X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to NONESUCH'S mailing list.
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Silkroad and its Artistic Director Rhiannon Giddens will release the album American Railroad on November 15 via Nonesuch Records. They will also release the American Railroad podcast series, in partnership with PRX, the first episode of which will drop on November 14. Both releases are part of Silkroad's multi-year American Railroad initiative and coincide with Giddens and their November American Railroad tour. The first track from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today; the accompanying performance video can be seen here.
Copy
Silkroad and its Artistic Director Rhiannon Giddens will release the album American Railroad on November 15 via Nonesuch Records. They will also release the American Railroadpodcast series, in partnership with PRX, the first episode of which will drop on November 14. Both releases are part of Silkroad's multi-year American Railroad initiative and coincide with Giddens and their upcoming American Railroad tour. The first track from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today and can be heard here. The accompanying performance video can be seen here:
The American Railroad album reflects the program for Silkroad’s inaugural American Railroad tour in Fall 2023. Its thirteen tracks include commissioned pieces by Cécile McLorin Salvant, Suzanne Kite, and Silkroad artist Wu Man, as well as new arrangements of songs by Rhiannon Giddens and fellow Silkroad artists Haruka Fujii, Maeve Gilchrist, and Mazz Swift. Rounding out the album are original compositions and arrangements by Silkroad artists Pura Fé, Sandeep Das, Niwel Tsumbu, and Kaoru Watanabe. American Railroad was recorded live during tour stops at the Green Music Center in Sonoma, CA and Zellerbach Hall in Berkeley, CA; it is co-produced by Giddens, Watanabe, and Jody Elff.
The first single from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today. “Swannanoa Tunnel” is a song written by wrongfully imprisoned Black men and women, who unwillingly risked their lives building the Swannanoa Tunnel in Giddens’s home state of North Carolina. It serves as a tribute to them, ending with a version of the popular traditional tune “Steel-Driving Man” about the folk hero John Henry, who beat the steam drill with his hammer, only to die of a burst heart.
Salvant’s first-ever Silkroad commission, “Have You Seen My Man?,” tells the imagined story of a woman walking slowly along a train track, joined by generations of wanderers who cannot ride the train though it was built by their labors. For Kite’s work, titled “Wíhaŋblapi Mázačhaŋku,” she created a graphic score using the Lakota written language based on dreams from members of the Silkroad Ensemble. Wu Man’s “Rainy Day” combines her instrument, the pipa, with the banjo and voice to reflect the emotions of Chinese wives and mothers who miss their husbands and sons working on the railroad across the Pacific Ocean. Fujii’s “Tamping Song” celebrates the Japanese immigrant contribution to the railroad, particularly after the Chinese Exclusion Act of 1882; while Gilchrist’s “Far Down Far” shines light on the tensions between Catholic and Protestant communities within Irish railroad workers. Swift’s take on the spiritual, “O Shout!,” reminds us of the way in which enslaved people in the U.S. were able to communicate complex messages of hope, devotion, freedom, and insurrection—through music.
To shed even more light on the untold stories of the Transcontinental Railroad, Silkroad is partnering with Peabody Award-winning public media organization PRX for a five-episode podcast series hosted by Rhiannon Giddens. Episodes will be released beginning November14, free on-demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, Pocket Casts, Overcast, and NPR One. You can subscribe here.
The American Railroad podcast will weave together music and story, centering different regions of the country while delving into ties to the railroad and how they resonate today. Guests will include historians, musicians, descendants of railroad workers, members of the Standing Rock Sioux tribe, and Silkroad artists. From Chinese laborers’ crucial role in California’s railroad to the tragic tale of convict laborers in North Carolina, the series will help paint a more accurate and inclusive picture of America’s railroad history.
In conjunction with the album and podcast releases, Silkroad embarks on the second leg of its American Railroad national tour November 7–23, visiting ten cities in the Midwestern, Southern, and Eastern United States with railroad-related cultural history. See dates below and at nonesuch.com/on-tour.
