Pianist Jeremy Denk is the guest on the latest episode of NPR’s Fresh Air with Terry Gross to talk about his music-making and his new book, Every Good Boy Does Fine, which comes out Tuesday on Random House. They listen to and discuss several tracks from Denk’s 2019 Nonesuch album, c. 1300–c. 2000, which presents the centuries-long evolution of musical expression drawn in a single arc by the music of twenty-four different composers. You can hear their conversation here.

Punch Brothers are on the latest episode of NPR’s World Cafe. Chris Thile and “Critter” Eldridge talk with host Raina Douris about Punch Brothers’ new album, Hell on Church Street, a reimagining of, and homage to, the landmark solo album Church Street Blues by the late bluegrass great Tony Rice, whom Thile calls “a beacon of creative energy in the roots community.” The band also shares live performances of four album tracks: Norman Blake’s “Church Street Blues” and “Orphan Annie,” the traditional tune “Cattle in the Cane," and Gordon Lightfoot’s “Wreck of the Edmund Fitzgerald.” You can hear it all here.

Jeremy Denk was on CBS Sunday Morning to discuss his new book, Every Good Boy Does Fine, out this Tuesday on Random House. The book is "a performer's love song to the craft of the thing piano students usually hate: practice," says correspondent John Dickerson. You can watch their conversation here. Denk tells the New York Times: "I enjoy art that antagonizes you, and then, slowly, in an emotional striptease, reveals a gooey, loving center." Also on CBS Sunday Morning was Mandy Patinkin, to discuss Stephen Sondheim's Sunday in the Park with George.

Punch Brothers were on CBS Saturday Morning to perform a Saturday Sessions set of three songs from their new album, Hell on Church Street: Jimmie Rodgers’ “Any Old Time,” the traditional tune “Cattle in the Cane,” and Norman Blake’s “Church Street Blues.” You can watch all three performances here.

Brad Mehldau’s new album, Jacob’s Ladder, is out now on CD and digital; the vinyl is due June 17. The album features new music that reflects on scripture and the search for God through music inspired by the prog rock he loved as a young adolescent—his gateway to the fusion that eventually led to his discovery of jazz. Featured musicians on the album include label mates Chris Thile and Cécile McLorin Salvant, as well as Mark Guiliana, Becca Stevens, Joel Frahm, and others. Mojo calls it "a kaleidoscopic affair, where baroque prog-rock edifices are juxtaposed with clouds of ethereal choirs, dreamy piano interludes, and squalls of free jazz-style clarinet. Skillfully weaving these elements into storytelling sound collages, Mehldau takes the listener on a memorable musical journey."

The Staves have released their take on Kate Bush's "Cloudbusting," from her landmark 1985 album, Hounds of Love, and a digital EP featuring that and the five tracks in their Be Kind series of stripped down, alternative versions of songs from their 2021 album, Good Woman. The Be Kind EP includes "Cloudbusting," "Devotion," "Careful, Kid," "Failure," "Best Friend," and "Good Woman." 

Molly Tuttle’s new song, “Big Backyard,” featuring special guests Old Crow Medicine Show alongside her new bluegrass collective, Golden Highway, is out now. It's the fourth track from her upcoming Nonesuch debut album, Crooked Tree. "I wish that Woody Guthrie were still around," Tuttle says. "I’d love to hear the songs he would write about the crazy world we’re living in today. But since he’s not, Ketch Secor and I wrote the best Woody Guthrie song we could think of. Old Crow Medicine Show joined in on the chorus and made it shine. We’re all one family in the big backyard, it ain’t mine it ain’t yours it’s all of ours!"

Hurray for the Riff Raff (aka Alynda Segarra) begins a headline tour of the US and Canada featuring songs from their Nonesuch debut album, LIFE ON EARTH, this weekend. The month-long, 20-city tour starts in Atlanta on Saturday, with shows in Austin, Los Angeles, Pioneertown, San Francisco, Portland, Seattle, Vancouver, Salt Lake City, Denver, Minneapolis, Chicago, Columbus, Toronto, Boston, Brooklyn, Philadelphia, DC, Durham, and Nashville. After performing at New Orleans Jazz Fest and We Are One Festival, Hurray for the Riff Raff heads to Europe and the UK to tour this summer.

Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson makes her Nonesuch debut with two albums, Amaryllis and Belladonna, due May 13. The two suites, which Halvorson describes as “modular and interlocking,” come in a two-LP vinyl set or as two separate CDs and digital albums, produced and mixed by John Dieterich. Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers; the Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date. Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet, whose parts are through-composed and augmented by Halvorson’s guitar improvisations. You can watch a video for the Amaryllis track "Night Shift" here.

David Byrne is on the Talk Easy podcast hosted by Sam Fragoso. They discuss his show American Utopia, which marks its last few weeks on Broadway and which Fragoso calls “dazzling … remarkable,” the celebratory nature of performing the show for audiences as people have begun to congregate again, and much more. You can hear it here.

Nonesuch Records will release a three-LP/three-CD box set of albums from the great Argentine composer, bandleader, and bandoneón player Astor Piazzolla—originally released by American Clavé Records in the 1980s and reissued by Nonesuch more than two decades ago—on May 6, 2022. Astor Piazzolla: The American Clavé Recordings marks the first time this landmark trio of albums—Tango: Zero Hour, La Camorra: The Solitude of Passionate Provocation, and The Rough Dancer and the Cyclical Night (Tango Apasionado)—is being issued as a set, now remastered, and is the first time the albums have been available on vinyl since their initial release on American Clavé. The set’s liner notes include original and new notes by the albums’ producer and American Clavé founder Kip Hanrahan and an essay from journalist Fernando González, who translated and annotated Piazzolla’s memoirs and wrote liner notes for four of his albums.

The Black Keys' eleventh studio album, Dropout Boogie, is due May 13 on Nonesuch Records. As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for Dropout Boogie in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach’s Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums. You can watch the video for the first single, "Wild Child," here.