The Root: New Album from Amadou & Mariam, "Global Pop’s Band to Watch," "Is Just Plain Cool"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Amadou & Mariam's Welcome to Mali was released in the States yesterday, and the complete album is streaming today on spinner.com. On the new record, says Vanity Fair , "traditional African beats and melodies underly everything from electronic synth-pop to hip-hop tracks featuring Somali rapper K’Naan." The Root calls the couple "global pop’s band to watch—M.I.A. be damned—as heirs to the storied West African musical throne and as embodiments of the worldly, cosmopolitan flair that defines 21st century hipness ... Before it’s done, the album moves through hip-hop, R&B, rock, traditional Malian and more—often simultaneously." It's all mixed "with an accessible poppy feel," says The Root, "and the result is just plain cool."

Copy

Amadou & Mariam's Welcome to Mali was released in the States yesterday, and the complete album is streaming today in Spinner's Full CD Listening Party at spinner.com.

Vanity Fair's Alexandra Marvar talks to the couple about their three decades of making music together, culminating in the new record, on which, Marvar writes, "traditional African beats and melodies underly everything from electronic synth-pop to hip-hop tracks featuring Somali rapper K’Naan. The record has had nothing but critical acclaim since it was dropped in Europe last fall ..." Read the interview at vanityfair.com.

---

"America's the only place where Amadou & Mariam are not stars," says The Root's Kai Wright. "That's about to change." Wright also spoke with the pair, whom he describes as "global pop’s band to watch—M.I.A. be damned—as heirs to the storied West African musical throne and as embodiments of the worldly, cosmopolitan flair that defines 21st century hipness."

After their last record, 2005's Manu Chao–produced Dimanche à Bamako, "took Europe by storm," writes Wright, and its "bold mishmash of genres and sounds from around the world garnered barrels of approving ink," the new album's release in Europe last fall, to much praise, "cemented Amadou & Mariam as one of those bands for which you earn cool points for knowing and loving."

Wright says of the album: "Before it’s done, the album moves through hip-hop, R&B, rock, traditional Malian and more—often simultaneously. Euro producers once again mix and spice it all up with an accessible poppy feel, and the result is just plain cool."

Read the article at theroot.com.

---

Mother Jones's The Riff blogger revisits the album after having reviewed it upon its November release in the UK. "I gave the album an enthusiastic review," he writes, "and I only like it more now; its mishmash of styles and traditions feels both guilelessly celebratory and deeply respectful, even moving."

featuredimage
Amadou & Mariam vertical seated stripes (Youri Lenquette)
  • Wednesday, March 25, 2009
    The Root: New Album from Amadou & Mariam, "Global Pop’s Band to Watch," "Is Just Plain Cool"
    Youri Lenquette

    Amadou & Mariam's Welcome to Mali was released in the States yesterday, and the complete album is streaming today in Spinner's Full CD Listening Party at spinner.com.

    Vanity Fair's Alexandra Marvar talks to the couple about their three decades of making music together, culminating in the new record, on which, Marvar writes, "traditional African beats and melodies underly everything from electronic synth-pop to hip-hop tracks featuring Somali rapper K’Naan. The record has had nothing but critical acclaim since it was dropped in Europe last fall ..." Read the interview at vanityfair.com.

    ---

    "America's the only place where Amadou & Mariam are not stars," says The Root's Kai Wright. "That's about to change." Wright also spoke with the pair, whom he describes as "global pop’s band to watch—M.I.A. be damned—as heirs to the storied West African musical throne and as embodiments of the worldly, cosmopolitan flair that defines 21st century hipness."

    After their last record, 2005's Manu Chao–produced Dimanche à Bamako, "took Europe by storm," writes Wright, and its "bold mishmash of genres and sounds from around the world garnered barrels of approving ink," the new album's release in Europe last fall, to much praise, "cemented Amadou & Mariam as one of those bands for which you earn cool points for knowing and loving."

    Wright says of the album: "Before it’s done, the album moves through hip-hop, R&B, rock, traditional Malian and more—often simultaneously. Euro producers once again mix and spice it all up with an accessible poppy feel, and the result is just plain cool."

    Read the article at theroot.com.

    ---

    Mother Jones's The Riff blogger revisits the album after having reviewed it upon its November release in the UK. "I gave the album an enthusiastic review," he writes, "and I only like it more now; its mishmash of styles and traditions feels both guilelessly celebratory and deeply respectful, even moving."

    Journal Articles:Album ReleaseReviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, October 25, 2024
    Friday, October 25, 2024

    The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.

    Journal Topics: Album ReleaseArtist NewsTelevisionVideo
  • Friday, October 18, 2024
    Friday, October 18, 2024

    Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."

    Journal Topics: Album ReleaseArtist News