On After Bach II, Brad Mehldau performs four preludes and one fugue from J.S. Bach’s Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master—including his Variations on Bach’s Goldberg Theme. After Bach II follows 2018’s After Bach album.
Brad Mehldau’s After Bach II was released May 10, 2024, on Nonesuch Records. The Bach album comprises four preludes and one fugue from the Well-Tempered Clavier, as well as the Allemande from the fourth Partita, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of Bach—including Mehldau’s Variations on Bach’s Goldberg Theme.
Mehldau, speaking of the “universality” of Bach’s music, says in his liner note: “The more you try to engage with him, the more your own personality becomes visible, unavoidably. You are not playing Bach—Bach is playing you, in the sense that he lays you bare ... The greatest choice you make at all times is not out of an absence, but from what is there, in its totality. Specifically, it is the constant choice you make in how to negotiate between harmony and melody.”
Here are the album tracks Between Bach by Mehldau and Fugue No. 20 in A Minor by Bach:
He continues, “This is why Bach is a model for me as a jazz musician. In my improvised solos, I want to make melodic phrases that carry harmonic implication, and create harmony that moves in a melodic fashion. This is a crucial component in the storytelling.” After Bach II follows 2018’s After Bach album, which originated in a work Mehldau first performed in 2015—commissioned by Carnegie Hall, The Royal Conservatory of Music, The National Concert Hall, and Wigmore Hall—called Three Pieces After Bach. Two of Mehldau’s compositions from that program were presented on the After Bach album; his virtuosic third piece, Toccata, is included on After Bach II.
Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words.
PRODUCTION CREDITS
Recorded April 18-20, 2017 and June 21, 2023 at Mechanics Hall, Worcester, MA
Engineered, mixed, and mastered by Tom Lazarus
Additional mixing by Brian Montgomery
Piano technician: Barbara Renner
Production coordinator: Tom Korkidis
Design: Evan Gaffney
Cover photograph: Robert French, Long Room Library at Trinity College, Dublin, Phtofox/Alamy
Brad Mehldau photographed by Elena Olivo
MUSICIANS
Brad Mehldau, piano