Sam Gendel's new album, DRM, is due on vinyl on April 16, 2021. This Thursday at 12pm EDT, Gendel will be commenting and answering questions as a one-time, single supercut of all fourteen videos for the album—one for each track, all directed by Marcella Cytrynowicz—premieres on the Nonesuch Records YouTube channel.

The Staves release their first new album in six years, Good Woman, February 5, 2021, on Nonesuch Records in the US. Good Woman was written and recorded in a time of tremendous turmoil and change for the band, between the ending of relationships, the death of their beloved mother, and the birth of Emily’s first child. Produced by John Congleton, the album is a testament to the Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman.

Mountain Man has released Mountain Man Sings Neil Young, the latest in its series of cover singles, featuring its version of "Through My Sails," from Young's 1975 album, Zuma. "Neil Young has been a pillar of the soundtrack along the Mountain Man road from Vermont to the windy ocean roads of California," says the trio. "'Through My Sails' is such a gentle secret at the end of Zuma and it felt immediately natural and right sinking into the harmonies of Neil Young with Crosby, Stills and Nash."

The Magnetic Fields' new album, Quickies, will be available as a limited-edition 12” LP for Record Store Day's annual Black Friday event, on November 27. This Record Store Day exclusive edition will be available on translucent magenta vinyl and includes the previously unreleased bonus track "The Witches Fly."

Clint Mansell's haunting score to director Darren Aronofsky's 2000 film Requiem for a Dream, performed by Kronos Quartet, returns to vinyl for the film's twentieth anniversary year, on December 4, 2020. The soundtrack was originally released on Nonesuch in 2000; the first vinyl edition was released for Record Store Day in 2016 with new artwork and two previously unreleased bonus tracks. The new 2-LP vinyl edition, which also includes the bonus tracks, features the original 2000 soundtrack cover art for the anniversary. "Brilliant stuff," says Classic FM.

On his Nonesuch Records debut album, Over That Road I’m Bound, out today, songwriter and multi-instrumentalist Joachim Cooder uses the plain-spoken songs of country-music progenitor and banjo player Uncle Dave Macon as a jumping off point, tinkering with the lyrics and reworking melodies for his chosen instrument: an electric mbira. Cooder culled songs from Macon’s vast catalog and recorded them with his band and special guests: Ry Cooder, Rayna Gellert, Juliette Commagere, Sam Gendel, Glenn Patscha, Amir Yaghmai, Dan Gellert, and Vieux Farka Touré. "Warm, uplifting, and quietly spectacular," says Uncut. "A buoyant and joyful long-player," says Mojo. A new video for the album track "Heartaching Blues" may be seen here.

Sam Gendel’s new album, DRM, is out today on Nonesuch Records. The follow-up to his Nonesuch debut, Satin Doll, released earlier this year, DRM features Gendel’s solo musical experiments with vintage instruments such as a forty-year-old Electro Harmonix DRM32 drum machine, antique synthesizers, and a sixty-year-old nylon-string guitar—accompanied by his voice. The album includes one cover song: Lil Nas X’s “Old Town Road,” which Gendel interprets as an instrumental, playing the melody on an old German analogue synthesizer. Also out today are short films, one for each track on the album, directed by Marcella Cytrynowicz; you can watch them here.

Mountain Man has released Mountain Man Sings Simple Gifts, the latest in its series of cover singles, featuring its version of the Shaker hymn. "'Simple Gifts' is one of those incredible songs that transforms you while you sing it,” says the trio. "It's like an incantation, and it was a joy to record."

The soundtrack to the Tim Burton–directed film of Sweeney Todd: The Demon Barber of Fleet Street, first released on Nonesuch in 2007, will receive its first-ever vinyl edition on November 13, 2020, in a two-LP set, available to pre-order now. The film, which won the Golden Globe for Best Picture, is an adaptation by John Logan of Stephen Sondheim and Hugh Wheeler’s musical, starring Johnny Depp, Helena Bonham Carter, and the late Alan Rickman. "Something close to a masterpiece, a work of extreme—I am tempted to say evil—genius," exclaimed the New York Times' A.O. Scott. "This Sweeney is a bloody wonder," raved Rolling Stone's Peter Travers, "intimate and epic, horrific and heart-rending as it flies on the wings of Sondheim's most thunderously exciting score."

Composer Sarah Kirkland Snider’s Mass for the Endangered, is out now on New Amsterdam and Nonesuch Records. A video for “Alleluia” from the Mass, the third video for the project made by Deborah Johnson / CandyStations, can be seen here. Snider’s Mass, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. Originally commissioned by Trinity Church Wall Street, this recording features the English vocal ensemble Gallicantus conducted by Gabriel Crouch.

Tristan Perich’s Drift Multiply, for 50 violins and 50-channel 1-bit electronics, will be released November 13, 2020, on New Amsterdam and Nonesuch Records, and is available to preorder now. The piece, Perich’s largest work to date, is conducted by Douglas Perkins. Scored as one hundred individual lines of music, the piece blends violins and speakers into a cascading tapestry of tone, harmony, and noise. The violins perform from sheet music, while the speakers are each connected to custom-built circuit boards programmed to output 1-bit audio, the most basic digital waveforms made of just ones and zeroes.

k.d. lang's 2008 Nonesuch album, Watershed, declared "a masterpiece" by the Times, will be released on vinyl for the first time on November 20, and is available to pre-order now. As the title suggests, Watershed represented a milestone in lang’s career. For the first time, she assumed the role of producer, as well as writer, singer, and multi-instrumentalist. “Watershed is like a culmination of everything I’ve done," lang said; "there’s a little bit of jazz, a little country, a little of the Ingénue sound, a little Brazilian touch ... I didn’t feel the need to be genre-specific because this experience felt so wide open."