The Staves have released a new song, "Waiting for the Joy," and have announced a US acoustic tour for this fall, celebrating their spring 2024 album, All Now. Dates begin November 6 in Philadelphia and continue into Thanksgiving week, with stops in Brooklyn, Nashville, Austin, and more. "The song began in the throes of the first lockdown when the feeling of isolation was so prominent," the Staves' Jessica and Camilla Staveley-Taylor say of the new song, which was recorded during the All Now sessions with producer John Congleton. "Everyone seemed so inspired, and we were worried that we weren't inspired by music in general anymore."

Composer/guitarist Yasmin Williams returns to Aquarium Drunkard's Transmissions podcast to talk with host Jason P. Woodbury about her upcoming Nonesuch debut album, Acadia. "It's beautiful—a showcase for a one-of-a-kind artist. And while the focus remains Williams' fluid and lyrical guitar work, she's joined by a roster of ringers to help fill out the corners," says the show. You can hear their conversation here.

Composer/guitarist Yasmin Williams stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. She chose recordings by Makaya McCraven, Cécile McLorin Salvant, Tigran Hamasyan, Ambrose Akinmusire, and Sam Amidon.

Congratulations to singer and composer Nathalie Joachim, whom the Museum of Modern Art in New York has named to its 2024–25 MoMA Scholars in Residence cohort. The program invites three acclaimed, inspiring thinkers to join the Museum for a one-year term to pursue projects and research initiatives that contribute to new understandings of modern and contemporary art.

Molly Tuttle is the inaugural guest on photographer Fletcher Moore's new video series My Day With. They get ready for the day in Nashville, paint while listening to Emmylou Harris, rate taco trucks, and talk about life and music. Tuttle also performs a cover of The Cranberries' "Dreams" and a solo version of "When My Race Is Run," from City of Gold, her 2023 GRAMMY-winning album with her band Golden Highway. You can watch it here.

Molly Tuttle & Golden Highway's new six-song EP, Into the Wild, is due September 20 on Nonesuch. The EP, a follow-up to their acclaimed Grammy-winning album City of Gold, features three new songs—including the title track, available now—as well as previously released covers of Jefferson Airplane’s “White Rabbit” and Olivia Rodrigo’s “good 4 u,” and an alternate version of the City of Gold track “Stranger Things.” They have announced new US dates in November, with stops in North Carolina, Virginia, New York, Vermont, Massachusetts, and more.

Composer/guitarist Yasmin Williams's Nonesuch debut album, Acadia, is due October 4. The album, her most sonically expansive to date, is nine original, mostly instrumental tracks written and produced by Williams, with her on various guitars, banjo, calabash drum, tap shoes, and kora. She is joined by an eclectic cast of collaborators—including Immanuel Wilkins, Dom Flemons, Aoife O’Donovan, William Tyler, Darlingside, and others—creating a folk music that reflects the wide range of musical influences that have inspired her throughout her life. Album tracks “Virga” and "Dawning" can be heard now. Williams tours North America with Brittany Howard and Michael Kiwanuka this fall and plays London's Pitchfork Music Festival. "Yasmin Williams treats her guitar like a playground," says NPR Music, noting the “joy and possibility she brings to the guitar.” Songlines calls her “an original, a genuine trailblazer, one of those rare musicians who challenges your preconceptions about the possible.”

Chris Thile joined the National Symphony Orchestra and conductor Eric Jacobsen in concert at The Kennedy Center in Washington, DC, to perform his narrative song cycle ATTENTION!, and more this past April. Also on the program were works by Bach, Beethoven, Dvořàk, and Ellington, and Caroline Shaw. You can watch them perform "Julep," from Punch Brothers' 2015 album, The Phosphorescent Blues; the Allegro from Bach's Concerto for Two Violins in D minor; and "The Rooftop," from ATTENTION!, here.

"It's a real break. It's a real historical break from, like, anything goes ... to suddenly no, I want one chord," composer Steve Reich says of the cultural shift in his lifetime to new musical ideas by American composers, in a new video from Boosey & Hawkes for its America at 250 series. "I want to be able to hear the details that come out of staying put. It isn't recognized what a change happened in my lifetime. I'm proud, delighted, and pleased to have been a part of it." You can see what else he had to say here.

"More than 50 years later, this ensemble has forever changed the shape and sound of classical music," Jon Fasman says in a feature on Kronos Quartet on The Economist's The Intelligence podcast. "Kronos has also delighted in breaking genre barriers. They’ve played pieces by some of the greatest living classical composers, including Philip Glass, Steve Reich, and Terry Riley. But they’ve also played songs by Thelonius Monk and Jimi Hendrix. At its core, though, Kronos has dedicated itself to expanding chamber music repertoire ... Throughout it all, they’ve developed and performed scores rich with depth and meaning." You can hear the feature, including conversations with Kronos's David Harrington and Paul Wiancko, here.

“I think a lot of my stuff is weirdly joyful about mortality, and this is no exception,” Caroline Shaw tells GBH News’ James Bennett II. The two sat down at the Newport Classical Music Festival last weekend for a track-by-track tour of her new album with Sō Percussion, Rectangles and Circumstance, as well as a conversation about songwriting, collaboration, copyright law, and more. You can listen to their conversation here.

"I love this idea of 'intersection' for inspiration when it comes to describing American music or its characteristics," classical singer Julia Bullock says in a new video from Boosey & Hawkes for its America at 250 series. "There's no apology for where those inspirations are coming from, so whether it's directly quoting or imitating the sort of collage and then the depth of expression that can come out of the layering effect, I put all these things together because it brings me great pleasure and joy and often surprises me tremendously." You can watch it here.