Silkroad and Rhiannon Giddens's 'American Railroad' Album, Podcast, Tour Coming in November
Silkroad and its Artistic Director Rhiannon Giddens will release the album American Railroad on November 15 via Nonesuch Records. They will also release the American Railroadpodcast series, in partnership with PRX, the first episode of which will drop on November 14. Both releases are part of Silkroad's multi-year American Railroad initiative and coincide with Giddens and their upcoming American Railroad tour. The first track from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today and can be heard here. The accompanying performance video can be seen here:
The American Railroad album reflects the program for Silkroad’s inaugural American Railroad tour in Fall 2023. Its thirteen tracks include commissioned pieces by Cécile McLorin Salvant, Suzanne Kite, and Silkroad artist Wu Man, as well as new arrangements of songs by Rhiannon Giddens and fellow Silkroad artists Haruka Fujii, Maeve Gilchrist, and Mazz Swift. Rounding out the album are original compositions and arrangements by Silkroad artists Pura Fé, Sandeep Das, Niwel Tsumbu, and Kaoru Watanabe. American Railroad was recorded live during tour stops at the Green Music Center in Sonoma, CA and Zellerbach Hall in Berkeley, CA; it is co-produced by Giddens, Watanabe, and Jody Elff.
The first single from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today. “Swannanoa Tunnel” is a song written by wrongfully imprisoned Black men and women, who unwillingly risked their lives building the Swannanoa Tunnel in Giddens’s home state of North Carolina. It serves as a tribute to them, ending with a version of the popular traditional tune “Steel-Driving Man” about the folk hero John Henry, who beat the steam drill with his hammer, only to die of a burst heart.
Salvant’s first-ever Silkroad commission, “Have You Seen My Man?,” tells the imagined story of a woman walking slowly along a train track, joined by generations of wanderers who cannot ride the train though it was built by their labors. For Kite’s work, titled “Wíhaŋblapi Mázačhaŋku,” she created a graphic score using the Lakota written language based on dreams from members of the Silkroad Ensemble. Wu Man’s “Rainy Day” combines her instrument, the pipa, with the banjo and voice to reflect the emotions of Chinese wives and mothers who miss their husbands and sons working on the railroad across the Pacific Ocean. Fujii’s “Tamping Song” celebrates the Japanese immigrant contribution to the railroad, particularly after the Chinese Exclusion Act of 1882; while Gilchrist’s “Far Down Far” shines light on the tensions between Catholic and Protestant communities within Irish railroad workers. Swift’s take on the spiritual, “O Shout!,” reminds us of the way in which enslaved people in the U.S. were able to communicate complex messages of hope, devotion, freedom, and insurrection—through music.
To shed even more light on the untold stories of the Transcontinental Railroad, Silkroad is partnering with Peabody Award-winning public media organization PRX for a five-episode podcast series hosted by Rhiannon Giddens. Episodes will be released beginning November14, free on-demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, Pocket Casts, Overcast, and NPR One. You can subscribe here.
The American Railroad podcast will weave together music and story, centering different regions of the country while delving into ties to the railroad and how they resonate today. Guests will include historians, musicians, descendants of railroad workers, members of the Standing Rock Sioux tribe, and Silkroad artists. From Chinese laborers’ crucial role in California’s railroad to the tragic tale of convict laborers in North Carolina, the series will help paint a more accurate and inclusive picture of America’s railroad history.
In conjunction with the album and podcast releases, Silkroad embarks on the second leg of its American Railroad national tour November 7–23, visiting ten cities in the Midwestern, Southern, and Eastern United States with railroad-related cultural history. See dates below and at nonesuch.com/on-tour.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Silkroad and Rhiannon Giddens's 'American Railroad' Album, Podcast, Tour Coming in November
Silkroad and its Artistic Director Rhiannon Giddens will release the album American Railroad on November 15 via Nonesuch Records. They will also release the American Railroadpodcast series, in partnership with PRX, the first episode of which will drop on November 14. Both releases are part of Silkroad's multi-year American Railroad initiative and coincide with Giddens and their upcoming American Railroad tour. The first track from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today and can be heard here. The accompanying performance video can be seen here:
The American Railroad album reflects the program for Silkroad’s inaugural American Railroad tour in Fall 2023. Its thirteen tracks include commissioned pieces by Cécile McLorin Salvant, Suzanne Kite, and Silkroad artist Wu Man, as well as new arrangements of songs by Rhiannon Giddens and fellow Silkroad artists Haruka Fujii, Maeve Gilchrist, and Mazz Swift. Rounding out the album are original compositions and arrangements by Silkroad artists Pura Fé, Sandeep Das, Niwel Tsumbu, and Kaoru Watanabe. American Railroad was recorded live during tour stops at the Green Music Center in Sonoma, CA and Zellerbach Hall in Berkeley, CA; it is co-produced by Giddens, Watanabe, and Jody Elff.
