Bill Frisell's new album, Disfarmer, which sets to music the haunting, mid-century photo portraits of the late Arkansas photographer Michael Disfarmer, is "extraordinary" and "an absolutely beguiling listen," says the Lexington Herald-Leader. "The effect is like sifting through old photographs with black-and-white imagery that convey all manner of figurative color upon each viewing." 100 Greatest Jazz Albums calls the album "evocative in terms that are all its own ... an outstanding further chapter in Bill Frisell's growth as a major American artist in his own right."

Oumou Sangare was among the performers at this past weekend's WOMAD in the UK. BBC Radio 3 has coverage from the festival, and the Daily Telegraph says Oumou's set found her "wreathing her airy voice around her band’s funky harp-based rhythms," building "to a rapturous finale." Pitchfork gives her new album, Seya, an 8.1, praising "its seamless mix of old and new sounds." Dusted says the album's title, which means "Joy," is an apt one, as that's "a sentiment that rings true every time the songbird of Wassoulou opens her mouth."

Rokia Traoré was "one of the biggest draws" at this past weekend's WOMAD festival in Wiltshire, England, says the BBC. From backstage, BBC spoke with the Malian-born singer-songwriter, described as "one of Africa's most innovative and acclaimed musicians." The Independent gives four star's to the festival's first night, at which "the day's star-making performance comes from Mali's Rokia Traoré ... It is when she dances, hips swinging half-way to Somerset, and straps on an electric guitar to lead her band in hard, dramatic rock, that she becomes potent with pride."

Wilco brought its US tour to a close last night, headlining the 10,000 Lakes Festival's Thursday run, and begins its European tour at Oslo's Oya Festival on August 13. NPR's Fresh Air reviews the band's recent Nonesuch release, Wilco (the album), describing it as an album about an acceptance that allows one to feel "at once humbled and emboldened ... Acceptance, but not complacency. Jeff Tweedy is suggesting how you can make stability sound like a tough artistic challenge and a grand adventure."
 

Christina Courtin plays the second of two shows in California this week in a set at San Francisco's Café du Nord tonight. She performed at Largo at the Coronet in LA on Tuesday, a set the Los Angeles Times dubbed "refreshingly un-ethereal." The paper's music blog explains, saying Christina "offered one of the best correctives to the ever more ubiquitous images of wispy, inscrutable hipstresses with a set of completely endearing yet really sturdy and inventive folk-pop."

Wilco front man Jeff Tweedy is front and center on the cover of SPIN magazine's August issue, out on newsstands this week. The issue's cover story aims to answer the question: "So why are they now on top of the world?" Says SPIN: "Since forming in 1995, Wilco have slowly risen to become the greatest small-scale success story in American rock, following the sounds they like wherever they go while deepening and expanding their audience." The magazine names the band's latest release, Wilco (the album), among the year's best so far. Why? It's "the rare rock album about acceptance. And it's fantastic."

Kronos Quartet's performance in Brooklyn's Prospect Park last Thursday offered the sort of program for which the group earned once more the label "groundbreaking" in the New York Times review. The program featured works from Kronos's latest album, Floodplain, to which the Toronto Star gives a perfect four stars. "The Kronos Quartet never disappoints," exclaims the Star, "but on their latest disc they are even better than ever ... There isn't a single musical moment left wanting." The Arkansas Democrat-Gazzette gives it an A-, recommending in particular "the remarkable" album closer by Serbian-born composer Aleksandra Vrebalov.

Gidon Kremer and the Kremerata Baltica's recording of the complete Mozart violin concertos is out in a two-disc set on Nonesuch today. The Scotsman says "there's magic" on this recording from the "brilliant violinist" and gives it a perfect five stars. "This double album is truly sensational," exclaims the review ... There isn't a single moment where the interest pales, or the energy saps, or Kremer fails to surprise us." New Statesman says Kremer "captures the restlessness of the young Mozart," while the Kremerata "plays with tight ensemble and gleamingly honed tone." The double-disc set is currently the CD of the Week on the UK's Classic FM Morning Show.

Wilco's US tour behind their latest Nonesuch release, Wilco (the album), is due to wrap up this week, with a European tour slated to begin next month, after a set outside Detroit tonight and the 10,000 Lakes Festival in Minnesota on Thursday. Prior to the concerts, the Detroit Free Press talks to Nels Cline about his "head-spinning guitar pyrotechnics" and the Star Tribune talks to Jeff Tweedy about the new record and what's to come. GQ says of last Saturday's show in upstate New York that "the band has never sounded better." Buffalo News says Sunday's set in nearby Lewiston "was simply awesome ... Wilco is certainly the most interesting US band of its generation."

Christina Courtin is set to perform at L.A.'s Largo at the Coronet tonight. The Los Angeles Times says of her recently released Nonesuch debut that it "is highly polished but still retains a sense of individuality." LAist says "you can't help but be drawn in by her expressive voice, and the 10 tracks reveal a seasoned artist. This may be her first record, but she's developed a confidence, a writing style and a playfulness that many singer/songwriters don't achieve until later in their careers." Her hometown paper, the Buffalo News says: "Like so many of the best records of its type—Joni Mitchell’s midperiod efforts come to mind, as does Norah Jones’ debut—Christina Courtin works its magic on the listener subversively, and over time."

The Low Anthem continues to tour the US behind their recent Nonesuch debut, Oh My God, Charlie Darwin, returning to their home state of Rhode Island on August 1 to play the inimitable Newport Folk Festival, celebrating its 50th year. "There is nothing typical about Rhode Island Americana group The Low Anthem," writes Audiophile Audition, which gives the new album four stars, citing the "exquisite acoustics,""naturalistic feeling," and "direct and honest" approach of its recording.

Richard Goode enjoys the fruits of his artistic direction at Marlboro Music ... Amadou & Mariam play SoCal with Coldplay ... Laurie Anderson, Lou Reed perform at the Palace for Manchester Fest ... The Black Keys conquer Colorado ... David Byrne takes a Roman (work) holiday ... Shawn Colvin goes solo, joins Jackson Browne ... Christina Courtin's close to home in NYC ... Bill Frisell joins the McCoy Tyner Quintet in Italy ... The Low Anthem opts for Ottawa Blues Fest ... Brad Mehldau, Joshua Redman's trios cross paths at Nice Jazz Fest ... Oumou Sangare closes US tour with Béla Fleck ... Chris Thile premieres mandolin concerto at Interlochen ... Allen Toussaint sees Spain, London ... Rokia Traoré tours UK's Larmer Tree Fest ... Dawn Upshaw, Gilbert Kalish light up Elora Fest ... Wilco plays Portland, Maine, upstate New York ... and more ...