Dan Auerbach appeared on today's episode of NPR's newsmagazine Day to Day to discuss his new album, Keep It Hid, including the process of setting his father's lyrics to music, and the development of his singing voice. "The only thing I've ever tried to do is be myself," says Dan. "Never put on a voice, sing naturally. And that always seems to work best for me."

John Adams's 1985 piece The Chairman Dances is this week's selection for The NPR Classical 50, a series naming 50 essential recordings for everyone from first-time listeners to fanatics. "The idea here is that a foxtrot is being danced, but there's more than just the dance-like quality of the music that we hear," says critic Ted Libbey. "I find it very rich that Adams can pull all of these elements all together, and that you can hear this wonderful, exuberant and lush melody come out of this texture. It shows his ability to bring disparate pieces together in a way that does say something."

Allen Toussaint, fresh off his celebratory weekend at the Grammys, during which he was awarded the Trustees Award and performed on the live CBS telecast, is in the New York City studios of WNYC to talk with Soundcheck this afternoon about his forthcoming Nonesuch debut, The Bright Mississippi, and perform songs from the album. It is Toussaint's first solo record in more than a decade. Fans in New York City this weekend can also catch Toussaint perform live at Joe's Pub on Sunday.

Dan Auerbach's solo debut, Keep It Hid, is out tomorrow. To mark the occasion, Nonesuch has launched a new Nonesuch Radio station titled "First Listen," where you can hear all the tracks from the album shuffled and streaming through release date. Dan's hometown paper, the Akron Beacon Journal, says that following "the revelation" that was The Black Keys' Attack & Release, Keep It Hid shows "other sides of Auerbach's abilities, such as how he can smooth out his primal, bluesy wail and still imbue his songs with emotion and passion, and can trade blunt force for pastoral melodies without losing the music's power."

Rokia Traoré's two-week US tour with music from her latest Nonesuch release, Tchamantché, continues tonight at the Cedar Cultural Center in Minneapolis. That city's Star Tribune describes Traoré's work as "fearless, sophisticated, genre-bending music" and says her "gorgeous vocals ... express the nuances of intimacy and emotion with the refinement of a calligrapher." The Washington Post describes Rokia's voice as "dramatic and entrancing" but concludes, "The album's real allure is its blend of traditional and contemporary elements ..."

Rokia Traoré's recently released album Tchamantché is lauded as the Malian singer/songwriter's "best and most daring work" in a review for NPR's All Things Considered by Banning Eyre. "Traoré's meld of African and rock aesthetics is understated and as comfortable as it is cool," says Eyre. "The world's less-developed societies have produced many singers who seek to balance musical style and cultural perspective, and to address the larger world. Few manage it with the grace and style of Rokia Traoré."

Dan Auerbach's forthcoming solo debut album, Keep It Hid, is featured in the latest episode of NPR's All Songs Considered. The show's host, Bob Boilen, explains that, though it's been a while since he's been a fan of electric guitar–based blues, other than Led Zeppelin, "I may change my mind after hearing a new record by Dan Auerbach." Keep It Hid, says Boilen, has "a good variety of songs that are tinged by psychedelia, at times a bit of gospel, country, and blues."

Rokia Traoré stops by the studios of WNYC, New York public radio, for today's episode of Soundcheck. She'll talk with the show's host, John Schaefer, about her recent Nonesuch release, Tchamantché, and perform some songs from the album. The show begins at 2 PM ET. New York audiences can tune in on 93.9 FM; listeners from around the world can catch the live stream on wnyc.org. Rokia begins a ten-day US tour next week.

Rokia Traoré's new album, Tchamantché, features nine tunes Traoré penned herself, plus her unique take on Billie Holiday's "The Man I Love." NPR has chosen the track as today's Song of the Day, with Banning Eyre exclaiming that the Malian singer "sets a new standard" with her interpretation of the famous tune. "Traoré briefly shows off her impressive range of vocal colors, just enough to let listeners know what she can do, with all the cool of a jazz master and all the mystery of an African diva." On Tchamantché, says Eyre, "Traoré makes her strongest and most personal statement yet."

Rokia Traoré's new album, Tchamantché, has been dubbed "a Malian masterpiece" by NPR's All Songs Considered. In the show's latest episode, host Bob Boilen describes Traoré as "a gorgeous singer from Mali" and calls Tchamantché "a graceful and tender record" with "an extraordinary vibe."

Rokia Traoré is the subject of a feature on PRI's weekday news magazine The World, in which she discusses her new album, Tchamantché, particularly her decision to include the American Gretsch guitar, with its unmistakable signature sound, throughout the record. "I wanted something electric but sweet at the same time," she says. "Electric, but not aggressive in the same time. The day I tried it, the Gretsch guitar, I knew very quickly that that was the sound I was looking for."

Mandy Patinkin celebrated the 20th anniversary of his first performance at New York's Public Theater last month with a two-week run of concerts at the famed venue. Starting this Thursday, Mandy takes the show to the UK for a ten-day residency at the Duke of Yorks Theatre in London's West End. While the New York performances included three distinct programs—Dress Casual, Celebrating Sondheim, and Mamaloshen—the London shows are simply titled Mandy Patinkin in Concert and will feature works by a range of celebrated songwriters and composers.