Laurie Anderson spoke with BBC Radio 6 Music's Mary Anne Hobbs, sharing memories of her early years in New York City and offering some favorites about life in the city now. You can listen to their conversation here.

Jonny Greenwood's Academy Award–nominated score to Paul Thomas Anderson's Phantom Thread is now available on CD, following its digital release earlier this year and ahead of the double-LP vinyl release on April 20. "This is startlingly expansive music," says the Guardian's Bim Adewunmi, "liable to make the listener believe they can leap buildings in a single bound, and when the strings sweep in, in the middle of 'House of Woodcock,' it’s all I can do to remain tethered to the Earth." IndieWire calls it "a masterpiece," the year's best score and one of the century's best as well.

Robert Plant, who begins a sold-out US tour with his band the Sensational Space Shifters tonight, has released a video of their performance of "Carry Fire," the title song to his new album, at the O2 Apollo in Manchester, England, on their sold-out UK tour last November. You can watch it here.

Rhiannon Giddens plays three nights of sold-out shows with Dirk Powell in NYC … Sam Amidon tours Italy … Laurie Anderson brings The Language of the Future to Wisconsin … Dan Auerbach begins Easy Eye Revue tour ... Audra McDonald joins Indianapolis Symphony Orchestra … Robert Plant begins sold-out US tour … Joshua Redman plays in Miami … Rostam takes Half-Light tour to Midwest … and more …

Laurie Anderson and Kronos Quartet's first collaboration, Landfall, due February 16, is streaming in full till then as an NPR First Listen. In the piece, inspired by Anderson's experience of Hurricane Sandy, "she doesn't revisit the storm so much as ruminate—sometimes with dry wit—on the idea of how we handle loss," says NPR's Tom Huizenga. "With a dream-like blend of electronics, acoustic instruments, high-tech software and voice overs, she searches for meaning in the mystery of it all."

"I immediately got completely kidnapped by the musical world of John Adams," filmmaker Luca Guadagnino tells Pitchfork. Nonesuch recordings of Adams's music have been featured memorably in the three films of Guadagnino's "Desire Trilogy": Call Me By Your Name, A Bigger Splash, and I Am Love, which is scored entirely with Adams's music. All of that can now be heard here via new Nonesuch playlists on Spotify and Apple Music.

Laurie Anderson and Kronos Quartet have shared a fourth track from their forthcoming album, Landfall: "CNN Predicts a Monster Storm." The video for the song premiered via The Quietus, which spoke with Anderson and Kronos's David Harrington about this "first recording collaboration between two of contemporary music’s most renowned figures." Watch the video here.

The Los Angeles Philharmonic has announced its 2018–19 concert season—its centennial season—and among the artists joining the orchestra to perform this season at Walt Disney Concert Hall are John Adams and Audra McDonald. The LA Phil will also give the world premiere of new works by Adams, Steve Reich, and Louis Andriessen.

Rhiannon Giddens and Dirk Powell were on WNYC's Soundcheck. They discussed and performed music from her 2017 album, Freedom Highway, which she co-produced with Powell in his Louisiana studio, songs from an in-progress theater work, and more. Watch the episode here.

Dan Cohen has joined Nonesuch Records as vice president of marketing. Cohen comes to the label from Republic Records, where he was vice president of marketing for the past two years and worked on projects such as Lorde's #1 debut album and John Mellencamp's highest chart debut in a decade, along with campaigns for Jack Johnson, Mondo Cozmo, Phantogram, Marian Hill and more. In his new position, Cohen reports to Nonesuch President David Bither and is based at the label's global headquarters in New York City.

Steve Reich's Pulse / Quartet is now available on CD and digitally, with the vinyl to come on March 30. Pulse is performed by the International Contemporary Ensemble, and Quartet is played by the Colin Currie Group. The Los Angeles Times notes the "lyricism, gorgeous instrumental textures and affecting harmonies" of Pulse, and the New York Times says of Quartet: "Written for two vibraphones and two pianos, Quartet is Mr. Reich's first piece for those two instruments alone, and the combination is ingenious and seductive, and deployed with subtle craftsmanship."

IndieWire has published its list of The 25 Best Movie Scores of the 21st Century, including five for which Nonesuch released the soundtrack: Philip Glass's score to Stephen Daldry's 2002 film The Hours; Clint Mansell's for Darren Aronofsky's 2006 film The Fountain, performed by Kronos Quartet and Mogwai; and three scores to Paul Thomas Anderson films—Jon Brion's for 2002's Punch-Drunk Love, and Jonny Greenwood's for 2007's There Will Be Blood and the just-released Phantom Thread. IndieWire says "the last 18 years have given us some of the most memorable music ever written for the movies."