Ballet Theatre Afrikan begins its latest Hooked on Classics series tonight with choreographer Christopher Kindo's Sollopa, featuring the music of Giya Kancheli's Night Prayers by Kronos Quartet, at the University of Johannesburg Arts Centre. According to joburg.org.za, the official site of the city of Johannesburg, Sollopa uses the "mesmerising music" of Night Prayers to tell a tale of magic and passion in a mythical kingdom, through both classical and contemporary dance movement. Ballet Theatre Afrikan premiered the piece in 2004. 

The Sweeney Todd film site has now been fully updated to include all the latest information on the upcoming release—production notes, cast and crew bios, trailers, behind-the-scenes video, a photo gallery, and all sorts of downloads featuring the film's stars. The site also features streaming audio of songs off the soundtrack, which will be available from Nonesuch December 18.

On the same day that Nonesuch Radio has added to its playlist two tracks from Jonny Greenwood's There Will Be Blood score, The Playlist, a website dedicated to all things movie music, is streaming two additional songs from the soundtrack: "Proven Lands" and "There Will Be Blood." The film—"pretty much at the top of everyone's most anticipated list," says the site—will be in limited release December 26, and the soundtrack will be available December 18 from Nonesuch.

Youssou N'Dour resumes his North American tour tonight at the Rio Theatre in Santa Cruz, California. On Friday, he makes his way to San Francisco for the season finale of 25th Annual SF Jazz Festival. "N'Dour shows that he has lost neither charm nor youthful energy," says SF Weekly of his new album, Rokku Mi Rokka (Give and Take). "The rhythmically rich music works like a frame around his high-pitched voice, and the music is able to captivate even the most jaded listener, world music fan or otherwise."

Tonight marks the first night of public performances in New England Conservatory's two-day, four-concert Steve Reich festival. "Reich is that rare breed," writes Bostonist.com in a preview of the events: "the composer admired by the concert hall crowd but enjoyed by everybody." And with all of the concerts free of charge, Bostonist suggests taking in both nights, including tonight's Music for 18 Musicians and the Boston premiere of City Life and Daniel Variations on Thursday.

Last night, Pat Metheny played the last in a string of dates in South Africa with the trio from his upcoming Nonesuch release, Day Trip—bassist Christian McBride and drummer Antonio Sanchez. The Independent (South Africa)'s entertainment guide, Tonight, reports that the Sunday show in Durban was "the gig we were all itching for." After hearing the trio perform songs from Day Trip and others, the site declares: "'Gig of the year' was the general pronouncement."

This Friday night, Alarm Will Sound will make its Stanford University debut with the world premiere of John Adams's Son of Chamber Symphony, which the composer wrote for the innovative ensemble. Adams's first Chamber Symphony received its world premiere at The Hague in 1993. Also on Friday's program at Stanford's Dinkelspiel Auditorium are works by Conlon Nancarrow, Michael Gordon, and Aphex Twin. 

Jonny Greenwood's score for the Paul Thomas Anderson film There Will Be Blood won't be available for another few weeks (release date: December 18), but Nonesuch Radio is now streaming the two opening tracks off the album—"Open Spaces" and "Future Markets." To listen, click on the Nonesuch Radio icon at the top left of this screen.

Nonesuch wishes Randy Newman a very happy birthday. He turns 64 today.

David Byrne was on hand last week for Caetano Veloso's first show at the Nokia Theatre in New York, and he's written about the experience in his blog. In this excerpt, he describes how Caetano and his band allayed any concerns about the mix of styles in pairing the new songs in a set with the familiar older favorites. Riding home on his bike after the show, Byrne passed the brand-new home of the New York Times—a towering skyscraper designed by starchitect Renzo Piano—and took the occasion to muse on the state of journalism.

The London Jazz Festival has come to a close, but not before Joshua Redman brought his virtuoso sax playing to Queen Elizabeth Hall. He and his trio—bassist Reuben Rogers, drummer Greg Hutchinson—performed a set that included songs from his latest album, Back East. "Possessing an endless fund of ideas, effortless fluency, muscular tone and an immaculate technique," says the Observer, "he must be the most perfect tenor saxophonist alive today, and on Thursday he demonstrated flawlessly sculpted phrases and total control of the instrument, to the very extremities of its range." The Financial Times says it was "a masterclass in controlled collective improvisation." 

Sérgio and Odair Assad performed in their first of three concerts as part of the Adelaide International Guitar Festival on Saturday. The Adelaide Advertiser says: "[They] performed a truly classical duet for acoustic guitars, interweaving, ornamenting, and supporting each other perfectly. Their program of South American pieces was highly expressive, showing masterful control of mood and tonal quality." Up next for the Assads at the Festival: two concerts this weekend with the Adelaide Symphony Orchestra featuring Ravel's Rhapsodie Espagnole.