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Pianist Tigran Hamasyan's second Nonesuch album, An Ancient Observer, is out now. It includes ten new compositions, two of which are based on Armenian melodies. Some are through-composed and completely written out, while others are composed with ample space for Hamasyan to improvise. He cites a wide range of influences—from Baroque dance to hip-hop grooves adapted to piano—and the sounds of his native country of Armenia are present, as always. DownBeat exclaims: "It's simply breathtaking." The Huffington Post calls Hamasyan "one of jazz's most dynamic artists" and the new album "outstanding."
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Pianist Tigran Hamasyan's second Nonesuch album, An Ancient Observer, is out now. An Ancient Observer is the follow-up to Hamasyan's label debut, Mockroot. The musician says of his new solo recording, which features ten new compositions: "These songs are musical observations about the world we live in now, and the weight of history we carry with us." To pick up a copy of An Ancient Observer, head to iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also listen to the album on Spotify and Apple Music, where it has been featured in the A-List: Jazz playlist. Hamasyan is on tour now, performing songs from An Ancient Observer; see below for the currently announced dates or visit nonesuch.com/on-tour.
DownBeat gives the album four-and-a-half stars. "Like nearly all of his work, it’s simply breathtaking," writes DownBeat reviewer J.D. Considine. "Hamasyan puts so much emphasis on mood and melody that it’s easy to miss how well structured the compositions are, how virtuosic the playing is."
The Huffington Post calls Hamasyan "one of jazz's most dynamic artists ... [T]he influences of the music are manifold ... though the Armenian influence, which makes his music so uniquely outstanding, is prominent."
Jamie Cullum, who gave the first radio play of the album's closing track on his BBC Radio 2 show, calls Hamasyan "a pianist who touches the piano and immediately establishes himself as a true giant and a true original."
The album was named Album of the Week by RTÉ lyric fm's The Blue of the Night in Ireland and has earned four stars in reviews from multiple papers in Belgium, where he performs tonight: L'Avenir, Het Nieuwsblad De Standaard, and Le Soir. The album earns four-and-a-half stars from Written in Music in the Netherlands.
An Ancient Observer's songs—two of which are based on Armenian melodies—were written over the last four years. Some of the pieces are through-composed and completely written out, while others are composed with ample space for Hamasyan to improvise. Many include vocals layered into the mix. As with most of his compositions, Hamasyan cites a wide range of influences, from Baroque dance to hip-hop, with pedals connected to a synthesizer on a few tracks—while the sounds of his native country also are present, as always.
Hamasyan has returned to Armenia, where his daily life inspired these new pieces: "I gaze out of my window and see the biblical mountain Ararat with perpetual snow on its peak, with electrical towers with wires in the foreground cutting the picture, and satellite dishes melted onto old and modern houses—ancestral smoke coming out of their chimneys—and birds hovering above the trees along with occasional airplane trails in the vast sky. It is a dialogue, this interaction of God-given ancient nature with our modern human achievements," he says. "For me it is an awakening, and a beautiful feeling, to be able to observe the magnificence of this sleeping volcanic giant, which has existed for millions of years and was observed by the Ararat Valley Koura-Arax culture through to the present day citizens of the Armenian republic. I can see and observe the same birds, animals, rivers, and mountains that the craftsman of 4,000 years ago painted on a clay vessel. He was observing the same thing I observe now, and what remains is his or her beautiful work of art."
Born in Armenia in 1987 before relocating with his family to Los Angeles in 2003, Tigran Hamasyan currently resides in Erevan, Armenia. He began playing piano at the age of three and started performing in festivals and competitions when he was eleven years old, winning the Montreux Jazz Festival's piano competition in 2003. Hamasyan released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Subsequent albums include New Era (2007); Red Hail (2009); A Fable (2011), for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater (2013); Luys i Luso (2015); and Mockroot (2015), for which he won the Echo Jazz Award for International Piano Instrumentalist of the Year. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
Pianist/Composer Tigran Hamasyan's New Solo Album, "An Ancient Observer," Out Now on Nonesuch Records
Pianist Tigran Hamasyan's second Nonesuch album, An Ancient Observer, is out now. An Ancient Observer is the follow-up to Hamasyan's label debut, Mockroot. The musician says of his new solo recording, which features ten new compositions: "These songs are musical observations about the world we live in now, and the weight of history we carry with us." To pick up a copy of An Ancient Observer, head to iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also listen to the album on Spotify and Apple Music, where it has been featured in the A-List: Jazz playlist. Hamasyan is on tour now, performing songs from An Ancient Observer; see below for the currently announced dates or visit nonesuch.com/on-tour.
