Portuguese fado singer Carminho's new, self-produced album, Portuguesa, released to critical acclaim earlier this year, is due for release in the US on CD and vinyl August 18, ahead of a fall North American tour. The sixth album of Carminho’s career, Portuguesa features fourteen compositions, including several of her own songs as well as those of other writers, including traditional fado songs, through which she explores various combinations within the canons, reimagining the form.

Rhiannon Giddens is a host of the new PBS conversation series Arts Talk, which premieres today, with all episodes available to stream now on PBS.org and the PBS app. Giddens welcomes singer, songwriter, and producer Elvis Costello and actor and singer Brian Stokes Mitchell as her guests on the show to discuss their careers and share personal memories. You can watch them here. Guests on other episodes are Seal, Min Jin Lee, Nathaniel Mary Quinn, Jimmy Kimmel, and Twyla Tharp in interviews led by Misty Copeland, Henry Winkler, and Ann Curry.

Kronos Quartet’s acclaimed 1995 album Kronos Quartet Performs Philip Glass gets its first-ever vinyl release on November 3, available to pre-order now, to coincide with Kronos Quartet: Five Decades, a year-long celebration of the quartet’s 50th anniversary. The two-LP set, produced by the composer, Judith Sherman, and Kurt Munkacsi, features violinists David Harrington and John Sherba, violist Hank Dutt, and cellist Joan Jeanrenaud performing quartets No. 2 (Company) (1983), No. 3 (Mishima) (1985), No. 4 (Buczak) (1990), and No. 5 (1991), the first piece Glass wrote for Kronos. “It contains some of Glass's best music since Koyaanisqatsi,” said the New York Times. “His ear for sumptuous string sonorities is undeniable.” The Washington Post called it “an ideal combination of composer and performers.”

Pianist Jeremy Denk is on Speaking Soundly, a podcast in which host and MET Opera Principal Trumpet David Krauss talks with fellow performers about their creative process and lives as artists, to discuss his acclaimed memoir, Every Good Boy Does Fine, share lessons he learned from numerous piano teachers over the years, and more. You can hear their conversation here.

David Byrne and Here Lies Love Broadway cast members Lea Salonga, Arielle Jacobs, and Jose Llana gave CBS Sunday Morning a behind-the-scenes look at the production, which has its official Opening Night at the Broadway Theatre in NYC this Thursday. They spoke with correspondent Elaine Quijano about the immersive disco pop musical based on the rise and fall of Imelda Marcos and the People Power Revolution of the Philippines, featuring music by Byrne and Fatboy Slim. You can watch the piece here.

Multi-instrumentalist, producer, and composer Yussef Dayes returns with two new singles, “Marching Band,” featuring Jamaican-American singer/saxophonist Masego, and “Tioga Pass,” featuring longtime collaborator and bass guitarist Rocco Palladino, both from his upcoming debut solo album, Black Classical Music, due September 8. You can watch visualizers for both tracks here. The arrival of new music is paired with the announcement of Dayes’ month-long US autumn tour, starting in Brooklyn on November 16.

The 71st DownBeat Critics Poll results are in, and among the winners are Mary Halvorson, Cécile McLorin Salvant, and Rhiannon Giddens. Halvorson’s Nonesuch debut albums, Amaryllis & Belladonna, have been named Jazz Album of the Year, and Halvorson herself Guitarist of the Year; Salvant is Female Vocalist of the Year; and Giddens has won in the Beyond Artist or Group field.

The nominations for the Edison Klassiek and Jazz Awards in the Netherlands have been announced, including four Nonesuch recordings: Julia Bullock’s Walking in the Dark for Solo Vocal in the Klassiek awards; Mary Halvorson’s Belladonna and Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade’s LongGone for Jazz International Instrumental; and Cécile McLorin Salvant’s Mélusine for Jazz International Vocal—the award she won last year for her Nonesuch debut album, Ghost Song.

Hurray for the Riff Raff, aka Alynda Segarra, begins a two-week, full-band headline tour of the US next week with support from Squirrel Flower followed by a week-long duo acoustic tour of the UK with support from Katie Malco. It all starts with a show at 3rd and Lindsley in Nashville July 12, followed by concerts in Indiana, Michigan, Ohio, New York, Delaware, DC, Kentucky, Iowa, and Missouri, as well as sets at the Pitchfork Music Festival in Chicago, La Fête de Marquette in Wisconsin, and the Calgary Folk Festival. The UK tour kicks off with a sold-out show at Omeara in London on August 11, followed by shows in Oxford, Hebden Bridge, Manchester, and Brighton. Segarra then heads to Norway for sets at the Pstereo and Parken festivals. 

Molly Tuttle & Golden Highway, while at the Railbird Festival in Lexington, KY, earlier this month, performed a live session for Holler. The set includes two songs from their upcoming album, City of Gold—“Down Home Dispensary” and “Next Rodeo”—and a new song, “Wild Things.” “What's most evident ... is the unspoken synergy Tuttle has found with her like-minded friends in the band,” writes Holler’s Ross Jones. “You'll find it hard to find another band that are having as much fun doing what they do as a group than these five, and it's a pleasure to witness." You can watch it here.

Composer and bandleader Darcy James Argue and his Secret Society ensemble make their Nonesuch Records debut with Dynamic Maximum Tension on September 8. The album pays homage to some of Argue’s key influences with original songs dedicated to R. Buckminster Fuller, Alan Turing, and Mae West. Cécile McLorin Salvant joins for “Mae West: Advice.” You can watch the ensemble perform the album track “Dymaxion”—a portmanteau of “dynamic maximum tension”—from the song’s recording session, here.

Molly Tuttle & Golden Highway have released “San Joaquin,” a new song from their upcoming album, City of Gold, due July 21. "I’ve always loved singing songs about trains, and this one takes place in my home state of California," Tuttle says. "Ketch [Secor] and I had the idea for writing ‘San Joaquin’ while looking at a map of different train lines that run through the state. Ketch loves writing geographical songs, and I have many fond memories of road trips taken through the Central Valley when I was a kid, so we dreamed up this story of a wild ride down the San Joaquin railway.” You can watch the video and a live performance of the track here.