David Byrne Unveils "Get It Away," New Soundwork Created in "A Room for London" Residency

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

David Byrne, whose album with Caetano Veloso Live at Carnegie Hall was released last week, has unveiled Get It Away, a new soundwork he created while living in A Room for London, a one-bedroom riverboat installation atop the Queen Elizabeth Hall in London, last month. "I brought along some field recording gear to use while I was staying in the lovely pod/room/boat," Byrne explains. "I went out during the day and recorded sounds that I thought might be useful and evocative." Watch Get It Away here.

Copy

David Byrne—whose album with Caetano Veloso Live at Carnegie Hall was released on Nonesuch Records last week—has unveiled the new soundwork he created for the Hearts of Darkness series of projects. Byrne designed the piece, titled Get It Away, while living in A Room for London, a one-bedroom riverboat installation atop the Queen Elizabeth Hall in London, last month. A Room for London is a collaboration between Artangel and Living Architecture, in association with Southbank Centre.

"I brought along some field recording gear to use while I was staying in the lovely pod/room/boat," Byrne explains. "I went out during the day and recorded sounds that I thought might be useful and evocative. It turned out that most of the sounds—even the church organ in Southwark Cathedral—seemed to converge around a common rhythm. It's a bit too good to be true—that every large city should have its own rhythm, but here it is. I let the sounds dictate the groove, the tempo, and then I simply played along."

London's tempo, he says, is 122.86 beats per minute.

A Room for London also plays host to Sounds from a Room, a series of live music webcasts, such as one from Laurie Anderson, which will take place this Sunday at 5 PM GMT, and from Amadou & Mariam, set for May 23.

Watch the resulting work of David Byrne's residency, Get It Away, below. Read more about the project and his source material for the video and sound recording at aroomforlondon.co.uk.

David Byrne: Get It Away from Artangel on Vimeo.

featuredimage
David Byrne: "A Room for London," photo by Tom Oldham
  • Thursday, March 22, 2012
    David Byrne Unveils "Get It Away," New Soundwork Created in "A Room for London" Residency
    Tom Oldham

    David Byrne—whose album with Caetano Veloso Live at Carnegie Hall was released on Nonesuch Records last week—has unveiled the new soundwork he created for the Hearts of Darkness series of projects. Byrne designed the piece, titled Get It Away, while living in A Room for London, a one-bedroom riverboat installation atop the Queen Elizabeth Hall in London, last month. A Room for London is a collaboration between Artangel and Living Architecture, in association with Southbank Centre.

    "I brought along some field recording gear to use while I was staying in the lovely pod/room/boat," Byrne explains. "I went out during the day and recorded sounds that I thought might be useful and evocative. It turned out that most of the sounds—even the church organ in Southwark Cathedral—seemed to converge around a common rhythm. It's a bit too good to be true—that every large city should have its own rhythm, but here it is. I let the sounds dictate the groove, the tempo, and then I simply played along."

    London's tempo, he says, is 122.86 beats per minute.

    A Room for London also plays host to Sounds from a Room, a series of live music webcasts, such as one from Laurie Anderson, which will take place this Sunday at 5 PM GMT, and from Amadou & Mariam, set for May 23.

    Watch the resulting work of David Byrne's residency, Get It Away, below. Read more about the project and his source material for the video and sound recording at aroomforlondon.co.uk.

    David Byrne: Get It Away from Artangel on Vimeo.

    Journal Articles:Artist NewsVideo

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element. 

    Journal Topics: Album ReleaseArtist News
  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."

    Journal Topics: Artist News