David Byrne brings "breahtlessly brilliant" concert (Evening Standard) to the Continent ... Leila Josefowicz play's Adams Violin Concerto with Houston ... Laurie Anderson puts life in focus at Rubin Museum talk ... New World Symphony premieres Andriessen's Vermeer Pictures ... Assads, Salerno-Sonnenberg revisit Gypsy music ... Black Keys play Coachella's main stage ... Carolina Chocolate Drops do Southern festivals, Record Store Day in-store ... Toumani Diabaté does two nights at NYC's Poisson Rouge ... Philip Glass plays northern New England ... Emmylou Harris visits DogTown ... Fred Hersch sets the Jazz Standard ... k.d. lang plays the Canadian Maritimes ... Mandy Patinkin & Patti LuPone do Detroit ... Keersmaker troupe dances to Reich in Dresden ... Sara Watkins plays Vanderbilt ... Wilco releases DVD, signs copies at Knoxville shop for Record Store Day ... and more ...

Allen Toussaint's Nonesuch solo debut, The Bright Mississippi, is set for release on Tuesday, April 21. You can catch a glimpse of the songs, songwriters, and guest artists on the album and take a look behind-the-scenes with Toussaint at piano and producer Joe Henry at the boards in a short video on nonesuch.com/media. The Detroit Free Press gives the album four stars. Rolling Stone says it's "pure Toussaint, emotionally and structurally expansive, yet as keenly done as one of Toussaint's perfectly knotted ties." Dusted magazine says, "It’s quite simply one of the best albums we’ll hear in 2009."

For the past few days, Wilco has made a home-away-from-home in a very welcoming Milwaukee, Wisconsin, including Jeff Tweedy's first pitch in Monday's Brewers game and a sixth-inning sausage race with Glenn Kotche and Mikael Jorgensen. Wilco also played the first of two sold-out nights at the Pabst Theater last night, in which, the Milwaukee Journal Sentinel says, the band "gave a dusty jewel of a performance," concluding of this "gorgeous patchwork quilt of the set" that "when the entire band converged ... the music exploded beautifully." Tonight's show will be webcast live on wilcoworld.net.

David Byrne takes his "relentlessly captivating" (Observer) tour to Nottingham and London ... Afro-Cuban All Stars closes out US tour in Miami ... Laurie Anderson performs at Dutch art & tech fest ... Dan Auerbach ends Aussie tour at Boogie Festival ... Christina Courtin opens for Robin Hitchcock in NYC ... Toumani Diabaté plays two more shows with Béla Fleck ... Bill Frisell plays Chi-town and Minneapolis ... k.d. lang heads home for Canada tour ... The Low Anthem plays northern New England with Ray LaMontagne ... Brad Mehldau solos in Tunisia ... Orchestra Baobab plays the Netherlands ... Joshua Redman Trio sets up shop in Seattle residency ... Sara Watkins joins Old Crow Medicine Show in Atlanta ... Wilco concert film premieres in Seattle ... and more ...

Sara Watkins, whose self-titled solo debut was released on Nonesuch earlier this week, and the album's producer, Led Zeppelin bassist John Paul Jones, are featured in a multimedia look at the album in the Wall Street Journal online. No Depression describes the album as "preternatural" for "its gossamer vocals and heavenly instrumentation," lauding Sara's "seamless interaction with a stellar cast of accompanists" and exclaiming: "From the haunting opening strains of [the album opener], you know you're in the presence of an artist working on a deeper level than your average new grasser."

Bill Frisell has teamed up with bassist Tony Scherr and drummer Rudy Royston for a series of Trio performances taking them outside DC tonight and to Chicago tomorrow. "Few jazz musicians have acquired the stature and respect of guitarist Bill Frisell," says DCist, crediting "his intensely personal sound" and "the range of timbres and colors in [his] palette." The Chicago Tribune says that, for The Best of Bill Frisell, Vol. 1: Folk Songs, the most recent Nonesuch release from this "guitarist extraordinaire ... some of his finest recordings have been assembled." The album "plays like the missing link between avant-folk guitarist John Fahey and jazz legend Miles Davis." Time Out Chicago calls him "the quintessential proponent of true roots music—embodying the ever-diverging genealogy of American music from blues and country through the outer reaches of improv heroics."

After The Low Anthem's performance with Ray LaMontagne at The Egg in Albany, New York, Monday night, the Albany Times Union described the band's music as "spare" and "magical," exuding charm in "a hushed, hypnotic way." The Low Anthem helped celebrate the 25th anniversary of West Virginia public broadcasting's Mountain Stage in a special concert last December, now streaming online. "All of them play various instruments," says the show's host, Larry Groce. "They play very subtle music, very quiet, very thoughtful, very interesting tunes."

Sara Watkins's self-titled solo debut is out today on Nonesuch. To mark the occasion, Sara is in New York City, where she'll perform on Soundcheck this afternoon at 2 PM ET, with her brother and Nickel Creek band mate, Sean Watkins, and Tom Petty and the Heartbreakers keyboardist Benmont Tench, both of whom are among the stellar list of guest artists on the new album. Sara begins an extensive US tour later this week and returns to New York on Monday to perform on Late Night with Jimmy Fallon.

John Adams's 2008 String Quartet, only his second piece for the medium after 1994's John's Book of Alleged Dances, "is a stunner," says the San Jose Mercury News, following the West Coast premiere by the St. Lawrence String Quartet at Stanford last Sunday. "[T]he piece emerged as one of his most brilliant and inventive masterworks," asserts the Mercury News, and "boasts all the attributes audiences have come to associate with Adams' best music ... [T]his is Adams at his most gripping."

Amadou & Mariam's Welcome to Mali gets "an enthusiastic double-'Buy It' rating" from the hosts of Chicago Public Radio's Sound Opinions, Jim DeRogatis (Chicago Sun-Times) and Greg Kot (Chicago Tribune). "During a rather dark, dismal, and dire week, this album was a constant source of sunshine," says DeRogatis. "This is joyous, celebratory music, absolutely, positively uplifting in its mix of Africa and the West. I love these guys to pieces." Kot concurs: "This is a great record ... I don't think I've heard a better album, beginning to end, than Welcome to Mali, in 2009." On NPR's All Songs Considered, host Bob Boilen says, "They have a deep history of making music together, but nothing quite like their new record  ... Welcome to Mali will surely be one of the best world music records of 2009."

Sara Watkins's self-titled Nonesuch debut is out this week, and, says the BBC, this founding member of Nickel Creek "steps out with a confident stride with her debut solo release." The review calls it "an assured debut ... Watkins' time in the spotlight is a triumph with her agile playing and the kind of voice that gives your goosebumps the shivers." Scotland on Sunday says "it's her affectingly authentic voice that makes her such a superb example of the new Americana." The Washington Post's Express Night Out says Sara's "performances are now in a league with the stylistically similar Allison Krauss." The Kansas City Star says it's an album "for anyone who likes the sound of a good singer and a good band hammering out good music."

With their new album, Welcome to Mali, Amadou & Mariam have "made another, more dazzling ascent to an even loftier peak," says the Huffington Post, with "music from a very big world, made for everyone in the world." Reviewer Jesse Kornbluth insists, "This is the one because it's the right idea at the right time: a bundle of joy for a hurting planet ... This is harmonious, joyous music, totally accessible pop that just happens to be symphonic in its power. Its real genius is its accessibility—it sounds so simple, so organic, that it's like a song you've always hummed (and danced to) in your private happy moments." And with the new album, "Amadou and Mariam qualify as global superstars."