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Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire. Other special guests include saxophonists Joshua Redman and Mark Turner. Hamasyan tours Europe in May and the US in June.
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Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
Tigran Hamasyan’s First Album of American Standards, 'StandArt,' Out Now on Nonesuch Records
Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Tigran Hamasyan’s First Album of American Standards, 'StandArt,' Out Now on Nonesuch Records
Pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—is out now on Nonesuch Records. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.”
"This is jazz for people who like to sit at the edge of their seats," says PopMatters. "StandArt is a dissection and reformulation of the Great American Songbook that holds on to the essence of the numbers it pays homage to while lending them a modern, high-fidelity sheen and Hamasyan’s mastermind perception."
“Hamasyan is one of today’s most revered and distinctive voices in jazz and creative music,” says Jazziz. “StandArt finds him applying different techniques and ideas that he has developed over the years to a revered repertoire, breathing new life into well-worn songs and lesser-known gems.”
Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant—an Armenian-American—I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”
Hamasyan embarks on a US tour in June, with dates in Boulder, Chicago, Washington, DC, New York City, and a concluding performance at the Ford Amphitheater in Los Angeles on June 16. He also has upcoming dates in France, Germany, Belgium, Austria, Spain, Italy, Hungary, the Netherlands, and the UK. The US shows feature music from Hamasyan’s 2020 album, The Call Within, the initial tour for which was postponed due to the Covid-19 pandemic. See below for all of the currently announced shows; for all the latest, visit nonesuch.com/on-tour.
StandArt follows The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it “an exceptional recording for exceptional times” and Hamasyan’s “strongest artistic statement yet.”
Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri(2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.
Composer and trumpeter Ambrose Akinmusire’s honey from a winter stone is out January 17, 2025, on Nonesuch Records. The album, which Ambrose calls a “self-portrait,” features improvisational vocalist Kokayi, pianist Sam Harris, Chiquitamagic on synthesizer, drummer Justin Brown, and the Mivos Quartet. Akinmusire says, “In many respects this entire work is inspired by and is an homage to the work of the composer Julius Eastman and his organic music concept." The opening track, “muffled screams,” is out now.
Nonesuch releases a deluxe edition of Wilco’s 2004 Grammy Award–winning album A Ghost Is Born on February 7, 2025. The box set comprises either nine vinyl LPs and four CDs or nine CDs—including the original album, alternates, outtakes, and demos, charting the making of A Ghost Is Born—plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. It includes sixty-five previously unreleased music tracks as well as a forty-eight-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr. An alternate version of “Handshake Drugs,” recorded during the studio sessions at New York’s Sear Sound, twenty-one years ago this month, is out now. There will also be a new vinyl pressing of the original album in a two-disc package, and a two-CD expanded version of the original album with bonus track highlights from the full deluxe edition repertoire. The two-CD version will also be available on streaming services worldwide.
