Brad Mehldau’s After Bach II and Après Fauré are due May 10 on Nonesuch Records. The Bach album comprises four preludes and one fugue from the Well-Tempered Clavier, as well as the Allemande from the fourth Partita, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of Bach—including Mehldau’s Variations on Bach’s Goldberg Theme. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s works.

Bolivian-born singer and multimedia performer Ibelisse Guardia Ferragutti and Chicago expat jazz drummer Frank Rosaly will release MESTIZX, their debut full-length album as co-composers, arrangers, and musicians, May 3 on International Anthem / Nonesuch Records. Partners in both marriage and art, the Amsterdam-based duo dove deep into the sounds of their respective ancestral roots in Bolivia, Brazil, and Puerto Rico to create this deeply personal meditation on decolonization and the defiant power of ritual and protest.

Girls of the Golden West, John Adams’ eighth music theater work to be released by Nonesuch, is due April 26. The composer leads the LA Phil in this recording made in Disney Hall, with the Los Angeles Master Chorale led by Grant Gershon. You can hear the aria "Wagon Ride," featuring Davóne Tines and Julia Bullock, now. For the opera, which tells the story of the California Gold Rush, longtime Adams collaborator Peter Sellars drew from original sources from the era—letters, journals, newspaper articles, and familiar song lyrics—to create the libretto. The cast also includes Paul Appleby, Hye Jung Lee, Elliot Madore, Daniela Mack, and Ryan McKinny.

The second album from Haitian-American singer and composer Nathalie Joachim, Ki moun ou ye, is out now on Nonesuch / New Amsterdam Records. On the album, Joachim takes listeners through an intimate collection of music that ponders its title’s question: “Who are you?” Inspired by the remote Caribbean farmland that her family continues to call home after seven generations and performed in both English and Haitian Creole, the work examines the richness of one’s voice—an instrument that brings with it DNA, ancestry, and identity—in a vibrant tapestry of Joachim’s voice, and intricately sampled vocal textures underscored by an acoustic instrumental ensemble. "On her dazzling new album," says Bandcamp, "she's found an outlet that allows her to express the full diapason of her interests and creativity." The Quietus exclaims: "Joachim’s powerful voice provides the thread that binds together a glorious tapestry."

Timo Andres’ new album, The Blind Banister, is due March 22 on Nonesuch. The album comprises three works by the composer/pianist: the piano concerto The Blind Banister (a finalist for the Pulitzer Prize in 2016), with Andres as soloist, and Upstate Obscura for chamber orchestra and cello, with soloist Inbal Segev—both of which feature Metropolis Ensemble and conductor Andrew Cyr—and the solo piano piece Colorful History, also performed by Andres. You can hear the third movement of Upstate Obscura, “Vanishing Point,” now.

Grammy and Academy Award winner Gustavo Santaolalla releases his acclaimed 1998 album Ronroco on vinyl for the first time in a newly remastered edition from Nonesuch, out now. The singer, composer, and producer’s classic album—which takes its name from a South American stringed instrument—comprises twelve original tunes inspired by traditional Argentinean music and influenced by music of Japan, Africa, and Eastern Europe. “Ronroco conjures bucolic images and feelings for me,” filmmaker Alejandro Gonzalez Iñarritu writes in the new liner note. “There’s always a note that surprises, breaks the pattern of the rainstorm, turning into silence, a gentle drizzle, or escalating into a tempest.”

The Yussef Dayes Experience: Live From Malibu, featuring music from Dayes' critically acclaimed debut solo album, Black Classical Music, and more, is now available on vinyl and digitally. Dayes—who has just been nominated for BRIT Awards for Best New Artist and Best Alternative/Rock Act—is joined by his longtime collaborators Rocco Palladino, Venna, Elijah Fox, and Alexander Bourt on Live From Malibu, which was originally released as a live-performance video filmed in the Malibu mountains last year; you can watch that here.

Guitarist/composer Mary Halvorson's new album, Cloudward, is out now. Halvorson performs eight new compositions with her sextet Amaryllis—the improvisatory band that performed on her acclaimed 2022 albums Amaryllis and Belladonna: Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Laurie Anderson is featured on one track. The Guardian, naming Cloudward its Jazz Album of the Month, says: "Halvorson’s fusions of written and spontaneous music reach an entrancing new seamlessness and seductive warmth with this terrific set. Superb." PopMatters calls it "a shimmering, deeply satisfying example of a jazz sextet firing on all cylinders. Prepare to be astonished." Bandcamp says: "It’s only January, but it’s hard not to see this as one of the great achievements of 2024."

The Black Keys have released a new single, "Beautiful People (Stay High)," and announced their twelfth studio album, Ohio Players, due April 5. Ohio Players—a title inspired by the legendary Dayton, Ohio, funk band of the same name—features several collaborations between band mates Dan Auerbach and Patrick Carney with various friends and colleagues, like Dan “The Automator” Nakamura, Beck, Noel Gallagher, Greg Kurstin, and others. “We had this epiphany: ‘We can call our friends to help us make music,’" Carney says. Auerbach adds, “No matter who we work with, it never feels like we're sacrificing who we are. It only feels like it adds some special flavor ... But when it came time to finish the album, it was just Pat and me.”

The Yussef Dayes Experience: Live From Malibu, featuring music from Dayes' critically acclaimed debut solo album, Black Classical Music, and more, is due on vinyl and digitally January 26. Dayes is joined by his longtime collaborators Rocco Palladino, Venna, Elijah Fox, and Alexander Bourt on Live From Malibu, which was originally released as a live-performance video filmed in the Malibu mountains last year; you can watch that here.

The second album from Grammy-nominated Haitian-American singer and composer Nathalie Joachim, Ki moun ou ye, is due February 16 on Nonesuch / New Amsterdam Records. On the album, Joachim takes listeners through an intimate collection of music that ponders its title’s question: “Who are you?” Inspired by the remote Caribbean farmland that her family continues to call home after seven generations and performed in both English and Haitian Creole, the work examines the richness of one’s voice—an instrument that brings with it DNA, ancestry, and identity—in a vibrant tapestry of Joachim’s voice, and intricately sampled vocal textures underscored by an acoustic instrumental ensemble. Ki moun ou ye draws upon the voice’s historic and ongoing role as a tool for survival, healing, preservation of self, fellowship, and an affirmation of freedom.

Composer and trumpeter Ambrose Akinmusire's Nonesuch Records debut album, Owl Song, is out now. The album, featuring a trio with two musicians Akinmusire has long admired, guitarist Bill Frisell and drummer Herlin Riley, has landed on the New York Times’ list of Best Jazz Albums of 2023 and on Jazzwise’s Albums of the Year list. Uncut says: "This is subtly profound music, full of meditative, focused beauty." "A quiet rush of gorgeous sound where space, tone and beauty come together in one of the most impactful albums of 2023," says DownBeat's five-star review. "This is one of the most interesting recordings to come along in a very long time by one of the most interesting artists of our time.”