Brad Mehldau shared the bill with jazz greats Ellis Marsalis with his Quintet and McCoy Tyner with his Trio for the final performance of the season at the Greek Theatre in Los Angeles Sunday night. The Los Angeles Times describes it as "an evening of seriously dynamic piano jazz, each artist taking a different path to a similar destination" and credits Brad with setting "the evening's tone with a delicately filigreed solo set ..." The review cites as "one of the evening's standouts" Brad's "haunting, occasionally dissonant cover of Nick Drake's 'River Man.'"

Punch Brothers are on the road again, touring the States, following Chris Thile's duo tour with bassist Edgar Meyer. Last night, the quintet performed at the University of Buffalo Center for the Arts. The Buffalo News says that as "Bach eventually begat Beethoven," so too has Punch Brothers taken "Bill Monroe’s speeded-up version of old-time country music and accelerating it into another century." The review calls Chris "ferociously gifted," Noam Pikelny's banjo playing "revelatory and a perfect counter for Thile’s high flying skills," and their bandmates' playing "masterful."

The Met premiere production of John Adams's opera Doctor Atomic concluded last Thursday; this weekend, the Atlanta Symphony will give a staged production of the piece. Tonight, the composer is at Harvard to lead a performance of The Wound-Dresser, followed by a discussion. The Boston Globe talks with the composer about this "particularly rich time" in his life, as "one of America's busiest and most original composers" and features a review of Adams's memoir, Hallelujah Junction, that concludes: "[T]his is a book that any aspiring artist, in any medium, should read as a kind of how-to guide to achieving artistic success without losing integrity, something that seems to many young artists today nearly impossible. In fact, it is a book for anyone who wants to create something—including a self."

Nonesuch Records is pleased to announce that singer/songwriter/guitarist Dan Auerbach, best known as half of The Black Keys, will release his solo debut, Keep It Hid, on February 10, 2009. Dan will begin a national tour with performances in New York City, Boston, and Washington, DC, with opening acts Those Darlins and Hacienda, the latter also lending support as Auerbach’s backing band.

Rokia Traoré's latest Nonesuch album, Tchamantché is due to hit stores in the US come January. It was released earlier this year in the UK to rave reviews. The Independent calls it her best yet and recommends her set this Wednesday at London's Jazz Café as a "show you shouldn't miss." The album earned a perfect five stars from The Guardian, which called it "an intriguing, sophisticated and often intimate set that is quite unlike any of the other great music Mali has produced." The Times gives the album four stars, exclaiming that with it, "the breadth of her artistic vision has emerged fully formed in her music." The Sunday Times, The Financial Times, and The Evening Standard all give Tchamantché four stars as well, and The Daily Telegraph named it Pop CD of the week upon its release.

Don Byron celebrates his 50th at New York's Jazz Standard with music from his Nonesuch catalog ... Kronos plays Adams's Fellow Traveler ... The Black Keys tour the UK with Liam Finn ... Shawn Colvin plays NY state ... Toumani Diabaté concludes his US fall tour ... Bill Frisell rounds out his European Trio tour of film music at the Barbican ... Emmylou Harris joins Garrison Keillor on A Prairie Home Companion ... k.d. lang closes out the latest leg of her Watershed tour ... Brad plays the Greek Theatre's final concert of the season ... the Nicholas Payton Quintet plays the high seas ... Joshua Redman plays Portugal ... Allen Toussaint does two dates in Virginia ... Dawn Upshaw brings Kurtág's Kafka Fragments to Lincoln Center ... and more ...

Nonesuch Records congratulates Sérgio Assad, winner of the 2008 Latin Grammy Award for Best Classical Contemporary Composition for "Tahhiyya Li Ossoulina," off Sérgio and Odair Assad's latest Nonesuch album, Jardim Abandonado. The ninth annual Latin Grammy awards were handed out last night in a celebration at the Toyota Center in Houston, Texas, broadcast live on Univision, that included a live performance by label mate Fernando Otero.

"Never again will a record company essay what the producers of the Nonesuch Explorers did in 1967, bringing out a series of superb field recordings to make, eventually, a 92-record set," says The Scotsman in its five-star review of the two titles that marked the reissue of a number of Japanese Explorer Series albums on CD this fall: Koto Classics and Geza Music from the Kabuki. "The vinyl LPs ... brought to light a wealth of hitherto hidden traditions," says the review, and their return as remastered CDs "is simply wonderful, because much of this music—four decades on—is now either extinct or grievously debased."

Saxophonist Joshua Redman’s 2007 album Back East was his first recording as the leader of an acoustic sax/bass/drums trio. The seminal 1957 Way Out West by his hero Sonny Rollins provided a conceptual impetus for Redman’s album. Among other accolades, the New York Times called Back East, “the most agile and personal record of his career.” Going one step further on concepts from that album, Redman entered the studio with four friends and colleagues—Brian Blade (drums), Larry Grenadier (bass), Gregory Hutchinson (drums), and Reuben Rogers (bass)—who, with Redman, became a rotating, and intertwining, pair of trios. Together they recorded what became Redman’s new Nonesuch album, Compass, which will be released on January 13, 2009.

Toumani Diabaté's US fall tour comes to a close tomorrow night at Chicago's Old Town School of Folk Music after a show tonight at the Cedar Cultural Center in Minneapolis. The Seattle Times reports from his "showstopper" performance at the Earshot Jazz Festival last weekend that "Diabaté did not disappoint" with "a sometimes diabolically impossible round of riffs and variations." The Minneapolis City Pages calls Toumani's latest release, The Mandé Variations, a "tour de force" and "a shimmering mix of traditional and startling experimental pieces played with the exquisite touch and resolute soulfulness that are his trademarks." Time Out Chicago calls it "exquisite" as well, and the Chicago Tribune says the new album from this "legend from Mali ... affirms that he's only gotten better and bolder" over the years.

Clarinetist/composer Don Byron celebrates his 50th birthday with a series of four different programs at New York's Jazz Standard, beginning tonight and running through Sunday. Opening the festivities this evening is Don Byron Plays the Music of Mickey Katz, in which Byron revisits his groundbreaking 1993 klezmer-rooted Nonesuch album of the same name. Next is music from Byron's classic 1996 release Bug Music, featuring works by Duke Ellington and others. On Saturday, the Don Byron Quartet takes the stage, and closing out the celebration on Sunday, Byron returns to his Nonesuch catalog and his Latin-focused 1995 recording, Music for Six Musicians.

Bill Frisell has been traveling across Europe with Tony Scherr and Kenny Wollesen playing film music to the films of Buster Keaton, Bill Morrison, and Jim Woodring. The trio will take the show to the Barbican in London this Saturday night as part of the London Jazz Festival. In a feature profile, The Times (UK) calls the mild-mannered guitarist "a one-off ... the Clark Kent of jazz guitar—beneath his mild exterior lurks a supernatural talent," and his latest release, History, Mystery, "delightful."