RoundAgain

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The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade. "A flawless effort," exclaims NPR. "Each one of them is at the very top of his game now." Nominated for Grammy Awards for Best Jazz Instrumental Album and Best Improvised Jazz Solo (Redman) on the track "Moe Honk."

Description

The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade. "A flawless effort," excaims NPR. "Each one of them is at the very top of his game now." A live version of Redman’s “Right Back Round Again” may be seen below, in a video directed by Matthew Beighleyr.

Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. They were already all in such high demand—everyone wanted to play with them! And they all had such strong and charismatic musical personalities—destined to start soon pursuing their own independent visions. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.” 

In the intervening decades, each has played with one or more of the others on various occasions, but all four had never properly reunited. “I knew it would happen, but I didn’t know when,” Redman admits. “We were all so busy, and we needed the space, both in our schedules and in our creative development.”

“We would have done it ten years ago if it were up to me,” Mehldau insists. “Josh, Christian, and Brian are all my heroes. It’s like playing with The Avengers.” 

Blade adds, “This band is like a turntable where the stylus was lifted but the turntable is still spinning. We just had to drop the needle, and there we were with all of the information we had gathered. It has gotten deeper because of life itself, and because Joshua, Brad, and Christian plumb the depths every day.” 

“These guys have grown exponentially,” McBride insists. “They are super-monsters now, and playing with them gave me a hard look at myself. And when you’re intimate creating art, even if you don’t play together for twenty years, you only need two bars to realize what the feeling is about, because the feeling never leaves."

ProductionCredits

PRODUCTION CREDITS
Produced by Joshua Redman
Recorded September 10-12, 2019 at Sear Sound Studio C, New York, NY
Associate Producer and Engineer: James Farber
Assistant Engineer: Owen Mulholland
Additional Engineering: Brian Montgomery
Mixed by James Farber October 25-26, 2019 at Sear Sound Studio A, New York, NY
Mastered by Greg Calbi at Sterling Sound, Edgewater, NJ

Design by John Gall
Photographs by Michael Wilson

ns_album_releasedate
Album Status
Artist Name
Joshua Redman
Brad Mehldau
Christian McBride
Brian Blade
MusicianDetails

MUSICIANS
Joshua Redman, tenor saxophone, soprano saxophone
Brad Mehldau, piano
Christian McBride, bass
Brian Blade, drums

reissues?
new-release
Cover Art
UPC/Price
Label
LP+MP3
Price
19.00
UPC
075597920994
Label
CD+MP3
Price
13.00
UPC
075597920987
Label
FLAC
Price
10.00
UPC
075597921014
Label
MP3
Price
9.00
UPC
075597921038

News & Reviews

  • Brad Mehldau has shared new videos filmed at the Village Vanguard in New York City in which he discusses and performs from his latest albums, After Bach II and Après Fauré, which were released on Nonesuch this past May. On the former, he performs some improvised variations on Bach's Goldberg theme, as he does on After Bach II, and on the latter, he discusses the impact of Fauré's final nocturne, no. 13, and performs his own piece Après Fauré No. 4: Vision. You can watch both here.

  • In celebration of Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his Nonesuch archive, out now. You can take a quick look inside here. Designed by the Grammy-winning team at SMOG Design, each box comprises twenty 12" x 12" prints, numbered and signed by the photographer. Artists featured are Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres, who wrote a note for the box.

  • About This Album

    The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade. "A flawless effort," excaims NPR. "Each one of them is at the very top of his game now." A live version of Redman’s “Right Back Round Again” may be seen below, in a video directed by Matthew Beighleyr.

    Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. They were already all in such high demand—everyone wanted to play with them! And they all had such strong and charismatic musical personalities—destined to start soon pursuing their own independent visions. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.” 

    In the intervening decades, each has played with one or more of the others on various occasions, but all four had never properly reunited. “I knew it would happen, but I didn’t know when,” Redman admits. “We were all so busy, and we needed the space, both in our schedules and in our creative development.”

    “We would have done it ten years ago if it were up to me,” Mehldau insists. “Josh, Christian, and Brian are all my heroes. It’s like playing with The Avengers.” 

    Blade adds, “This band is like a turntable where the stylus was lifted but the turntable is still spinning. We just had to drop the needle, and there we were with all of the information we had gathered. It has gotten deeper because of life itself, and because Joshua, Brad, and Christian plumb the depths every day.” 

    “These guys have grown exponentially,” McBride insists. “They are super-monsters now, and playing with them gave me a hard look at myself. And when you’re intimate creating art, even if you don’t play together for twenty years, you only need two bars to realize what the feeling is about, because the feeling never leaves."

    Credits

    MUSICIANS
    Joshua Redman, tenor saxophone, soprano saxophone
    Brad Mehldau, piano
    Christian McBride, bass
    Brian Blade, drums

    PRODUCTION CREDITS
    Produced by Joshua Redman
    Recorded September 10-12, 2019 at Sear Sound Studio C, New York, NY
    Associate Producer and Engineer: James Farber
    Assistant Engineer: Owen Mulholland
    Additional Engineering: Brian Montgomery
    Mixed by James Farber October 25-26, 2019 at Sear Sound Studio A, New York, NY
    Mastered by Greg Calbi at Sterling Sound, Edgewater, NJ

    Design by John Gall
    Photographs by Michael Wilson

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