Singer, songwriter, and multi-instrumentalist Rokia Traoré's sixth album, Né So (Home), is out now on Nonesuch Records. The album was produced by John Parish (PJ Harvey, Tracy Chapman), who also produced her 2013 record, Beautiful Africa. Né So features guest performances by John Paul Jones and Traoré's labelmate Devendra Banhart, along with Burkinabe drummer Moïse Ouattara, Ivorian bassist Matthieu N'guessan, long-time collaborator Malian ngoni player Mamah Diabaté, guitarists Rodriguez Vangama and Stefano Pilia, and backing vocalists Bule Mpania, Russell Tshiebua, and Stefy Rika.

The album, which features 10 original songs and a cover of Billie Holiday's "Strange Fruit," is available on iTunes, Amazon, and in the Nonesuch Store, where the album is available on CD and digitally, including 96kHz/24bit HD digital.

NPR calls Né So a "gorgeous new album" from a "fantastically gifted" artist. It's earned four-star reviews from the Times, Guardian, Financial Times, Independent on Sunday, Sunday Times, Daily Telegraph, Record Collector, and Hi-Fi Choice. The Times says: "Traoré has made the album of her career ... This accessible yet sophisticated album offers its own defiance against hard times." Uncut exclaims: "Brave, challenging and arrestingly original, Traoré may just have gone and made the finest indie-rock album to emerge from arguably the world's most musical continent."

Traoré kicked off a tour in support of Né So at the Roundhouse in London last Saturday, to which the Telegraph gave four stars, calling her "irresistible." The tour continues in Europe in the weeks ahead, followed by with shows in New York City on March 23, Washington on March 25, and Savananah on March 26. For details and tickets, visit nonesuch.com/on-tour.

Traoré had always been a traveler, but in 2009, she decided to move back to Mali. Three years later, she bore witness as her country's civil war gained terrible momentum. "Experiencing life in a war-torn country was traumatic. I became aware of how naïve I had been," she confesses.

She had left Bamako for a while and moved to Europe with her young son while simultaneously experiencing personal difficulties. "Everything was falling apart," she says. "It's never easy to go through tough times, but it is also what makes you grow, and understand why you cling to certain things and give up on some others."

Traoré started by writing and composing the songs alone. She then rehearsed in Bamako and recorded in Brussels and Bristol with musicians from the entire West African region. "I didn't want an all-Malian band. I need variety; I need a mix of cultures around me," she said. "You could say that Mali is where my roots are—it is where I take refuge in times of doubt, and where I accept risks when I must. Bamako was the place where I felt I would be both free and supported."

Traoré has explored a breadth of directions in her career. She recently collaborated with Nobel Prize–winning novelist Toni Morrison and director Peter Sellars on the theater piece Desdemona. The Guardian called it "a remarkable, challenging and bravely original new work." And in 2013, London's Barbican produced a three-night series of shows by Traoré, entitled Donguili – Donke – Damou (Sing – Dance – Dream).

Traoré was awarded the inaugural Roskilde Festival World Music Award in 2009 for her work with Foundation Passerelle, and in August 2013 the French government honored her with the distinction of Officer of the Order of Arts and Letters (Officier de l'Ordre des Arts et des Lettres), recognizing her significant contributions to the arts. Traoré's artistic collaborators have also included Kronos Quartet and Damon Albarn.

Her label debut, 2009's Tchamantché, won an award at the Victoires de la Musique (the equivalent of a Grammy Award in France) and a Songlines Artist of the Year Award for Traoré. Beautiful Africa debuted on the Billboard World Music Charts at #1. Uncut described it as "the record fans of [Traoré's] explosive live shows always hoped she would make; a career highpoint."