Shawn Colvin's new Live album is due out next week. To celebrate, Nonesuch has teamed up with Martin Guitar to offer a brand-new X-Series guitar, signed by Shawn; three runners-up will win a free, signed copy of the CD. All orders of the album in the Nonesuch Store placed by July 21 (including previously placed orders) are registered to win and include, along with the album MP3s, the exclusive bonus download "Another Long One." The Detroit Free Press gives the album four stars, calling it "an intimate, career-spanning solo recording."

Just before the big Bonnaroo performance this past Saturday, Wilco played the first stop on its summer tour of the States, at Cincinnati's Aronoff Theater Friday. Featured in the set were songs from the band's catalog and its forthcoming Nonesuch release, Wilco (the album); the Observer gives the album four stars, as does SPIN, which calls it "fantastic." The Cincinnati Enquirer writes in its concert review: "Jeff Tweedy and his collection of virtuoso cohorts are at the top of their game, staking a claim as one of America’s most innovative and entertaining bands." MTV reports: "Unwrapping a handful of tunes from their new self-titled album, the band straight-up killed it, playing to a packed house of 2,700 who sang along to nearly every lyric."

The Low Anthem, fresh off a multi-set stop at the Bonnaroo festival this weekend, are in New York City to celebrate the release of their Nonesuch debut, Oh My God, Charlie Darwin, with a performance at the Bowery Ballroom tonight. The Observer Music Monthly gives the album four stars, exclaiming, "it soars, the title track especially"; Paste's Josh Jackson calls it "one of my favorite albums this year." The New York Times writes: "[T]he quieter the music gets ... the more its music inhabits its own otherworldly place, where ghosts and angels hover just out of view."

After four days, 70,000-plus music lovers, and scores of A-list performers, the Bonnaroo music and arts festival has come to a close. Among the festival's performers were no fewer than seven Nonesuch artists. The New York Times calls the Wilco show "one of Bonnaroo’s most extraordinary sets." The Wall Street Journal describes The Low Anthem's "fine new album" as "both clever and affecting" and its live set as "moving, folk-based Americana." Pop Matters calls it "one of the most pleasant surprises" of the day and the trio's vocals "absolutely phenomenal and as pure as can be." Spinner calls them "one of the true breakout bands at Bonnaroo this year."

Ry Cooder kicks off European tour with Nick Lowe in Ireland ... Bill Frisell Trio try a trifecta in Rochester, Louisville, Philly ... Youssou N'Dour does Q&As for film screenings in NYC ... eighth blackbird performs Reich's Pulizer Prize-winning Double Sextet at Ojai Festival ... Bonnaroo welcomes Amadou & Mariam, David Byrne, Toumani Diabaté with Béla Fleck, The Low Anthem, Allen Toussaint, Sara Watkins, and Wilco, who starts its summer tour ... and more ...

The Nonesuch artist invasion of Bonnaroo, the big four-day music and arts festival in Manchester, Tennessee, began last night with an opening-night performance by The Low Anthem, which performs again this afternoon. Also performing today are Toumani Diabaté with Béla Fleck at The Other Tent's all-day program of African music, culminating in an evening set by Amadou & Mariam. David Byrne closes out the day's performances on the Which Stage and leads the first-ever artist-curated stage. On Saturday, Allen Toussaint plays two stages; Sara Watkins plays with Fiction Family; and Wilco, one of SPIN's "must-hear" acts there, plays a two-hour set on the What Stage.

The Low Anthem's Nonesuch debut, Oh My God, Charlie Darwin, was released this week. Rolling Stone places it among "the year's best indie records." The Independent calls it "fascinating" and its opening tune "a gorgeous, fragile piece of work." The Guardian concurs, giving the album four stars and stating: "On the beautiful opener, 'Charlie Darwin,' and the startling 'To Ohio, the Low Anthem evoke a hushed, ethereal transcendence similar to the Cowboy Junkies' The Trinity Session. These are magical songs laden with imagery and poignancy." You can hear a live performance of "Ticket Taker" and a chat with the band on the latest New York Times "Music Popcast."

Seya, Oumou Sangare's first album in six years, is out now. Entertainment Weekly gives it an A, citing "grooves limpid enough to dive into" and comparing Sangare to Aretha Franklin, as "a supremely gifted singer who commands R-E-S-P-E-C-T." The Star-Ledger too cites Sangare's "arresting voice ... as strong and lithe as ever," and sees the album as "a series of upbeat, well-produced songs" with melodies that are "something to marvel at."

Today marks the US theatrical debut of the documentary film Youssou N'Dour: I Bring What I Love, an examination of Egypt, N'Dour's 2004 album, which highlights the tolerance central to his practice of Islam. The New York Times enjoys the ample opportunities for audiences "to groove to [N'Dour's] crisp, soaring, polyrhythmic music." The Daily News says its director has "given fans a gift in her performance-heavy documentary" and "an enlightening portrait" to newcomers. The director tells Metro: "Through his music, Youssou brings together audiences of many cultures and many faiths. He shows us that each individual has the power to affect change.”

Youssou N'Dour: I Bring What I Love, the award-winning film that documents the creation of and response to N'Dour's 2004 Grammy-winning album Egypt, begins its theatrical run in New York tomorrow at the Paris Theatre and IFC Center in Manhattan, and at the Brooklyn Academy of Music (BAM). The Senegalese superstar and the film's director, Elizabeth Chai Vasarhelyi, will make personal appearances at the three New York-area theaters on opening day and the following day, Saturday, taking questions from the audience about the film.

Nonesuch will release a new recording of the complete Mozart violin concertos by Grammy Award–winning Latvian violinist Gidon Kremer and his Kremerata Baltica orchestra on July 21. Following their performance of the concertos at Lincoln Center’s Mostly Mozart 2006, the New York Times praised Kremer's "ability to make a work, however familiar, entirely his own, dissimilar in most important details from the way other violinists play it, yet fully within both the spirit and letter of the score.” This two-disc set captures their performance of the five concertos at the Salzburg Festival two days later.

The Low Anthem's Nonesuch debut, Oh My God, Charlie Darwin, is out today. The album receives a Paste rating of 90 and is described in the review as "gorgeous chamber folk," another step in "the evolution of folk music ... following the path cleared by Nick Drake and Tim Buckley." Paste concludes: "[T]hese 12 songs are exquisite." The Boston Phoenix hears ties to Tom Waits's Mule Variations in this "excellent" new record, "moving gently among sepia-toned arrangements of pump organs and clarinets and gruff barnyard blues."