Mandy Patinkin celebrated the 20th anniversary of his first performance at New York's Public Theater last month with a two-week run of concerts at the famed venue. Starting this Thursday, Mandy takes the show to the UK for a ten-day residency at the Duke of Yorks Theatre in London's West End. While the New York performances included three distinct programs—Dress Casual, Celebrating Sondheim, and Mamaloshen—the London shows are simply titled Mandy Patinkin in Concert and will feature works by a range of celebrated songwriters and composers.

"If it's difficult to describe the music that Chris Thile has been making since before he reached puberty, that's just the way he likes it." So says Frank Oteri in his introduction to an interview with Thile for New Music Box. "But even by his standards," Oteri continues, "the projects he's gotten involved with in the past couple of years completely confound expectations." Among those projects are Punch Brothers and its Nonesuch debut, Punch, and his self-titled debut duo record with bassist Edgar Meyer. "Now," Oteri suggests, "everything and anything is possible."

Christina Courtin, the New York City–based singer/songwriter/violinist, is due to make her Nonesuch album debut this year. She starts the year off with a performance in the city this Thursday night at Le Poisson Rouge, with singer/pianist/composer Gabriel Kahane opening. The New York Times says Courtin's voice "feels uniquely otherworldly, as if it couldn’t possibly be entirely human born." Time Out New York lists her among the people to watch in 2009, praising "her commanding, undulating voice" and finding in her songs "an exquisiteness that extends beyond any genre ghetto."

John Adams's memoir Hallelujah Junction was featured on 2008's final episode of NPR.org's Book Tour, which broadcast a reading from the book the composer gave in November. The show's host calls Adams "one of America's leading avant-garde composers, and as he proves in this compelling memoir, possibly one of the loveliest human beings you're likely to encounter between the covers of a book." She describes his compositions as "erudite, philosophical, but spun through with the play and polish of popular culture."

Betty Freeman, an ardent supporter of contemporary composers like John Adams, Steve Reich, and Philip Glass, died at her home in Los Angeles this past Sunday, January 4, at the age of 87. Freeman will be remembered for her commitment to new music, commissioning such seminal works as Reich's Different Trains. She was also an accomplished photographer, deftly capturing the composers she supported, as in the cover photo of the Steve Reich's Works: 1965-1995, pictured here, taken during a 1976 rehearsal of Music for 18 Musicians.

Since the last Nonesuch Journal entry of 2008, which laid out scores of year-end best-of lists featuring Nonesuch albums and artists, still more critical praise has come in placing this music among the year's best.

While 2008 may go down as one of the more turbulent years in recent (or distant) memory, or, more optimistically, a time of change, there is much to celebrate in the year in music. Nonesuch artists across all genres have contributed to that and, accordingly, have made their way onto many critics' lists of the year's best. For the final Nonesuch Journal article of the year, we offer an overview of just some of that year-end critical praise.

The Recording Academy, the organization behind the Grammy Awards, will honor Elliott Carter and Allen Toussaint with the special Trustees Award during Grammy week in February. The award recognizes outstanding contributions to the industry in a non-performing capacity, as determined by a vote of The Recording Academy's National Board of Trustees. Says Neil Portnow, the Academy's President/CEO, says of this year's recipients: "Their outstanding accomplishments, legendary passion and artistry have positively affected our culture and will continue to influence and inspire generations to come."

The Mandé Variations, Toumani Diabaté's first solo album in more than two decades, is one of five albums CBS Sunday Morning contributor Bill Flanagan recommends as musical gift ideas "that haven't gotten the attention they deserve." Says Flanagan: "Toumani Diabaté is the master of the kora ... and he has a beautiful new album called The Mandé Variations. After a tough day looking for a parking space at the mall, this album will bring you back to a spirit of peace on Earth."

'Tis the season for Top 10 lists, and there's no shortage of Nonesuch artists among the critics' choices for Best of 2008; the Nonesuch Journal will bring you the complete round-up next week in our year-end report. In the mean time, at the risk of being unseasonably un-humble, we would like to point out a different sort of best-of mention: The Independent (UK) has named Nonesuch.com one of the Top 10 Music Websites of the Year.

"I'm always in the mood for Randy Newman lately," says author Sarah Vowell during her stint as guest DJ at KCRW. She includes Randy's song "The World Isn't Fair" among the five favorites she brings to KCRW's Guest DJ Project. In the song, Randy offers the success of certain "froggish men, unpleasant to see," with their beautiful Hollywood wives, as a contemporary example of capitalist disparities Karl Marx might find repugnant. "[T]he thing I really love about this song and it's something I guess I try to do writing about history," says Vowell, "is this song takes this turn in the middle."

The Black Keys are getting set to head south for the summer in a two-week tour of Australia, starting December 29 just outside Perth. You can catch some of that in-concert Black Keys energy with their recently released Nonesuch DVD, Live at the Crystal Ballroom, which the Boston Herald recommends it the perfect last-minute gift suggestion and "the next-best thing to seeing this dynamic rock duo in-person," with bonus features behind the scenes "of the awesome Attack & Release."