Joshua Redman and his trio begin a five-night residency at New York's Jazz Standard tonight. The New York Times says to expect "plenty of dynamism in the exchange" from the trio; the Village Voice says that "Redman's authoritative these days, and he's taught his team how to keep lots of balls in the air at once." The Guardian gives four stars to the saxophonist's recent concert with Brad Mehldau in London and the Mehldau Trio's own show there, citing the pianist's "remarkable contrapuntal improvising style and incisive musical intelligence."

I Am Love, the film to which John Adams has contributed his first-ever score, has been nominated for a Hollywood World Award for best international film; the Los Angeles Times says the score "adds a staggering emotional punch" to the film. The Times review of Sunday's LA Master Chorale performance of Klinghoffer Choruses calls Adams "an American icon" and the opera's music as "some of the most haunting Adams has written." The composer delivers the Tanner Lectures on Human Values next week at Yale.

Wilco closes out the US leg of its fall tour tonight in the second of two consecutive shows in its hometown, at the University of Illinois Chicago Pavilion, with fellow locals Tortoise opening. The Chicago Sun-Times review of Sunday's set calls them "visionaries"; the Chicago Tribune says Wilco has "evolved into something of a mini-orchestra." The National Post says Wilco's shows in Toronto last week "solidified its position as one of the greatest that ever DID get signed."

Bill Frisell takes his 858 Quartet to Southern France to start a three-week European tour tomorrow night. JamBase says his recent Nonesuch release, Disfarmer, "should please any fan of such Frisell classics as 1997’s Nashville and 1999’s outstanding Good Dog, Happy Man." The songs, inspired by the haunting work of early 20th-century American photographer Mike Disfarmer, "perfectly capture the era and the region in all of its sepia-toned beauty."

Alarm Will Sound throws album release party in NYC ... Carolina Chocolate Drops play close to home ... Christina Courtin heads south ... Philip Glass heads weekend of piano and dance at Chicago museum ... Bill Frisell Trio plays The Kennedy Center ... Emmylou Harris tours with Buddy Miller ... Low Anthem headlines in the Northwest ... Brad Mehldau Trio launches tour from London ... Punch Brothers play Carnegie Hall ... Joshua Redman Trio traverses Europe ... Allen Toussaint travels to two jazz fests ... Sara Watkins joins John Prine in Canada ... Wilco winds via Chicago ... and more ...

Bill Frisell and his trio are playing at the Kennedy Center in Washington, DC, on Friday, and the Prairie Center outside of Chicago, on Saturday. The Chicago Reader takes a look at the guitarist/composer with "an almost preternatural ability to evoke pensive, introspective moods of various flavors," and his latest Nonesuch release, Disfarmer, which "feels like a relatively unfettered expression of Frisell’s imagination."

John Adams's Doctor Atomic Symphony "comes across as a tight, visceral ride that you won't want to miss," says New Music Box of the Nonesuch recording, and "the Saint Louis Symphony Orchestra and conductor David Robertson light it on fire ... [I]t's as charmed a production as you could wish for." A new exhibit at the Dallas Museum of Art features a sculpture inspired by the opera Doctor Atomic.

Wilco's North American tour winds its way north after several stops in the South, including Friday night's show at the Palladium in Dallas, Texas. "Wilco (the album) has garnered considerable critical acclaim for bridging the extremes of this wonderfully ambitious group," says the Star-Telegram. "As Friday’s excellent performance demonstrated, letting in a little light—and calmness—cements Wilco’s standing as one of America’s finest rock bands."

John Adams's City Noir was given its world premiere last night in the Opening Night performance of the Los Angeles Philharmonic season and the Inaugural Gala of new music director Gustavo Dudamel. It "was an exceptional and exciting concert by any standard," says the New York Times's Anthony Tommasini. "Moment to moment the music [of City Noir] is riveting." The Los Angeles Times's Mark Swed says: "I can’t imagine another orchestra that could sell such a piece so effectively on the first performance."

Christina Courtin begins a three-week tour of the United States with Brooklyn trio Elizabeth & the Catapult in Pittsburgh, Pennsylvania, tomorrow night. Christina spoke with Glide magazine about self-titled Nonesuch debut album. "The truth is that Courtin’s voice and words often steal the show on her debut album," says Glide, featuring "ten songs that are able to sustain a magical level of wonder for the listener."

Brad Mehldau begins the jazz series he's programmed at London's Wigmore Hall in a duo concert with Joshua Redman next week. NPR's jazz blog A Blog Supreme recently listed the pianist's recordings as the best introduction to the jazz of today, citing his 2002 Jon Brion–produced Largo as chief among them. "This album was a big one for me," said one panelist. "It fuses masterful jazz improvisation with modern rock production."

It was a music festival–filled fall weekend with Austin City Limits and San Francisco's Hardly Strictly Bluegrass featuring a total of six Nonesuch artists: The Low Anthem, Sara Watkins, and Dan Auerbach in Austin; Emmylou Harris, Allen Toussaint, and Amadou & Mariam in San Francisco. And St. Louis welcomed Wilco to the Farm Aid benefit concert for a set Rolling Stone says "brought the crowd to its feet."