Director Paul Thomas Anderson's Academy Award-winning epic There Will Be Blood is out on DVD today. Two versions are available: a single-disc version and a special collector's edition with an additional bonus disc featuring among other things, a 1920s-era silent film on the early days of the oil industry, set to music by the film's scorer, Jonny Greenwood.

New York magazine celebrates its 40th year with a special anniversary issue. In it, the magazine's culture critics give their take on the most essential New York works of art since the publication's inception, "The New York Canon: 1968-2008," featuring performances and works by Steve Reich, John Adams, Laurie Anderson, Audra McDonald, Adam Guettel, Stephen Sondheim, David Byrne, Brian Eno, and The Magnetic Fields.

The Black Keys' new Danger Mouse-produced album, Attack & Release, will be available in less than a week, but you don't have to wait that long to play it. More than 10,000 internet-connected AMI jukeboxes in bars across the country are featuring the album in advance of the release, so ask your favorite bartender if your local watering hole is one of them. Also on the jukeboxes will be clips from the "Strange Times" video.

Steve Reich and John Adams will be among the composers whose works will be featured in the first-ever South by Southwest (SXSW) festival showcase from music publisher Boosey & Hawkes, titled Reich, Rags, & Road Movies: Music by Steve Reich & Friends. Reich will also participate in a discussion with Sonic Youth's Thurston Moore tomorrow.

The Magnetic Fields kick off their US tour with two sold-out shows at the Iron Horse in Northampton, Massachusetts, where they'll unveil "unplugged" versions of songs off their feedback-heavy new album, Distortion. The Hartford Courant spoke with Stephin Merritt about creating the signature sound for the album, which he calls "a collection of 13 pop songs with catchy, quirky melodies swathed in velvety noise," and adapting it for the road. In a feature story and an accompanying podcast, the Courant explores the making of these "witty, droll and often hilarious" songs.