Cécile McLorin Salvant performs from Mélusine at Jazz at Lincoln Center in NYC tonight and Saturday; the latter streams live. Thomas Adès leads Ballet Opéra de Paris in Dante and discusses it with set/costume designer Tacita Dean. Sam Amidon joins Winona Symphony Orchestra in Minnesota. Tyondai Braxton premieres new work in Chicago. Mary Halvorson performs at Walker Art Center in Minneapolis. Tigran Hamasyan is in São Paulo. Emmylou Harris is in Napa. Hurray for the Riff Raff and First Aid Kit tour Denver and Salt Lake City. Kronos Quartet is in Berlin. Brad Mehldau plays Jonny Greenwood with Netherlands Chamber Orchestra in Amsterdam. Natalie Merchant sings in Chicago and Milwaukee. Molly Tuttle & Golden Highway are in Oklahoma, Arkansas, and Missouri.

Molly Tuttle and her band Golden Highway—Bronwyn Keith-Hynes on fiddle, Dominick Leslie on mandolin, Shelby Means on bass, and Kyle Tuttle on banjo—perform "El Dorado," from their upcoming album, City of Gold, live in a new video. The video was directed by Michael Kessler at Sound Emporium Studio A in Nashville, where the new album was recorded. You can watch it here.

Emmylou Harris’s second Nonesuch album, Stumble Into Grace, was released on September 23, 2003. Ahead of its twentieth anniversary, Nonesuch releases the album on vinyl for the first time, in a limited cream-colored vinyl edition, out now. On this, her second consecutive album of original material, following her Nonesuch debut album, Red Dirt Girl, Harris is joined by guests like Linda Ronstadt, Kate and Anna McGarrigle, Gillian Welch, Jane Siberry, Buddy Miller, Daniel Lanois, and Malcolm Burn, who produced the record.

Rhiannon Giddens concludes a UK tour with Francesco Turrisi and a banner week at Norfolk & Norwich Festival, Birmingham Town Hall, and Saffron Hall in Essex. Thomas Adès leads Ballet Opéra de Paris in The Dante Project. Sam Amidon is in Galway and Belfast. Hurray for the Riff Raff is in Santa Barbara. Kronos Quartet gives French premiere of Terry Riley's Sun Rings at Philharmonie de Paris. Makaya McCraven is in Queens for Outline Festival. Brad Mehldau Trio is in Stockholm. Natalie Merchant sings in Cleveland and Cincinnati. Molly Tuttle & Golden Highway play the North Carolina Brewers and Music Festival.

Laurie Anderson is on The Pitchfork Review podcast. The episode features her conversation with Pitchfork Editor-in-Chief Puja Patel, Kim Gordon, and writer/editor Sinéad Gleeson from the Chicago Humanities Festival in May 2022. They discuss This Woman’s Work, an essay anthology edited by Gordon and Gleeson, which includes a piece about Anderson, and more. You can hear their conversation here.

Makaya McCraven, who performs at the Knockdown Center in Queens, NY, this Saturday as part of the Outline Festival, is the guest on the latest episode of the International Anthem Podcast. McCraven spoke with host Ayana Contreras from his Chicago home about the reception of his acclaimed new album, In These Times, and revisits the concepts, intentions, growth, and changes the work encompassed along his decade-long journey of making it. You can hear their conversation here.

Composer/pianist Timo Andres is on The Next Track podcast to talk about a number of contemporary classical pieces, including those on his own Nonesuch albums Home Stretch and Shy and Mighty, Steve Reich’s Music for 18 Musicians, Morton Feldman’s Piano and String Quartet, Philip Glass’s Einstein on the Beach, Terry Riley’s In C, and works by Cage, Messiaen, Pärt, Rzewski, Takemitsu, and Sufjan Stevens. You can hear it here.

Rhiannon Giddens’ You’re the One, her third solo studio album and her first of all original songs, is due August 18. This collection of twelve tunes written over the course of her career bursts with life-affirming energy, drawing from the folk music she knows so deeply and its pop descendants. The album was produced by Jack Splash (Kendrick Lamar, Solange, Alicia Keys, Valerie June) and recorded in Miami with a ten- to twelve-person ensemble including Giddens’ closest musical collaborators from the past decade and a horn section. The lone featured guest on the album is Jason Isbell on "Yet to Be." The album's title track is out today; you can watch the lyric video here. Giddens will lead the biggest headlining shows of her career to celebrate the album's release.

Congratulations to Rhiannon Giddens and Michael Abels, who have won the 2023 Pulitzer Prize in Music for their opera Omar. Based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston from Africa in 1807, Omar premiered at the Spoleto Festival USA in Charleston in May 2022 and has been performed by LA Opera, Lyric Opera of Chicago, Carolina Performing Arts at the University of North Carolina Chapel Hill, and Boston Lyric Opera; it will be performed by San Francisco Opera in November.

“We have this tendency to group ourselves, but then we also have this ability—through music, through dance, through food—to come together and make something new,” Rhiannon Giddens says on the PBS mini-series The Articulate Hour hosted by Jim Cotter. The episode delves into humans' contrasting needs for community and solitude and includes a conversation with Giddens and performances by her and Francesco Turrisi. You can watch it here, along with the second episode of her own PBS series My Music with Rhiannon Giddens, with guest Allison Russell.

Molly Tuttle stopped by Garden & Gun in Charleston to perform a Back Porch Session for the magazine. She is joined by Golden Highway band member Kyle Tuttle on banjo to perform “Where Did All the Wild Things Go?,” from their upcoming album, City of Gold, and three songs from their Grammy-winning debut album, Crooked Tree: the title track, “Dooley’s Farm,” and “Over the Line.” You can watch it here.

Cécile McLorin Salvant's new album, Mélusine, released last month on CD and digitally, is now available on vinyl worldwide here. The album features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. "Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to Mélusine without further delay," exclaims Jazzwise. "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."