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Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire. Other special guests include saxophonists Joshua Redman and Mark Turner. Hamasyan tours Europe in May and the US in June.
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Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
Tigran Hamasyan’s First Album of American Standards, 'StandArt,' Out Now on Nonesuch Records
Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Tigran Hamasyan’s First Album of American Standards, 'StandArt,' Out Now on Nonesuch Records
Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.
Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."
