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Sam Amidon's 7" vinyl record Fatal Flower Garden EP (A Tribute to Harry Smith) is out now on Nonesuch. On the EP, Amidon performs four songs from Anthology of American Folk Music, Smith’s beloved and influential 1920s and ’30s folk music recordings. Amidon and frequent collaborator Shahzad Ismaily play all the instruments; Leo Abrahams engineered, produced, and mixed. Amidon concludes a UK tour in the week ahead, then tours the US Northeast.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”
The Way Out of Easy, the new album from guitarist Jeff Parker and his ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose—is now available on all streaming platforms. Upon the album's physical release last month, it debuted at No. 1 on Billboard's Current Contemporary Jazz Albums chart, and Pitchfork named it Best New Music, saying: "The vibe is laid-back, but it rewards rapt attention ... This exceptional record fixes your attention on the present moment."
