/songwriter's "best and most daring work" in a review for NPR's All Things Considered by Banning Eyre. "Traoré's meld of African and rock aesthetics is understated and as comfortable as it is cool," says Eyre. "The world's less-developed societies have produced many singers who seek to balance musical style and cultural perspective, and to address the larger world. Few manage it with the grace and style of Rokia Traoré."

Rokia Traoré stops by the studios of WNYC, New York public radio, for today's episode of Soundcheck. She'll talk with the show's host, John Schaefer, about her recent Nonesuch release, Tchamantché, and perform some songs from the album. The show begins at 2 PM ET. New York audiences can tune in on 93.9 FM; listeners from around the world can catch the live stream on wnyc.org. Rokia begins a ten-day US tour next week.

Rokia Traoré's new album, Tchamantché, features nine tunes Traoré penned herself, plus her unique take on Billie Holiday's "The Man I Love." NPR has chosen the track as today's Song of the Day, with Banning Eyre exclaiming that the Malian singer "sets a new standard" with her interpretation of the famous tune. "Traoré briefly shows off her impressive range of vocal colors, just enough to let listeners know what she can do, with all the cool of a jazz master and all the mystery of an African diva." On Tchamantché, says Eyre, "Traoré makes her strongest and most personal statement yet."

Rokia Traoré's new album, Tchamantché, has been dubbed "a Malian masterpiece" by NPR's All Songs Considered. In the show's latest episode, host Bob Boilen describes Traoré as "a gorgeous singer from Mali" and calls Tchamantché "a graceful and tender record" with "an extraordinary vibe."

Rokia Traoré's Tchamantché has been nominated for the Victoires de la Musique award as Best World Music Album of the Year. The award, similar to the Grammys in the United States, recognizes the best in music from France. Rokia, the daughter of a Malian diplomat, has lived everywhere from North Africa to the Middle East to Europe, as well as in the Malian capital, Bamako, and now calls Paris home.

The Christian Science Monitor has dubbed Rokia Traoré "Africa's answer to Joni Mitchell." In its staff picks for the week's best arts offerings, the Monitor declares that with Tchamantché, "her exquisite new album," Rokia has created "something timeless. But it's Traoré's voice that pulls one into the musical vortex. Though she sings in Bambara and French, you won't need a translator to discern the joy and ache in her voice."

Rokia Traoré is the subject of a feature on PRI's weekday news magazine The World, in which she discusses her new album, Tchamantché, particularly her decision to include the American Gretsch guitar, with its unmistakable signature sound, throughout the record. "I wanted something electric but sweet at the same time," she says. "Electric, but not aggressive in the same time. The day I tried it, the Gretsch guitar, I knew very quickly that that was the sound I was looking for."

Rokia Traoré's Tchamantché hits stores worldwide tomorrow after its European release late last year led to its inclusion in many critics' year-end best lists. The New York Times picks the album for this week's Critics' Choice, crediting Rokia for "creating her own radically delicate fusions" and calling the album her best, with music that "carries the plucked modal patterns of Malian tradition toward contemplation and intimacy." The Canadian Press calls it "a quiet, subdued album whose genius lies in each song's arrangement, the combination of modern and traditional elements and the intensity of Rokia Traoré's voice ... It's an album you'll want to maintain in a prominent place among your music collection." The Scripps Howard News Service gives it four stars and says the power of her music comes not from belting out but from "her persuasive use of subtlety ... the power of understatement."

Since the last Nonesuch Journal entry of 2008, which laid out scores of year-end best-of lists featuring Nonesuch albums and artists, still more critical praise has come in placing this music among the year's best.

While 2008 may go down as one of the more turbulent years in recent (or distant) memory, or, more optimistically, a time of change, there is much to celebrate in the year in music. Nonesuch artists across all genres have contributed to that and, accordingly, have made their way onto many critics' lists of the year's best. For the final Nonesuch Journal article of the year, we offer an overview of just some of that year-end critical praise.