Time Out New York, in honor of its special ticket issue, asks readers to send in pictures of their most prized ticket stubs from those unforgettable moments in life—"from the first baseball game you attended with your dad to that magical performance by Patti LuPone in Stephen Sondheim's Sweeney Todd." A prize will go to the ticket with the most compelling backstory out there.

The Guardian honors Philip Glass with an editorial, on the occasion of his 70th birthday celebration, Glassworks, at London's Barbican Centre. The events included a rare performance—the first in London since 1985—of Glass's entire Music in 12 Parts by the Philip Glass Ensemble.

In recapping Boston's 7-1 win over Cleveland in last night's game five of the American League Championship Series, bostonist.com sportswriter Michael Fernia offers a suggestion of music opener for tonight's game in Boston: Randy Newman's "Burn On," about the fire that set Cleveland's Cuyahoga River ablaze in 1969. This follows rumors that the woman the Indians brought out to sing before last night's game in Cleveland was an ex-girlfriend of Sox starting pitcher Josh Beckett. A spokesman for the Indians denies having known of the connection.

Glenn Kotche and Kronos Quartet sent in some photos from a recent rehearsal for their October 25 and 26 performances at the San Francisco Jazz Festival, where they'll premiere Glenn's piece Anomaly. To view the pictures, visit the photo gallery at nonesuch.com/media.

In today's Kansas City Star, music writer Paul Horsley recommends that runners prepping for a long-distance run, like this weekend's Kansas City Marathon, avoid the common mistake of training to disposable Top 40 hits ("simple carbs"). He recommends instead a healthy dose of "high energy" compositions to motivate through the long haul. On his list of Top 10 training tunes: Steve Reich's Music for 18 Musicians and Philip Glass's score to Koyaanisqatsi.

Glenn Kotche marks the world premiere of his new work, Anomaly, with Kronos Quartet, at the 25th Anniversary San Francisco Jazz Festival in a discussion of the story behind the collaboration (commissioned for Kronos by the Angel Stoyanof Commission Fund); the unique challenges of writing, as a percussionist, for string quartet; and the very personal inspiration for the piece.

Reporters Without Borders, an organization established to protect freedom of the press around the world, just announced that Youssou N'Dour was among the first to sign its petition calling for the release of Moussa Kaka, the Niger correspondent for Radio France Internationale and Reporters Without Borders. Kaka was arrested on September 20 for being in contact with members of a minority rebel group in Niger and could face life in prison.

On October 27, the Petersen Automotive Museum in Los Angeles opens La Vida Lowrider: Cruising the City of Angels, a special exhibit celebrating the cultural history of lowrider cars in a city synonymous with car culture. A standout in the exhibit is El Chavez Ravine—a custom-built ice cream truck commissioned by Ry Cooder. Built off the foundation of a '53 Chevy, the truck was painted in painstaking detail by artist Vincent Valdez to tell the story, as Cooder does in his 2005 album Chavez Ravine, of the largely Mexican-American Los Angeles neighborhood destroyed to make way for Dodgers Stadium in the 1950s.

The guys of Punch Brothers celebrate the end of a successful day's photo shoot for their upcoming Nonesuch Records debut. The shoot took place in and around Nashville with photographer Autumn de Wilde, who took this one last pic over dinner at East Nashville's Margot Cafe and Bar.

John Adams's new opera, A Flowering Tree, will be premiered at the Barbican in London this weekend. Listen to John discuss the piece in an interview on BBC Radio 3.

Wilco performed live on Minnesota Public Radio’s A Prairie Home Companion this past Saturday, which you can now here online. Check out "Shake It Off," the trailer for the DVD that comes with the deluxe edition of the band's new album, Sky Blue Sky, and watch "What Light" off the album, here in the Nonesuch Journal.