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Joshua Redman Quartet’s new album, Come What May, is out now on Nonesuch Records. This is the first recording in almost two decades for this group of musicians: the saxophonist and his longtime friends and colleagues pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. "Nothing beats the cool confidence of a band who have spent years on the road,” says the four-star Times review. “It also helps that the seven Redman tunes here are so good ... Four men playing as one." The Quartet tours throughout this spring and summer.
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Joshua Redman Quartet’s new album, Come What May, is out now on Nonesuch Records. This is the first recording in almost two decades for this group of musicians: the recently Grammy-nominated saxophonist and his longtime friends and colleagues pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Previous releases were Beyond (2000) and Passage of Time (2001). The Quartet, which has toured internationally over the last several years, recorded seven Redman tunes for Come What May. "Nothing beats the cool confidence of a band who have spent years on the road,” says Chris Pearson’s four-star review in the Times of London. “It also helps that the seven Redman tunes here are so good ... Four men playing as one."
To pick up a copy, head to your local record store, iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also hear the album now on Spotify and Apple Music.
The Guardian has called Redman “one of the 21st century’s finest jazz improvisers,” and the Boston Globe said of the group’s recent Newport Jazz Festival performance, “There was tenor Joshua Redman with his quartet, showing how to build excitement and get the crowd screaming without pressing or compromising his art.” The Joshua Redman Quartet tours internationally throughout this spring and summer; see tour dates below.
Redman recently said of Goldberg, Rogers, and Hutchinson, in Denver’s Westword newspaper, “They’re some of my favorite musicians in the world. We’ve played so much over the years and have been together on the road so much, on and off the bandstand, there’s just that sort of camaraderie and friendship and genuine love for and understanding of each other that, for me, [is] the ideal situation for making music. When you have that level of trust and empathy, both musically and personally, it allows you to be truly relaxed and free; and those are really good pre-conditions for magic to potentially happen.
Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum(2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing(1994, re-issued);Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; and the 2018 Grammy-nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams.
Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade; and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.
Joshua Redman Quartet's New Album, "Come What May," Out Now on Nonesuch Records
Joshua Redman Quartet’s new album, Come What May, is out now on Nonesuch Records. This is the first recording in almost two decades for this group of musicians: the recently Grammy-nominated saxophonist and his longtime friends and colleagues pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Previous releases were Beyond (2000) and Passage of Time (2001). The Quartet, which has toured internationally over the last several years, recorded seven Redman tunes for Come What May. "Nothing beats the cool confidence of a band who have spent years on the road,” says Chris Pearson’s four-star review in the Times of London. “It also helps that the seven Redman tunes here are so good ... Four men playing as one."
To pick up a copy, head to your local record store, iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also hear the album now on Spotify and Apple Music.
The Guardian has called Redman “one of the 21st century’s finest jazz improvisers,” and the Boston Globe said of the group’s recent Newport Jazz Festival performance, “There was tenor Joshua Redman with his quartet, showing how to build excitement and get the crowd screaming without pressing or compromising his art.” The Joshua Redman Quartet tours internationally throughout this spring and summer; see tour dates below.
Redman recently said of Goldberg, Rogers, and Hutchinson, in Denver’s Westword newspaper, “They’re some of my favorite musicians in the world. We’ve played so much over the years and have been together on the road so much, on and off the bandstand, there’s just that sort of camaraderie and friendship and genuine love for and understanding of each other that, for me, [is] the ideal situation for making music. When you have that level of trust and empathy, both musically and personally, it allows you to be truly relaxed and free; and those are really good pre-conditions for magic to potentially happen.
Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum(2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing(1994, re-issued);Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; and the 2018 Grammy-nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams.
Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade; and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Joshua Redman Quartet's New Album, "Come What May," Out Now on Nonesuch Records
Joshua Redman Quartet’s new album, Come What May, is out now on Nonesuch Records. This is the first recording in almost two decades for this group of musicians: the recently Grammy-nominated saxophonist and his longtime friends and colleagues pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Previous releases were Beyond (2000) and Passage of Time (2001). The Quartet, which has toured internationally over the last several years, recorded seven Redman tunes for Come What May. "Nothing beats the cool confidence of a band who have spent years on the road,” says Chris Pearson’s four-star review in the Times of London. “It also helps that the seven Redman tunes here are so good ... Four men playing as one."
To pick up a copy, head to your local record store, iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also hear the album now on Spotify and Apple Music.
The Guardian has called Redman “one of the 21st century’s finest jazz improvisers,” and the Boston Globe said of the group’s recent Newport Jazz Festival performance, “There was tenor Joshua Redman with his quartet, showing how to build excitement and get the crowd screaming without pressing or compromising his art.” The Joshua Redman Quartet tours internationally throughout this spring and summer; see tour dates below.
Redman recently said of Goldberg, Rogers, and Hutchinson, in Denver’s Westword newspaper, “They’re some of my favorite musicians in the world. We’ve played so much over the years and have been together on the road so much, on and off the bandstand, there’s just that sort of camaraderie and friendship and genuine love for and understanding of each other that, for me, [is] the ideal situation for making music. When you have that level of trust and empathy, both musically and personally, it allows you to be truly relaxed and free; and those are really good pre-conditions for magic to potentially happen.
Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum(2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing(1994, re-issued);Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; and the 2018 Grammy-nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams.
Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade; and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.
David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”
The Way Out of Easy, the new album from guitarist Jeff Parker and his ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose—is now available on all streaming platforms. Upon the album's physical release last month, it debuted at No. 1 on Billboard's Current Contemporary Jazz Albums chart, and Pitchfork named it Best New Music, saying: "The vibe is laid-back, but it rewards rapt attention ... This exceptional record fixes your attention on the present moment."
