Congratulations to all of the Nonesuch nominees for the 66th Grammy Awards: the premiere recording of Thomas Adès's Dante, performed by LA Phil and Gustavo Dudamel, for Best Orchestral Performance and Best Contemporary Classical Composition, and the album's producer, Dmitriy Lipay, for Producer of the Year, Classical; Darcy James Argue's Secret Society for Best Large Jazz Ensemble Album for Dynamic Maximum Tension; Julia Bullock for Best Classical Solo Vocal Album for Walking in the Dark; Rhiannon Giddens for Best Americana Album for You're the One and Best American Roots Performance for the album track "You Louisiana Man"; Cécile McLorin Salvant for Best Jazz Vocal Album for Mélusine and Best Arrangement, Instrumental and Vocals for the album track "Fenestra," arranged by Godwin Louis; Molly Tuttle & Golden Highway for Best Bluegrass Album for City of Gold; and The Blue Hour for Best Engineered Album, Classical.

Hurray for the Riff Raff (aka Alynda Segarra)'s new album, The Past Is Still Alive, is due February 23 on Nonesuch. Segarra created the album during a period of personal grief, when they found inspiration in radical poetry, railroad culture, outsider art, the work of writer Eileen Myles, and activist groups like ACT UP and Gran Fury. They use their lyrics as a way to immortalize and say goodbye to those they have loved and lost, and to honor both the heartbroken and the hopeful parts of themselves. Though made in North Carolina by the Bronx-born, New Orleans-based Segarra and produced by Brad Cook, the record brings listeners to places far beyond, evoking vivid experiences of small shops and buffalo stampedes in Santa Fe, childhood road trips and Florida storms, struggles of addiction in the Lower East Side, and days-long journeys to outrun the cops in Nebraska. Hurray for the Riff Raff will lead a headline tour of the US and Europe from February through May.

Cécile McLorin Salvant performs Michel Lambert’s 1660 air de cour “D'un feu secret,” from her new album, Mélusine, accompanied by Dušan Balarin on theorbo (a type of French lute) and Sullivan Fortner on harpsichord, in the Unicorn Tapestries Room at The Met Cloisters in a new video out now as part of The Metropolitan Museum of Art’s performance series, MetLiveArts. This is the second of three performances Salvant filmed in the Met’s Unicorn Tapestry galleries of songs from the album, following the title track last week and ahead of “Dame Iseut” next week. You can watch “D'un feu secret” here.

Rhiannon Giddens’s second book, We Could Fly, is out now on Candlewick Press. The picture book, a companion to her debut book, Build a House, gives wing to a tale of grace and transcendence, with illustrations by acclaimed artist Briana Mukodiri Uchendu. The new book draws on lyrics from the song “We Could Fly,” which Giddens wrote with Dirk Powell and recorded for her 2017 Nonesuch album, Freedom Highway. It draws on a heritage of African folklore for a dialogue between a mother and daughter, paired with illustrations that celebrate love, resilience, and the spiritual power of the “old-time ways”—tradition and shared cultural memory—to sustain and uplift. You can watch the video here.

“Over its journey, The Big Interview has spoken to musicians, authors, actors, and historians. This week’s guest is all of those things and probably a few others we’ve missed,” Andrew Mueller says of Rhiannon Giddens, his guest on Monocle’s The Big Interview podcast. They talk about her new album, You’re the One, and more of “her remarkable career and mission to highlight the untold stories of people who have contributed to musical history in the US.” You can hear their conversation here.

Kronos Quartet’s acclaimed 1995 album Kronos Quartet Performs Philip Glass is now available on vinyl for the first time, to coincide with Kronos: Five Decades, a year-long celebration of the quartet’s 50th anniversary. The two-LP set, produced by the composer, Judith Sherman, and Kurt Munkacsi, features violinists David Harrington and John Sherba, violist Hank Dutt, and cellist Joan Jeanrenaud performing quartets No. 2 (Company) (1983), No. 3 (Mishima) (1985), No. 4 (Buczak) (1990), and No. 5 (1991), the first piece Glass wrote for Kronos. “It contains some of Glass's best music since Koyaanisqatsi,” said the New York Times. “His ear for sumptuous string sonorities is undeniable.” The Washington Post called it “an ideal combination of composer and performers.”

Guitarist/composer Mary Halvorson's new album, Cloudward, is due January 19. The album features eight new compositions by Halvorson she performs with her sextet Amaryllis—the improvisatory band that performed on her acclaimed 2022 albums Amaryllis and Belladonna: Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Laurie Anderson is featured on one track. "All the music on Cloudward was written in 2022 … when things started moving forward," Halvorson says. "Air travel had resumed, and we were once again cloudward … This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism."

It was thirty-five years ago today that Kronos Quartet gave the world premiere performance of Steve Reich’s Different Trains at Queen Elizabeth Hall in London. To mark the occasion, Reich’s publisher, Boosey & Hawkes, has published a new video, in which he discusses the process behind composing this piece for string quartet and tape. Reich used carefully chosen speech recordings to shape the musical material for the score, evoking his American childhood during World War II while also addressing the Holocaust. The 1989 first recording of Different Trains, performed by Kronos, won the Grammy Award for Best Contemporary Composition.

David Byrne is on NPR’s Fresh Air to talk with host Terry Gross about Talking Heads—whose 1984 concert film Stop Making Sense is in theaters now—and his own evolution, from early musical influences to overcoming setbacks, leading him to wonder what allows people to persevere. "Why is it that people don't give up? That's a real puzzle to me," he says. "I just thought, 'No, I love this. I'm going to keep doing it myself … because I enjoy it.’ So I kept going.” You can hear it here.

Cécile McLorin Salvant performs her song “Mélusine,” the title track to her new album, accompanied by Dušan Balarin, in the Unicorn Tapestries Room at The Met Cloisters in a new video out now as part of The Metropolitan Museum of Art’s performance series, MetLiveArts. You can watch it here. This is the first of three performances she filmed there of songs from the album; the remaining two will follow in the weeks ahead.

Molly Tuttle & Golden Highway made their Austin City Limits debut on PBS stations across the US over the weekend. “This is something I've dreamed of for so long,” Tuttle says. “I've been watching Austin City Limits since I was a little kid.” She and the band performed four songs from their acclaimed new album, City of Gold and two from their 2021 Grammy-winning debut album, Crooked Tree. You can watch it here. 

Natalie Merchant was on BBC Radio 4's Start the Week to talk with presenter Kirsty Wark and fellow guests Jeffrey Boakye and Michel Faber about her new album, Keep Your Courage, and more. You can hear their conversation here. Merchant embarks on a European headlining tour beginning in Berlin tomorrow, followed by two nights at The London Palladium on Thursday and Friday, and including her first shows in Italy since 2002.