Donnacha Dennehy, Steve Reich Albums Make WNYC's "New Sounds" Listeners' Top Ten of 2011

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Listeners of New Sounds, from New York NPR member station WNYC, have chosen their picks for the Top Ten best new releases of 2011, and topping the list is Donnacha Dennehy's Nonesuch Records debut album, Grá agus Bás. On the list at No. 3 is Steve Reich's latest, WTC 9/11. Both albums had previously made NPR Music's best-of-the-year lists. New Sounds host John Schaefer also includes Dennehy's Grá agus Bás on his list of the year's best.

Copy

Listeners of New Sounds, the new-music show from New York NPR member station WNYC, have chosen their picks for the Top Ten best new releases of 2011, and topping the list as what the show calls "a clear front-runner" is Irish composer Donnacha Dennehy's Nonesuch Records debut album, Grá agus Bás, which features performances by Dawn Upshaw, Irish singer Iarla O’Lionáird, and the Dublin–based Crash Ensemble. On the list at No. 3 is Steve Reich's latest Nonesuch release, WTC 9/11, with performances by Kronos Quartet, Sō Percussion, and members of Steve Reich and Musicians. (Also on the list is Chris Thile's project with Yo-Yo Ma, The Goat Rodeo Sessions.) Both Dennehy's and Reich's albums had previously made NPR Music's best of the year lists.

John Schaefer, the host and producer of New Sounds and host of WNYC's Soundcheck, recently celebrated his 30th anniversary at the station with the help of Steve Reich and Laurie Anderson, and the New Sounds annual listeners poll isn't far behind, now, according to the show, in its 26th or 27th year. Listen to the New Sounds Listener Poll Top Ten of 2011 episode, which first aired on Thursday, at wnyc.org.

Schaefer himself had weighed in on the previous night's show with his own "completely personal and opinionated look at the ten best new music releases of 2011." Dennehy's Grá agus Bás also makes Schaefer's list of the year's best. You can listen to that episode as well at wnyc.org.

To pick up a copy of Grá agus Bás and WTC 9/11, head to the Nonesuch Store, where CD orders include high-quality, 320 kbps MP3s at checkout.

featuredimage
Donnacha Dennehy: "Grá agus Bás" [cover]
  • Tuesday, January 17, 2012
    Donnacha Dennehy, Steve Reich Albums Make WNYC's "New Sounds" Listeners' Top Ten of 2011

    Listeners of New Sounds, the new-music show from New York NPR member station WNYC, have chosen their picks for the Top Ten best new releases of 2011, and topping the list as what the show calls "a clear front-runner" is Irish composer Donnacha Dennehy's Nonesuch Records debut album, Grá agus Bás, which features performances by Dawn Upshaw, Irish singer Iarla O’Lionáird, and the Dublin–based Crash Ensemble. On the list at No. 3 is Steve Reich's latest Nonesuch release, WTC 9/11, with performances by Kronos Quartet, Sō Percussion, and members of Steve Reich and Musicians. (Also on the list is Chris Thile's project with Yo-Yo Ma, The Goat Rodeo Sessions.) Both Dennehy's and Reich's albums had previously made NPR Music's best of the year lists.

    John Schaefer, the host and producer of New Sounds and host of WNYC's Soundcheck, recently celebrated his 30th anniversary at the station with the help of Steve Reich and Laurie Anderson, and the New Sounds annual listeners poll isn't far behind, now, according to the show, in its 26th or 27th year. Listen to the New Sounds Listener Poll Top Ten of 2011 episode, which first aired on Thursday, at wnyc.org.

    Schaefer himself had weighed in on the previous night's show with his own "completely personal and opinionated look at the ten best new music releases of 2011." Dennehy's Grá agus Bás also makes Schaefer's list of the year's best. You can listen to that episode as well at wnyc.org.

    To pick up a copy of Grá agus Bás and WTC 9/11, head to the Nonesuch Store, where CD orders include high-quality, 320 kbps MP3s at checkout.

    Journal Articles:Artist NewsRadio

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Monday, January 13, 2025
    Monday, January 13, 2025

    Congratulations to composer and pianist Timo Andres on receiving the Chamber Music Society of Lincoln Center's Elise L. Stoeger Prize—a $25,000 cash prize, awarded biennially by CMS to recognize significant contributions to the field of chamber music composition. Andres says: “I feel equally challenged and freed to take risks when I write chamber music, and writing it, I’ve learned the most about becoming a better composer and musician. To be recognized in this medium by one of its greatest institutional standard-bearers is a huge and unexpected honor.”

    Journal Topics: Artist News
  • Wednesday, January 8, 2025
    Wednesday, January 8, 2025

    David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”

    Journal Topics: Album ReleaseArtist NewsVideo