The Black Keys' Ohio Players (Trophy Edition), an expanded version of their latest album, which received two Grammy nominations last week, is out now. The new release features a two-LP set in a gatefold jacket complete with four new tracks, an alternate cover, and new album sequencing. The new tracks include collaborations with DannyLux, Alice Cooper, and Beck. The fourth new song, “Sin City,” co-written by Dan Auerbach and Patrick Carney with Greg Kurstin and Beck, who also perform on the track, debuts today.

American Railroad, the new album from the Silkroad Ensemble with Rhiannon Giddens, is out now. It is the culmination of four years of research, collaboration, and music-making, having brought Silkroad artists all across the US to uncover and uplift stories of those who built the transcontinental railroad and connecting railways across North America. "The result is a tapestry of stories, traditions, and music that have shaped our multifaceted cultural identity, and that must be heard and recognized," Giddens says. Also out now are a performance video of the track "Mahk Jchi" and the first episode of the American Railroad podcast series. The US fall tour continues to November 23.

Donnacha Dennehy’s Land of Winter is out now. The piece, performed by the composer's longtime collaborators Alarm Will Sound and conductor Alan Pierson, explores the subtleties of Ireland’s seasons via twelve connected sections representing the months of the year. "It is the varying quality of light that truly demarcates the seasons," Dennehy says, "from the shorter days of grey or piercing light in the winter to the warmer but mercurial light of summer days that at solstice stretch almost to midnight. I like this play between light and time, and it is the major inspiration behind the piece." You can watch a video for “July" here.

"The most relentlessly curious person I've ever come across, and that kind of wonder, that kind of joy, that kind of excitement about learning, we can use a lot of now," Ken Burns says of Leonardo da Vinci, the subject of his latest film, on The Late Show with Stephen Colbert. Burns was on The Today Show as well, talking with host Hoda Kotb about the film. You can watch both conversations here and listen to Burns and his fellow directors Sarah Burns and David McMahon on Design Matters with Debbie Millman.

Brad Mehldau, Christian McBride, and Marcus Gilmore will tour the US in April—with concerts in California, Texas, Indiana, Michigan, and Massachusetts—then head to Hong Kong and Japan for five shows in May. Prior to that, Mehldau will play several solo sets across Europe, including those with music from his new album Après Fauré, in Madrid, Barcelona, London, Lyon, Paris, Grenoble, Bordeaux, Rome, and Vienna.

Cécile McLorin Salvant, who begins her Carnegie Hall Perspectives series this Saturday, stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. She chose recordings by Philip Glass, Jeff Parker, Caroline Shaw & Attacca Quartet, Early Music Consort of London, Björk, Caetano Veloso, Steve Reich, Dawn Upshaw, Adam Guettel, Gipsy Kings, and monks from Khampagar Monastery.

Hurray for the Riff Raff (aka Alynda Segarra), who performs at the Corona Capital Festival in Mexico City this Sunday, announces new tour dates across the US South, supporting Bright Eyes, beginning February 26, 2025, in Fayetteville, Arkansas, and continuing through March 22 in St. Louis, with shows in Texas, Louisiana, Florida, Georgia, Tennessee, North Carolina, and Oklahoma. Segarra toured with the band in 2022; Conor Oberst can be heard on "The World Is Dangerous," from Hurray for the Riff Raff's album The Past Is Still Alive.

Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

"Music is a powerful tool. In an instant, it can change your mood, your perspective, or your life," Stacey Abrams says on her Crooked Media podcast, Assembly Required, introducing her conversation with Rhiannon Giddens. "No matter the motivation, music is an outlet, a force that builds us up or keeps us steady. It holds the capacity to move millions and to resonate with each individual, and every lyric, every note, every beat has the potential to share a message." You can watch and hear their conversation here. Giddens's new album with Silkroad Ensemble, American Railroad, is out next week; their fall tour begins tonight.

"Hurray for the Riff Raff is the perfect music for this moment," Anna Sale says of the guest on her Slate podcast, Death, Sex & Money. "In it, you hear the sweep of American history and propulsive motion, coming together in joy and protest and marking losses in family and community, and Alynda Segarra's voice—clear and melodic with a sly punk edge." You can hear their conversation, about Segarra's life and music, here.

The Black Keys have released a new song, “I’m With The Band,” written with and featuring Beck, from the upcoming Ohio Players (Trophy Edition). It's the third song from that expanded version of the band's latest album on which Beck sings and which he co-wrote with The Black Keys, including the original Ohio Players tracks “Paper Crown,” featuring Juicy J, and “Beautiful People (Stay High).” The Black Keys have added new tour dates at festival in Monterrey, Mexico, and Tempe, AZ, in early 2025.

The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.