Nonesuch Records is happy to announce the signing of singer/songwriter Christina Courtin, a young New York City–based musician with a classical pedigree in violin and a devoted following in New York built over the last several years playing in clubs all over town. Her label debut was recorded this year in New York and Los Angeles with a stellar cast of musicians and will be released in early 2009. "It isn’t hard to decode the allure of this burgeoning local artist," writes Time Out New York. "Her songs are at once old-fashioned, classic pop … and garnished with strange instrumental trimmings. Onstage, she lunges into her music with a spasmodic fearlessness that most vocalists reserve for the shower."

Sam Phillips will be back on the road next week for a short series of dates on the West Coast with songs from her latest Nonesuch release, Don't Do Anything, and from throughout her career. Earlier this week, Acoustic Cafe broadcast a recent live performance, which you can hear online now. Last week, NPR named the title track off the new album its Song of the Day and suggests that when "Phillips sings about the moments that move her heart, [i]t's to her credit that you don't quite know whether it's full to bursting or long since broken."

Youssou N'Dour: I Bring What I Love, the new film by Elizabeth Chai Vasarhelyi, has won the Black Pearl Special Jury Prize for Best Documentary at the Middle East International Film Festival. The film follows N'Dour as he records and tours with his Grammy-winning 2004 album, Egypt. N'Dour himself performed following the film's screening at the festival, held in Abu Dhabi.

Randy Newman will appear on the TODAY show, Tuesday, October 21, during the 10 AM hour. He will perform live as well as chat with hosts Kathie Lee Gifford and Hoda Kotb.

Sam Phillips and her band perform on the Acoustic Cafe radio show during the week of October 20, 2008. The show was recorded in Ann Arbor, Michigan, during Sam’s recent tour stop in September. 

John Adams made his Met debut Monday night with the opening of the new production of his 2005 opera Doctor Atomic. "This score continues to impress me as Mr. Adams’s most complex and masterly music," exclaims the New York Times's Anthony Tomassini. "Whole stretches of the orchestral writing tremble with grainy colors, misty sonorities and textural density." The Associated Press calls it an "intense and fascinating" work, in which "Adams has created a score filled with color, syncopation and lush interludes." Newsweek calls the production "stunning," the score "lyrical, romantic, Wagnerian by turns." Also, Bloomberg calls the composer's newest opera, A Flowering Tree, "Adams's most ravishing creation to date," and Slate finds his new memoir "gripping."

John Adams makes his Met Opera debut tonight with the New York premiere of his opera Doctor Atomic. The New Yorker calls it "a striking example of the new Met’s range." New York Philharmonic Music Director Designate Alan Gilbert conducts, in his company debut. Gerald Finley reprises his role as J. Robert Oppenheimer, the father of the atomic bomb, and tells the New York Times: "The strength of Doctor Atomic is the layered subtext. Each character has many agendas to get through. It’s very refreshing to reveal aspects that haven’t been seen." Director Penny Woolcock tells The Financial Times: "John's music grows out of the finest lyrical tradition of operatic composition but it is part of the 20th and 21st centuries ... I can hear bits of Miles Davis and Jimi Hendrix and the rhythms of today."

John Adams's new memoir, Hallelujah Junction: Composing an American Life, is an "absorbing book," says the New York Times, "which at times reads like a quest narrative that travels through the whole landscape of 20th-century music." Adams has created a "particularly American" sound, reads the review. "His music is both lush and austere, grand and precise. To make an analogy to two poets whose work he has set to music, it’s Walt Whitman on the one hand and Emily Dickinson on the other." The "soundtrack" to the book is available in the companion Nonesuch retrospective, also available now.

Tonight at the 92nd Street Y in New York City: The Composer's Voice: John Adams. John Adams will talk with Juilliard dean Ara Guzelimian about his career; his opera Doctor Atomic, which receives its New York premiere at the Met next week; and his new memoir, Hallelujah Junction, just published by Farrar, Straus & Giroux. The program also features "musical illustrations" by mezzo-soprano Sasha Cooke, baritone Jordan Shanahan, and pianist Linda Hall.

Audra McDonald and Dawn Upshaw will take the stage at Walt Disney Concert Hall in Los Angeles tonight for the Opening Night Gala of the Los Angeles Philarmonic's 2008–09 season, the orchestra's last with conductor Esa-Pekka Salonen at its helm. Audra will sing Sondheim's "There Won't Be Trumpets" and Jule Styne / Sammy Cahn's "10,432 Sheep"; Dawn will perform songs from John Adams's Nixon in China and Stravinsky's The Rake's Progress. The eclectic program also includes selections from Stravinsky's The Firebird.

David Simon, executive producer, writer, and creator of HBO's The Wire, will present a lecture at Hamilton College in Clinton, New York, this afternoon at 4:10 PM in the school's chapel. The lecture, titled "The Audacity of Despair," is free and open to the public. It is sponsored by Hamilton College's Dean of Faculty and hosted by the school's American Studies program. Simon's most recent work for HBO, the mini-series Generation Kill, tells the story of an embedded reporter in Iraq during the initial US invasion of Baghdad in 2003.