The first single from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today. “Swannanoa Tunnel” is a song written by wrongfully imprisoned Black men and women, who unwillingly risked their lives building the Swannanoa Tunnel in Giddens’s home state of North Carolina. It serves as a tribute to them, ending with a version of the popular traditional tune “Steel-Driving Man” about the folk hero John Henry, who beat the steam drill with his hammer, only to die of a burst heart.
Salvant’s first-ever Silkroad commission, “Have You Seen My Man?,” tells the imagined story of a woman walking slowly along a train track, joined by generations of wanderers who cannot ride the train though it was built by their labors. For Kite’s work, titled “Wíhaŋblapi Mázačhaŋku,” she created a graphic score using the Lakota written language based on dreams from members of the Silkroad Ensemble. Wu Man’s “Rainy Day” combines her instrument, the pipa, with the banjo and voice to reflect the emotions of Chinese wives and mothers who miss their husbands and sons working on the railroad across the Pacific Ocean. Fujii’s “Tamping Song” celebrates the Japanese immigrant contribution to the railroad, particularly after the Chinese Exclusion Act of 1882; while Gilchrist’s “Far Down Far” shines light on the tensions between Catholic and Protestant communities within Irish railroad workers. Swift’s take on the spiritual, “O Shout!,” reminds us of the way in which enslaved people in the U.S. were able to communicate complex messages of hope, devotion, freedom, and insurrection—through music.
To shed even more light on the untold stories of the Transcontinental Railroad, Silkroad is partnering with Peabody Award-winning public media organization PRX for a five-episode podcast series hosted by Rhiannon Giddens. Episodes will be released beginning November14, free on-demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, Pocket Casts, Overcast, and NPR One. You can subscribe here.
The American Railroad podcast will weave together music and story, centering different regions of the country while delving into ties to the railroad and how they resonate today. Guests will include historians, musicians, descendants of railroad workers, members of the Standing Rock Sioux tribe, and Silkroad artists. From Chinese laborers’ crucial role in California’s railroad to the tragic tale of convict laborers in North Carolina, the series will help paint a more accurate and inclusive picture of America’s railroad history.
In conjunction with the album and podcast releases, Silkroad embarks on the second leg of its American Railroad national tour November 7–23, visiting ten cities in the Midwestern, Southern, and Eastern United States with railroad-related cultural history. See dates below and at nonesuch.com/on-tour.
In celebration of the Playwrights Horizons production of Gabriel Kahane’s Magnificent Bird / Book of Travelers, which opened yesterday, Nonesuch releases a recording of his song “Give Us the Ballot” today. Kahane wrote the song in October 2020, during the final month of a year spent off the internet, at the height of the pandemic. “‘Give Us the Ballot’ was written in October 2020, among the same batch of tunes that led to the album Magnificent Bird,” Kahane says. “With another election on the horizon, I thought this was the best moment to release a song that describes my relationship to voting, at a time when it is easy to become cynical about our sclerotic political landscape.”
Molly Tuttle & Golden Highway's new six-song EP, Into the Wild, is out now. The EP, a follow-up to their Grammy-winning and critically acclaimed 2023 album, City of Gold, features three new songs—the title track, “Getaway Girl,” and a cover of Kate Wolf’s “Here in California”—as well as previously released covers of Jefferson Airplane’s “White Rabbit” and Olivia Rodrigo’s “good 4 u” and an alternate version of the City of Gold track “Stranger Things.”
