"Green," the haunting closing theme from the critically acclaimed and award winning film Sound of Metal that is written and performed by the film’s co-writer and composer Abraham Marder and produced by Thomas Bartlett, is out now on Nonesuch Records; an accompanying video can be seen here. “Green” is one of the fifteen songs on The Academy Awards shortlist for Best Original Song. A full motion picture soundtrack will also be released by Nonesuch later this year; details will be announced shortly. Sound of Metal, directed by Darius Marder and co-written by Darius and Abraham Marder, tells the story of Ruben, played by Riz Ahmed, an iterant punk-metal drummer who begins to unravel when he suddenly loses his hearing and identity.

Rhiannon Giddens’ new album, They're Calling Me Home, recorded with Italian multi-instrumentalist Francesco Turrisi, will be released April 9 (vinyl June 11) on Nonesuch Records; vinyl is due June 11. The album was recorded during the COVID-19 lockdown in Ireland. The two expats found themselves drawn to and comforted by the music of their native and adoptive countries of America, Italy, and Ireland, which they recorded at a spare studio on a working farm outside of Dublin. The result is a twelve-song album that speaks to the longing for the comfort of home as well as the metaphorical call "home" of death. Nonesuch Store pre-orders include a limited-edition, autographed print and an instant download of the song "Calling Me Home," the video for which can be seen here.

The Staves release their first new album in six years, Good Woman, out now on Nonesuch Records in the US. Good Woman was written and recorded in a time of tremendous turmoil and change for the band, between the ending of relationships, the death of their beloved mother, and the birth of Emily’s first child. Produced by John Congleton, the album is a testament to the Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman. The Staves celebrate the album's release with a live-streamed, ticketed concert from the London venue Lafayette tonight.

A remastered, expanded edition of the 2005 benefit album Our New Orleans is available for the first time on vinyl and digitally now. The new version includes five previously unreleased tracks by Davell Crawford, Buckwheat Zydeco and Ry Cooder, Dr. Michael White, Dr. John, and The Wardell Quezergue Orchestra featuring Donald Harrison. To date, $1.5 million has been raised from the 2005 release to benefit the New Orleans Habitat Musicians’ Village.

Portuguese singer Mariza celebrates the twentieth anniversary of her career and the centenary of the late Queen of Fado, Amália Rodrigues, with Mariza Sings Amália, her first full album of classics, now available in the US on CD and digitally from Nonesuch Records, with the vinyl to follow on April 30. Mariza celebrates the album release with a livestreamed performance of Amália Rodrigues' music as part of The Town Hall’s The Voice. A Voz. series tonight. “The ten covers of songs once sung by Amália on this regal tribute are utterly glorious," exclaims Songlines in a five-star review. "Backed by gorgeous orchestral arrangements by Brazil’s Jaques Morelenbaum, she invests these classic fados with a rich and characterful wisdom that is somehow reverential and innovative at the same time.”

Pulitzer Prize–winning composer Caroline Shaw's second Nonesuch album, Narrow Sea, is out now. Shaw wrote the album's title piece, for Sō Percussion, Dawn Upshaw, and Gilbert Kalish, who perform it here: five parts, each a new setting of a text from The Sacred Harp, the 19th-century collection of shape-note hymns. Video for all five parts of the piece can be seen here. Also on the album is Sō Percussion's performance of Shaw's Taxidermy, which she wrote for the ensemble.

Sam Amidon’s self-titled album, released digitally and on CD in October, is now available on blueberry-marble vinyl. On the album, which Amidon produced and considers the fullest realization to date of his artistic vision, he performs radical reworkings of mostly traditional folk songs with his frequent band, multi-instrumentalist Shahzad Ismaily and drummer Chris Vatalaro, along with saxophonist and label mate Sam Gendel, guitarist Bert Cools, bassist Ruth Goller, and Amidon’s wife, Beth Orton, who adds vocals on three songs.

Lake Street Dive's new album, Obviously, will be released March 12 on Nonesuch. The album was produced by Mike Elizondo, a songwriting collaborator for Dr. Dre, Eminem, and 50 Cent and record producer for Fiona Apple and Mary J. Blige, among others. "Mike encouraged us to make bolder arrangement choices, take those chances and try those things," says bassist Bridget Kearney. "The record really is a success in what we set out to do: continue to challenge ourselves, continue to grow, and do things we’ve never done before." A new single, “Nobody’s Stopping You Now,” is out now, as is the previously released track "Making Do"; you can watch videos for both here. Nonesuch Store pre-orders also include a limited-edition, autographed print while supplies last.

Vagabon has teamed up with Courtney Barnett for a cover inspired by Karen Dalton's version of "Reason to Believe," which was originally written and recorded by Tim Hardin in 1965 and covered by a wide range of artists since. After discovering Dalton's version, "I became obsessed," says Vagabon's Lætitia Tamko, "and so a few days after discovering it, I was encouraged to record a cover of it in my garage." Barnett adds "I'm a huge fan of Vagabon and Karen Dalton so this was a dream. They both have a voice that absolutely knocks the wind out of me." Vagabon has announced a livestream on January 29; tickets are available now.

The Black Keys' Brothers (Deluxe Remastered Anniversary Edition), an expanded version of their watershed 2010 multi-platinum, Grammy-winning sixth studio album, is out now in the US and Canada and on January 1, 2021, in all other territories, via Nonesuch Records, on which the record is newly available throughout the world. To celebrate its tenth anniversary, Brothers' new edition includes three added bonus songs—“Keep My Name Outta Your Mouth,” “Black Mud Part II,” and “Chop and Change”—available in three formats: a 7” box set, a 2-LP set, and a CD.

Lianne La Havas has released Live at the Roundhouse, an EP of five tracks she performed during an intimate live-streamed concert from the famed London venue in July.  The EP includes four songs from her new, self-titled album, as well as “Midnight” from her previous album, Blood. You can watch La Havas’ Roundhouse performance of “Bittersweet” from the Late Show with Stephen Colbert’s #PlayAtHome series here. Vocalist Frida Touray joins for the song and on “Midnight.”

Joachim Cooder releases a cover of Steve Earle’s timely “Christmas in Washington” today. Recorded two weeks ago in Los Angeles, the single features Cooder, who produced the track, on vocals, array mbira, and percussion; Rayna Gellert on fiddle; and Juliette Commagere on backing vocals. "Since Steve Earle released ‘Christmas in Washington’ in 1997," says Cooder, "I’ve been listening to it year in and year out. After the election and the last four years we’ve been through, and with Christmas approaching, I thought it was time we all checked back in with Steve. Now more than ever, it seems all a man can do is call out for Woody Guthrie to rise again."