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Ahead of the long-awaited world premiere of Omar, the opera composed by Rhiannon Giddens and Michael Abels, at the Spoleto Festival USA in Charleston, SC, next Friday, Giddens has released her own recording of the song “Julie’s Aria” from the opera. The recording was made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston from Africa in 1807. “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard," Giddens says, "but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.” Omar will also be performed by LA Opera, Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill.
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Omar, the opera composed by Rhiannon Giddens and Michael Abels, makes its long-awaited world premiere next Friday, May 27, in Charleston, SC, at the Spoleto Festival USA. In the lead-up to this first performance, Giddens has released her own recording of the song “Julie’s Aria” that is featured in the opera. Giddens also wrote the opera’s libretto. The recording was recently made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. (Giddens does not perform in the production of Omar.)
You can hear “Julie’s Aria” below and here, and read about Omar in today's New York Times article at nytimes.com.
Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston, SC from Africa in 1807. In a statement, Giddens notes: “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard, but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.”
Other major opera companies will perform Omar as well, including LA Opera in the fall of 2022 followed by Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill, a co-producer of the work (Omar was previously scheduled to debut at Spoleto in 2020 but was postponed that year and again in 2021 due to the pandemic). Giddens worked on the score with composer Michael Abels, who is known for his work on Jordan Peele's films Get Out and Us.
Giddens’ latest album release, They’re Calling Me Home (Nonesuch), won a Grammy Award for Best Folk Album earlier this year. She tours throughout 2022 and will release her first book this fall, entitled Build a House. Written as a song to commemorate the 155th anniversary of Juneteenth, Build a House is illustrated by painter Monica Mikai and tells the story of a people who would not be moved and the music that sustained them.
Rhiannon Giddens' Recording of "Julie's Aria," From Her New Opera, Omar, Out Now on Nonesuch
Omar, the opera composed by Rhiannon Giddens and Michael Abels, makes its long-awaited world premiere next Friday, May 27, in Charleston, SC, at the Spoleto Festival USA. In the lead-up to this first performance, Giddens has released her own recording of the song “Julie’s Aria” that is featured in the opera. Giddens also wrote the opera’s libretto. The recording was recently made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. (Giddens does not perform in the production of Omar.)
You can hear “Julie’s Aria” below and here, and read about Omar in today's New York Times article at nytimes.com.
Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston, SC from Africa in 1807. In a statement, Giddens notes: “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard, but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.”
Other major opera companies will perform Omar as well, including LA Opera in the fall of 2022 followed by Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill, a co-producer of the work (Omar was previously scheduled to debut at Spoleto in 2020 but was postponed that year and again in 2021 due to the pandemic). Giddens worked on the score with composer Michael Abels, who is known for his work on Jordan Peele's films Get Out and Us.
Giddens’ latest album release, They’re Calling Me Home (Nonesuch), won a Grammy Award for Best Folk Album earlier this year. She tours throughout 2022 and will release her first book this fall, entitled Build a House. Written as a song to commemorate the 155th anniversary of Juneteenth, Build a House is illustrated by painter Monica Mikai and tells the story of a people who would not be moved and the music that sustained them.
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By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Rhiannon Giddens' Recording of "Julie's Aria," From Her New Opera, Omar, Out Now on Nonesuch
Omar, the opera composed by Rhiannon Giddens and Michael Abels, makes its long-awaited world premiere next Friday, May 27, in Charleston, SC, at the Spoleto Festival USA. In the lead-up to this first performance, Giddens has released her own recording of the song “Julie’s Aria” that is featured in the opera. Giddens also wrote the opera’s libretto. The recording was recently made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. (Giddens does not perform in the production of Omar.)
You can hear “Julie’s Aria” below and here, and read about Omar in today's New York Times article at nytimes.com.
Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston, SC from Africa in 1807. In a statement, Giddens notes: “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard, but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.”
Other major opera companies will perform Omar as well, including LA Opera in the fall of 2022 followed by Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill, a co-producer of the work (Omar was previously scheduled to debut at Spoleto in 2020 but was postponed that year and again in 2021 due to the pandemic). Giddens worked on the score with composer Michael Abels, who is known for his work on Jordan Peele's films Get Out and Us.
Giddens’ latest album release, They’re Calling Me Home (Nonesuch), won a Grammy Award for Best Folk Album earlier this year. She tours throughout 2022 and will release her first book this fall, entitled Build a House. Written as a song to commemorate the 155th anniversary of Juneteenth, Build a House is illustrated by painter Monica Mikai and tells the story of a people who would not be moved and the music that sustained them.
The Way Out of Easy, the new album from guitarist Jeff Parker and his ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose—is now available on all streaming platforms. Upon the album's physical release last month, it debuted at No. 1 on Billboard's Current Contemporary Jazz Albums chart, and Pitchfork named it Best New Music, saying: "The vibe is laid-back, but it rewards rapt attention ... This exceptional record fixes your attention on the present moment."
The twenty-seven disc box set Steve Reich Collected Works is due March 14, 2025, on Nonesuch. It features music recorded during the composer's forty years on the label—six decades of his compositions, including first recordings of his two latest works, Jacob’s Ladder and Traveler’s Prayer—plus two extensive booklets with new essays by Robert Hurwitz, Michael Tilson Thomas, Russell Hartenberger, Judith Sherman, and Nico Muhly, and a comprehensive listener’s guide by Timo Andres. Nonesuch made its first record with Steve Reich in 1985; he was signed exclusively to the label that year. Collected Works includes twenty-four discs of Nonesuch recordings and three from other labels.
