Donnacha Dennehy’s Land of Winter is due November 15 on Nonesuch. The piece, performed by the composer's longtime collaborators Alarm Will Sound and conductor Alan Pierson, explores the subtleties of Ireland’s seasons via twelve connected sections representing the months of the year. "It is the varying quality of light that truly demarcates the seasons," Dennehy says, "from the shorter days of grey or piercing light in the winter to the warmer but mercurial light of summer days that at solstice stretch almost to midnight. I like this play between light and time, and it is the major inspiration behind the piece." You can watch a video for “November" here.

Hurray for the Riff Raff, aka Alynda Segarra, was joined by guitarist Johnny Wilson to perform a Track Star Presents set of songs from Segarra's new album, The Past Is Still Alive—"Alibi," "Buffalo," Colossus of Roads," and "Snake Plant (The Past Is Still Alive)"—as well as a cover of the Marcy Playground hit "Sex & Candy." Segarra also talks with host Jack Coyne about the new album, traveling the country, and first learning to play music. You can watch it here.

Laurie Anderson’s new album Amelia, about renowned female aviator Amelia Earhart’s tragic last flight, is out now. On the album, she is joined by the Czech orchestra Filharmonie Brno, conducted by Dennis Russell Davies, and Anohni, Gabriel Cabezas, Rob Moose, Ryan Kelly, Martha Mooke, Marc Ribot, Tony Scherr, Nadia Sirota, and Kenny Wollesen. Anderson shares the story behind the album in a new video you can watch here, featuring her conversations with author/journalist Jonathan Cott and conductor/arranger Dennis Russell Davies, archival photographs and film, and songs from the album.

Laurie Anderson, whose new album, Amelia, is due August 30, has shared music videos from the archives for her 1989 album Strange Angels, originally released on Warner Records, on the Nonesuch Records YouTube channel: "Beautiful Red Dress" and a series of PSAs ("Personal Service Announcements"); you can watch both here. They join her previously posted "O Superman," "Sharkey's Day," and "Language Is a Virus."

Laurie Anderson, whose new album, Amelia, is due August 30, has shared music videos from the archives for two of her projects from the 1980s, originally released on Warner Records, on the Nonesuch Records YouTube channel, joining her previously posted "O Superman" video: "Sharkey's Day," from her 1984 album, Mister Heartbreak, and "Language Is a Virus," from her 1986 film, Home of the Brave. You can watch them both here.

“Senso Comune," from Caroline Shaw's original score for Ken Burns's new two-part documentary, LEONARDO da VINCI, is out now, along with a music video you can watch here. The album, with new compositions by Shaw and performances by Attacca Quartet, Sō Percussion, Roomful of Teeth, and John Patitucci, is due October 25; the documentary airs on November 18 and 19 at 8pm ET on PBS, PBS.org, and the PBS App. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score.

Composer/guitarist Yasmin Williams stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. She chose recordings by Makaya McCraven, Cécile McLorin Salvant, Tigran Hamasyan, Ambrose Akinmusire, and Sam Amidon.

Molly Tuttle is the inaugural guest on photographer Fletcher Moore's new video series My Day With. They get ready for the day in Nashville, paint while listening to Emmylou Harris, rate taco trucks, and talk about life and music. Tuttle also performs a cover of The Cranberries' "Dreams" and a solo version of "When My Race Is Run," from City of Gold, her 2023 GRAMMY-winning album with her band Golden Highway. You can watch it here.

Chris Thile joined the National Symphony Orchestra and conductor Eric Jacobsen in concert at The Kennedy Center in Washington, DC, to perform his narrative song cycle ATTENTION!, and more this past April. Also on the program were works by Bach, Beethoven, Dvořàk, and Ellington, and Caroline Shaw. You can watch them perform "Julep," from Punch Brothers' 2015 album, The Phosphorescent Blues; the Allegro from Bach's Concerto for Two Violins in D minor; and "The Rooftop," from ATTENTION!, here.

"It's a real break. It's a real historical break from, like, anything goes ... to suddenly no, I want one chord," composer Steve Reich says of the cultural shift in his lifetime to new musical ideas by American composers, in a new video from Boosey & Hawkes for its America at 250 series. "I want to be able to hear the details that come out of staying put. It isn't recognized what a change happened in my lifetime. I'm proud, delighted, and pleased to have been a part of it." You can see what else he had to say here.

"I love this idea of 'intersection' for inspiration when it comes to describing American music or its characteristics," classical singer Julia Bullock says in a new video from Boosey & Hawkes for its America at 250 series. "There's no apology for where those inspirations are coming from, so whether it's directly quoting or imitating the sort of collage and then the depth of expression that can come out of the layering effect, I put all these things together because it brings me great pleasure and joy and often surprises me tremendously." You can watch it here.

DAVÓNE TINES & THE TRUTH’s new work ROBESON, which premiered last month at NYC’s Little Island, is due September 13 on Nonesuch. In ROBESON, Tines’ solo recording debut, the musician grapples with the legacy of a hero. Exploding the musical repertoire of Paul Robeson, Tines and his band the Truth—pianist John Bitoy and sound artist Khari Lucas—take listeners on a trip from the stage of Carnegie Hall to the floor of a Moscow hotel room in an attempt to understand an icon not through aspiring to his monumentality, but through connecting to his vulnerability. The album track “THE HOUSE I LIVE IN" and a video for it directed by Tines are available today.