Wilco's Glenn Kotche and John Stirratt joined Neil Finn and members of Radiohead for an Oxfam benefit concert at Dingwalls in London last night; the Daily Telegraph gives it a perfect five stars. It stemmed from Finn's new 7 Worlds Collide album, on which Wilco performs. Kotche recently spoke with LiveDaily about the new Wilco album; the Lexington Herald-Leader picks the track "You Never Know" as a song that will forever conjure the summer of 2009.

The Baroque Beatles Book, the 1965 favorite featuring Baroque-style arrangements of some of the Beatles' biggest hits by musicologist Joshua Rifkin, was reissued on CD for the first time just last month. "What a kick to have this delightful release from 1965 at hand again on CD," raves Audiophile Audition in a five-star review. Rifkin "did a terrific job of it which still is most enjoyable to hear ... Bravo Rifkin, Nonesuch and all concerned!"

Dan Auerbach and The Low Anthem each performed sets in Chicago last weekend, both at Lollapalooza and in the city's clubs, where, says Rolling Stone, "Auerbach slayed a lucky crowd with tunes from his solo debut, Keep It Hid." Paste reports that Dan's festival set was "top-notch"; the Chicago Tribune says he "unfurls grooves that are as thick as the beard on his face"; and Time Out says he proved he's "got a soulful, lived-in voice that speaks to his promise as one of the great songwriters of his generation."

Shawn Colvin's Live, featuring 15 live tracks from two decades’ worth of material, was released on Nonesuch earlier this summer. No Depression sees the new collection as "a terrific career overview," confirming that "Colvin is a solo-acoustic performer of stratospheric skill." The album serves as "a gorgeous and satisfying reminder of what is so special about this great American artist." Country Chart calls it "the best concert recording of the year."

By any measure, it would seem that The Black Keys helped turn the muddied fields of New Jersey's Liberty State Park into a memorable closing day for the 2009 All Points West festival. Rolling Stone says their "primal power" of "one of America’s most respected bands" served them well. Esquire says the band's set stood out from the rest of the pack, making everything "whole again," and gives a "Daily Endorsement" to drummer Pat Carney.

Bill Frisell's latest Nonesuch album, Disfarmer, is out now. Billboard sees it as evidence of Frisell's being "best suited for exploring vast territory and responding with imaginative integrity." Q says, "As ever, Frisell’s playing, all texture and touch, raises matters way beyond the merely atmospheric," and selects the album's "shimmering instrumental version" of a Hank Williams tune as an Essential Track of the month. The Philadelphia Inquirer gives the album three-and-a-half stars, praising its "wonderfully rootsy and evocative music" and the "superb ensemble" that plays it.

Bill Frisell's latest Nonesuch release, Disfarmer, features music inspired by the haunting black-and-white images of the late American photographer Michael Disfarmer. The Houston Chronicle gives it a perfect four stars, calling it "a particularly beautiful suite of music. Frisell's pacing is magnificent, and the album sweeps along with purpose like a gorgeous, spacious epic. It is full of sounds that suggest settings and characters, including the mysterious eccentric who inspired the recording." All About Jazz praises "the effortless interaction and instrumental acumen of its participants ... Frisell's quartet proves capable of empathic exploration throughout."

Steve Reich was born in New York, raised there and California, and has spent much of his life in the City. He has also been spending time in Vermont for more than three decades. Vermont Public Radio spoke with the composer about his career and how the quiet of Vermont has influenced his writing. He was in Massachusetts this weekend for MASS MoCA's Bang on a Can Festival, which culminated in a performance of Music for 18 Musicians. Says the Boston Globe: "Reich’s towering 1976 epic rang out like a renewed statement of purpose: a postmodern hoedown of joyfully interlocking parts."

Musicologist-conductor-pianist Joshua Rifkin’s The Baroque Beatles Book, featuring Baroque-era arrangements of the Fab Four’s Top 40 hits, was among the earliest releases on the then year-old Nonesuch label in 1965 and remained a cult favorite in the catalog over the decades. Now, for the first time, it has been reissued on CD, and, all these years later, says the St. Louis Post-Dispatch, "It’s still a lot of fun ... Give it a listen."

Christina Courtin, whose self-titled Nonesuch debut was released last month, recently spoke with Blurt magazine about the album and her many musical inspirations, from the classical music she studied at Juilliard to classic pop and rock. Altsounds says she's "one of a kind" and "would have fitted in perfectly in the New York Jazz scene of the thirties and forties," suggesting that "she could have easily shared the stage with Billie Holiday and Ella Fitzgerald."

John Adams's Doctor Atomic Symphony, an all-instrumental work based on his 2005 opera, Doctor Atomic, is out now. Conductor David Robertson leads the Saint Louis Symphony Orchestra in first recordings of both Doctor Atomic Symphony and 2001's Guide to Strange Places. The St. Louis Post-Dispatch calls it "a pair of brilliant performances." The Guardian says the title piece has "captured in furious brass explosions and Adams's vivid orchestration," and the album "rewards repeated listening."

Gidon Kremer and the Kremerata Baltica's latest Nonesuch release, a two-disc recording of the complete Mozart violin concertos, is out now. The Times (UK) gives it a perfect five stars, writing of Kremer: "His musical intelligence is so probing, his touch so light, his tone so bird-like, that I feel I’m hearing these five concertos for the first time ... His mind is as quicksilver as Mozart’s pen, excitedly darting from phrase to phrase in an intoxicating journey of discovery." The San Jose Mercury News says, "While listening, the world is right."