On Sunday, Caetano Veloso made his Toronto concert debut, and the Globe and Mail takes the opportunity to weigh in on the ever-evolving performer it calls, approvingly, "a master of 'all is not what it seems.'" "The music of Cê in itself is prime Veloso in trickster mode. It's rock music that's a poke in the eye of 'rockism,' the elevation of certain rock music to exalted elite status ... But the music, whether audacious and driving or achingly melancholic, and from whatever period of his prolific songbook, was unfailingly stronger for any inherent contradictions." In advance of tomorrow night's show in Pasadena, the Los Angeles Times has published a profile of the performer examining how he has maintained what may be "the most varied career of any '60s icon."

Pianist Philip Bush reports in his blog, Mostly Music in the Midlands, from his weeklong tour through France with the Steve Reich Ensemble and conductor Alan Pierson performing The Cave, Reich's early '90s video-opera collaboration with Beryl Korot.

The Times (London) gives four stars to Richard Goode's November 7 performance with Dawn Upshaw at London's Southbank Centre. The concert was the pianist's first in a series there as artist-in-residence for the 2007–08 season. The pianist's solo work, which included an "always movingly lyrical performance" of Berg's Piano Sonata was "quite some feast." And for Upshaw, there was "a new depth and focus" in the singer's work.

With the national tour of Sweeney Todd now at its second stop, Toronto can experience the production that was so well received in Boston. BroadwayWorld says the reason for the response is clear: “the simple genius of exceptional material interpreted within a brilliant directorial vision and delivered by an immensely talented and inspired cast. In short, this Sweeney Todd is not to be missed.” The Toronto Star calls it “so musically thrilling, dramatically inventive and visually striking that anyone who likes theatre above the ordinary should be thrilled to spend a few hours in its company ... You'd be a bloody fool to miss this one ... It's a murderously magical evening in the theatre.”

Organizers of the Ojai Music Festival have released a few details for the 62nd annual event, with Dawn Upshaw slated to perform and Steve Reich named as composer-in-residence. The Festival, which runs June 5–8, 2008, marks the composer's first appearance there in 35 years and includes a number of events featuring his works. 

This Saturday, November 10, Kronos Quartet will perform all three of Górecki's string quartets in the course of one evening in Górecki's hometown of Katowice, Poland, with the composer in attendance. The event is part of the 16th Annual Upper Silesian Art Festival. All three of Górecki's string quartets—Already It Is Dusk (Quartet No. 1), Quasi una Fantasia (Quartet No. 2), and Piesni Spiewaja ("...songs are sung") (Quartet No. 3)—were written especially for Kronos. The three quartets have never been performed like this before.

Following Caetano Veloso's sold-out show at the University of North Carolina, the school's Daily Tar Heel offered a glowing review and a uniquely student-centric perspective on his latest, most rock-influenced work, Cê, and his current tour of the US. "It makes me happier," the paper quotes him as saying, "because I think that a university town has a lot of young people and young people are very curious. They're interested in things."

With the Pat Metheny Trio headed to Richmond, VA, to play at the Modlin Center this Friday, the city's Style Weekly offers a preview of what's to come: "Pat Metheny is the opposite of a chameleon. He doesn’t blend into the settings of his numerous projects as much as he reshapes the musical landscape around him." And with all the projects the tireless guitarist has immersed himself in over the years, "today the purest way to experience Metheny’s playing is in his trio."

In today's New York Daily News, Carolina Gonzalez previews Caetano Veloso's upcoming New York City performances at the Nokia Theater, and has a friendly suggestion for the folks who hand out the Grammys: "If the Latin Recording Academy gave out a Grammy for Best Living Songwriter, Caetano Veloso would walk away handily with the prize." (While that's not yet an option, Caetano has grabbed two nominations for his new record, Cê—Best Singer-Songwriter Album and Best Brazilian Song for "Não Me Arrependo" off the album.)

As we reported last week, the phenomenal collaboration between Tom Waits and Kronos Quartet at this year's Bridge School Benefit concerts proved to be the highlight of the weekend's events. Now you can catch a glimpse of the spectacular set on this video released by The Bridge School. In this clip, Waits and Kronos perform the song "God's Away on Business," which they last played together at a benefit concert in 2003.

Caetano Veloso performed at Boston's Orpheum Theatre last Friday, and the Boston Globe reports on what was a full-on rock show by "the gifted and eclectic Brazilian superstar." With the focus of the concert on Caetano's latest album, the rock-influenced Cê, "the setting was stripped-down and austere by the artist's standards, but the ideas were not."

In today's Boston Globe, correspondent Siddhartha Mitter previews tonight's Caetano Veloso show at the Orpheum Theare. In Caetano's current artistic output, Mitter finds that the 65-year-old singer "still shows the restlessness that first earned him fame in the late 1960s." Yet for all the sonic surprises on the new, rock-influenced album Cê, "the man's voice is as richly seductive and thoughtful as ever, and the lyrics ... offer intellectual and cultural queries presented in the Veloso manner, suffused with yearning and ambiguous eroticism."