DownBeat gives the album four-and-a-half stars. "Like nearly all of his work, it’s simply breathtaking," writes DownBeat reviewer J.D. Considine. "Hamasyan puts so much emphasis on mood and melody that it’s easy to miss how well structured the compositions are, how virtuosic the playing is."
The Huffington Post calls Hamasyan "one of jazz's most dynamic artists ... [T]he influences of the music are manifold ... though the Armenian influence, which makes his music so uniquely outstanding, is prominent."
Jamie Cullum, who gave the first radio play of the album's closing track on his BBC Radio 2 show, calls Hamasyan "a pianist who touches the piano and immediately establishes himself as a true giant and a true original."
The album was named Album of the Week by RTÉ lyric fm's The Blue of the Night in Ireland and has earned four stars in reviews from multiple papers in Belgium, where he performs tonight: L'Avenir, Het Nieuwsblad De Standaard, and Le Soir. The album earns four-and-a-half stars from Written in Music in the Netherlands.
An Ancient Observer's songs—two of which are based on Armenian melodies—were written over the last four years. Some of the pieces are through-composed and completely written out, while others are composed with ample space for Hamasyan to improvise. Many include vocals layered into the mix. As with most of his compositions, Hamasyan cites a wide range of influences, from Baroque dance to hip-hop, with pedals connected to a synthesizer on a few tracks—while the sounds of his native country also are present, as always.
Hamasyan has returned to Armenia, where his daily life inspired these new pieces: "I gaze out of my window and see the biblical mountain Ararat with perpetual snow on its peak, with electrical towers with wires in the foreground cutting the picture, and satellite dishes melted onto old and modern houses—ancestral smoke coming out of their chimneys—and birds hovering above the trees along with occasional airplane trails in the vast sky. It is a dialogue, this interaction of God-given ancient nature with our modern human achievements," he says. "For me it is an awakening, and a beautiful feeling, to be able to observe the magnificence of this sleeping volcanic giant, which has existed for millions of years and was observed by the Ararat Valley Koura-Arax culture through to the present day citizens of the Armenian republic. I can see and observe the same birds, animals, rivers, and mountains that the craftsman of 4,000 years ago painted on a clay vessel. He was observing the same thing I observe now, and what remains is his or her beautiful work of art."
Born in Armenia in 1987 before relocating with his family to Los Angeles in 2003, Tigran Hamasyan currently resides in Erevan, Armenia. He began playing piano at the age of three and started performing in festivals and competitions when he was eleven years old, winning the Montreux Jazz Festival's piano competition in 2003. Hamasyan released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Subsequent albums include New Era (2007); Red Hail (2009); A Fable (2011), for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater (2013); Luys i Luso (2015); and Mockroot (2015), for which he won the Echo Jazz Award for International Piano Instrumentalist of the Year. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Pianist/Composer Tigran Hamasyan's New Solo Album, "An Ancient Observer," Out Now on Nonesuch Records
Pianist Tigran Hamasyan's second Nonesuch album, An Ancient Observer, is out now. An Ancient Observer is the follow-up to Hamasyan's label debut, Mockroot. The musician says of his new solo recording, which features ten new compositions: "These songs are musical observations about the world we live in now, and the weight of history we carry with us." To pick up a copy of An Ancient Observer, head to iTunes, Amazon, and the Nonesuch Store, where CD and vinyl orders include a download of the complete album at checkout. You can also listen to the album on Spotify and Apple Music, where it has been featured in the A-List: Jazz playlist. Hamasyan is on tour now, performing songs from An Ancient Observer; see below for the currently announced dates or visit nonesuch.com/on-tour.
