Laurie Anderson and Timo Andres spoke with Nonesuch Chairman Emeritus Bob Hurwitz for Ojai Music Festival's Virtual Ojai Talks, which you can watch here. The conversation centers on I Still Play, the 2020 album of new solo piano works by artists who have recorded for Nonesuch, written in honor of Hurwitz: Anderson, Andres, John Adams, Louis Andriessen, Donnacha Dennehy, Philip Glass, Nico Muhly, Brad Mehldau, Steve Reich, Pat Metheny, and Randy Newman. Andres will perform from I Still Play at the 2021 Ojai Music Festival, of which John Adams is Music Director.

Lake Street Dive were on WNYC's Soundcheck to talk with host John Schaefer about their new album, Obviously, and perform three songs from it: "Same Old News," "Being a Woman," and "Hypotheticals." You can hear the conversation and performances and watch videos of the former two performances here. Rachael Price and Akie Bermiss were also on WNYC's All of It with Alison Stewart, which you can hear here.

Lake Street Dive continued the celebrations surrounding the release of its new album, Obviously, with a performance for CBS This Morning's Saturday Sessions today. The band performed three songs from the new album: "Hypotheticals," "Nobody's Stopping You Now," and "Being a Woman." You can watch all three here.

Lake Street Dive has released an official music video for "Hypotheticals," from the band's new album, Obviously, out tomorrow. The video was directed and edited by Oskar Peacock, with must-see choreography by Hannah Jean Hildreth. You can watch it below. Lake Street Dive celebrates the release of Obviously with a performance on The Late Show with Stephen Colbert tonight and on CBS This Morning: Saturday Sessions this Saturday.

Rhiannon Giddens has released "Waterbound," a second track from her upcoming album with Francesco Turrisi, They’re Calling Me Home, out April 9. The song is a traditional fiddle tune first recorded in the 1920s that includes the refrain, "Waterbound, and I can't get home, down to North Carolina," capturing a central theme of the new album: longing for the comfort of home and family in this time of prolonged isolation. The video, which you can watch here, was filmed in Ireland and includes footage from the recording session that took place in a small studio on a working farm outside Dublin. The song and video also feature Congolese guitarist Niwel Tsumbu. Giddens says, “‘Waterbound’ is a song I learned a long time ago and it brings me forcefully home to North Carolina when I sing it, and considering that I am, indeed waterbound, and have been for a long time, it's a rare moment when a folk song represents exactly my situation in time.”

Joachim Cooder was joined by his father, Ry Cooder, for a performance streamed from the Skirball Cultural Center in Los Angeles on Saturday. They performed songs from Joachim Cooder's Nonesuch Records debut album, Over That Road I'm Bound. "My hope for tonight's performance is: we do something maybe that we've never done before," he says. "I like to let things take their own course and have each show be a little different. So I would like all my things to work and have everybody see something that they haven't seen somewhere else." You can watch the program, which also includes a set from Amythyst Kiah, here.

Lake Street Dive celebrated the 50th anniversary of Carole King's album Tapestry last month with a performance from band members Rachael Price, Bridget Kearney, and Akie Bermiss of the album track "So Far Away" for Variety magazine. King replied on Twitter: "Love this!" You can now watch it here.

"Green," the haunting closing theme from the critically acclaimed and award winning film Sound of Metal that is written and performed by the film’s co-writer and composer Abraham Marder and produced by Thomas Bartlett, is out now on Nonesuch Records; an accompanying video can be seen here. “Green” is one of the fifteen songs on The Academy Awards shortlist for Best Original Song. A full motion picture soundtrack will also be released by Nonesuch later this year; details will be announced shortly. Sound of Metal, directed by Darius Marder and co-written by Darius and Abraham Marder, tells the story of Ruben, played by Riz Ahmed, an iterant punk-metal drummer who begins to unravel when he suddenly loses his hearing and identity.

Lake Street Dive has released its new single, "Hypotheticals," the first song on the band's forthcoming record, Obviously, due March 12. The album is titled after the first word in the song. You can watch a video for "Hypotheticals" filmed during the recording of the album at Phantom Studios in Gallatin, TN, here.

Rhiannon Giddens’ new album, They're Calling Me Home, recorded with Italian multi-instrumentalist Francesco Turrisi, will be released April 9 (vinyl June 11) on Nonesuch Records; vinyl is due June 11. The album was recorded during the COVID-19 lockdown in Ireland. The two expats found themselves drawn to and comforted by the music of their native and adoptive countries of America, Italy, and Ireland, which they recorded at a spare studio on a working farm outside of Dublin. The result is a twelve-song album that speaks to the longing for the comfort of home as well as the metaphorical call "home" of death. Nonesuch Store pre-orders include a limited-edition, autographed print and an instant download of the song "Calling Me Home," the video for which can be seen here.

The Staves celebrated the release of their new album, Good Woman, with a live-streamed ticketed concert from the London venue Lafayette on Friday. The band has now released their performance of the album tracks "Best Friend" and "Waiting on Me to Change" from the show, which you can watch here. "It was utterly beautiful and powerful," Clash says of the concert. "You expect excellent and classy harmonies when watching this band and they didn’t disappoint ... The Staves are a breath of fresh air and should be on everyone’s list to see when they can tour properly."

The Staves have released a live performance video for "Failure," a song from their just-released album, Good Woman, which you can watch here. "There’d been a hiatus period that we took," Jessica Staveley-Taylor tells Stereogum. "I think I’d been away from it for too long and I felt lots of doubt about myself, doubt about the record that we were working on, doubt about the band and the directions we were all heading in ... And I think that by the time 'Failure' was written, we were back in the studio and feeling better about things, so it’s kind of taking those feelings I’d felt during one of the worst times and kind of owning them ..."