Huffington Post: Sara Watkins's Solo Debut "Is Quietly Authentic As It Mesmerizes"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Sara Watkins's self-titled debut is set for its Nonesuch release next Tuesday, April 7, and the new album "is quietly authentic as it mesmerizes," says the Huffington Post. "Sara's strong yet sometimes whispered vocal approach on these tracks conveys all it needs to without one ounce of overkill ... picture Emmylou Harris with touches of Edie Brickell and Rickie Lee Jones." Sara offers her own interpretation of songs by a diverse range of writers and as many of her own self-penned tunes, which the review calls "musically engaging, and they also reveal Sara as a serious lyricist with a mission ... Sara Watkins firmly establishes the woman as folk's newest herald, and a future force of nature to be reckoned with." Q magazine lists the album track "Give Me Jesus," arranged by Sara and Chris Thile, among the Top 50 Essential Tracks of the month.

Copy

Sara Watkins's self-titled debut is set for its Nonesuch release next Tuesday, April 7, and, says music writer Mike Ragogna in the Huffington Post review, the new album "is quietly authentic as it mesmerizes ... Sara's strong yet sometimes whispered vocal approach on these tracks conveys all it needs to without one ounce of overkill ... picture Emmylou Harris with touches of Edie Brickell and Rickie Lee Jones."

As a member of Nickel Creek, with Chris Thile and her brother Sean "created some of the most legit folk music of our time," says Ragogna. "[T]heir amalgam of styles and influences invented a sound that, simultaneously, was new and old, and that furthered folk with the younger demo as they impressed and accumulated many generations of older fans."

And now, on her first solo project, Sara offers her own interpretation of songs by a diverse range of writers, including John Hartford, Jimmie Rogers, Tom Waits, Jon Brion, and Davíd Garza, and as many of her own self-penned tunes, which Ragogna calls "musically engaging, and they also reveal Sara as a serious lyricist with a mission." What's more, the stellar cast of supporting musicians assembled for the project, including Brion and Sara's Nickel Creek cohorts, "interpret the album's mood, perspective, and [producer] John Paul Jones' understated sonic blueprint without ever trying to redesign it."

Ragogna concludes:

In a perfect world, this album wouldn't be categorized as folk since it really is what country music should be—simple, deep, an unassuming voice of the people, and descended from the house of The Louvin Brothers and Bob Wills. Regardless, Sara Watkins carries the flag for folk on an album so rich that, in the very least, it should be an obvious Grammy nominee to anyone who really understands the genre ... Sara Watkins firmly establishes the woman as folk's newest herald, and a future force of nature to be reckoned with.

Read the complete review at huffingtonpost.com.

---

Q magazine lists the album track "Give Me Jesus," a tune arranged by Sara and Chris Thile, among its Top 50 Essential Tracks of the month. To see the list and to rate the track yourself, visit qthemagazine.com.

featuredimage
Sara Watkins [cover]
  • Monday, March 30, 2009
    Huffington Post: Sara Watkins's Solo Debut "Is Quietly Authentic As It Mesmerizes"

    Sara Watkins's self-titled debut is set for its Nonesuch release next Tuesday, April 7, and, says music writer Mike Ragogna in the Huffington Post review, the new album "is quietly authentic as it mesmerizes ... Sara's strong yet sometimes whispered vocal approach on these tracks conveys all it needs to without one ounce of overkill ... picture Emmylou Harris with touches of Edie Brickell and Rickie Lee Jones."

    As a member of Nickel Creek, with Chris Thile and her brother Sean "created some of the most legit folk music of our time," says Ragogna. "[T]heir amalgam of styles and influences invented a sound that, simultaneously, was new and old, and that furthered folk with the younger demo as they impressed and accumulated many generations of older fans."

    And now, on her first solo project, Sara offers her own interpretation of songs by a diverse range of writers, including John Hartford, Jimmie Rogers, Tom Waits, Jon Brion, and Davíd Garza, and as many of her own self-penned tunes, which Ragogna calls "musically engaging, and they also reveal Sara as a serious lyricist with a mission." What's more, the stellar cast of supporting musicians assembled for the project, including Brion and Sara's Nickel Creek cohorts, "interpret the album's mood, perspective, and [producer] John Paul Jones' understated sonic blueprint without ever trying to redesign it."

    Ragogna concludes:

    In a perfect world, this album wouldn't be categorized as folk since it really is what country music should be—simple, deep, an unassuming voice of the people, and descended from the house of The Louvin Brothers and Bob Wills. Regardless, Sara Watkins carries the flag for folk on an album so rich that, in the very least, it should be an obvious Grammy nominee to anyone who really understands the genre ... Sara Watkins firmly establishes the woman as folk's newest herald, and a future force of nature to be reckoned with.

    Read the complete review at huffingtonpost.com.

    ---

    Q magazine lists the album track "Give Me Jesus," a tune arranged by Sara and Chris Thile, among its Top 50 Essential Tracks of the month. To see the list and to rate the track yourself, visit qthemagazine.com.

    Journal Articles:Album ReleaseReviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, October 25, 2024
    Friday, October 25, 2024

    The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.

    Journal Topics: Album ReleaseArtist NewsTelevisionVideo
  • Friday, October 18, 2024
    Friday, October 18, 2024

    Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."

    Journal Topics: Album ReleaseArtist News