DownBeat gives the album four-and-a-half stars. "Like nearly all of his work, it’s simply breathtaking," writes DownBeat reviewer J.D. Considine. "Hamasyan puts so much emphasis on mood and melody that it’s easy to miss how well structured the compositions are, how virtuosic the playing is."
The Huffington Post calls Hamasyan "one of jazz's most dynamic artists ... [T]he influences of the music are manifold ... though the Armenian influence, which makes his music so uniquely outstanding, is prominent."
Jamie Cullum, who gave the first radio play of the album's closing track on his BBC Radio 2 show, calls Hamasyan "a pianist who touches the piano and immediately establishes himself as a true giant and a true original."
The album was named Album of the Week by RTÉ lyric fm's The Blue of the Night in Ireland and has earned four stars in reviews from multiple papers in Belgium, where he performs tonight: L'Avenir, Het Nieuwsblad De Standaard, and Le Soir. The album earns four-and-a-half stars from Written in Music in the Netherlands.
An Ancient Observer's songs—two of which are based on Armenian melodies—were written over the last four years. Some of the pieces are through-composed and completely written out, while others are composed with ample space for Hamasyan to improvise. Many include vocals layered into the mix. As with most of his compositions, Hamasyan cites a wide range of influences, from Baroque dance to hip-hop, with pedals connected to a synthesizer on a few tracks—while the sounds of his native country also are present, as always.
Hamasyan has returned to Armenia, where his daily life inspired these new pieces: "I gaze out of my window and see the biblical mountain Ararat with perpetual snow on its peak, with electrical towers with wires in the foreground cutting the picture, and satellite dishes melted onto old and modern houses—ancestral smoke coming out of their chimneys—and birds hovering above the trees along with occasional airplane trails in the vast sky. It is a dialogue, this interaction of God-given ancient nature with our modern human achievements," he says. "For me it is an awakening, and a beautiful feeling, to be able to observe the magnificence of this sleeping volcanic giant, which has existed for millions of years and was observed by the Ararat Valley Koura-Arax culture through to the present day citizens of the Armenian republic. I can see and observe the same birds, animals, rivers, and mountains that the craftsman of 4,000 years ago painted on a clay vessel. He was observing the same thing I observe now, and what remains is his or her beautiful work of art."
Born in Armenia in 1987 before relocating with his family to Los Angeles in 2003, Tigran Hamasyan currently resides in Erevan, Armenia. He began playing piano at the age of three and started performing in festivals and competitions when he was eleven years old, winning the Montreux Jazz Festival's piano competition in 2003. Hamasyan released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Subsequent albums include New Era (2007); Red Hail (2009); A Fable (2011), for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater (2013); Luys i Luso (2015); and Mockroot (2015), for which he won the Echo Jazz Award for International Piano Instrumentalist of the Year. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
The Way Out of Easy, the new album from guitarist Jeff Parker and his ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose—is now available on all streaming platforms. Upon the album's physical release last month, it debuted at No. 1 on Billboard's Current Contemporary Jazz Albums chart, and Pitchfork named it Best New Music, saying: "The vibe is laid-back, but it rewards rapt attention ... This exceptional record fixes your attention on the present moment."
The twenty-seven disc box set Steve Reich Collected Works is due March 14, 2025, on Nonesuch. It features music recorded during the composer's forty years on the label—six decades of his compositions, including first recordings of his two latest works, Jacob’s Ladder and Traveler’s Prayer—plus two extensive booklets with new essays by Robert Hurwitz, Michael Tilson Thomas, Russell Hartenberger, Judith Sherman, and Nico Muhly, and a comprehensive listener’s guide by Timo Andres. Nonesuch made its first record with Steve Reich in 1985; he was signed exclusively to the label that year. Collected Works includes twenty-four discs of Nonesuch recordings and three from other labels.
