Christina Courtin is set to hit the road again this weekend with shows in Boston and Brooklyn before heading off on a three-week tour with Elizabeth & the Catapult next week. Just in time comes a music video for "Bundah," a song the Knoxville News-Sentinel notes for "Courtin's dulcet voice" and the "florid acoustic guitar swaying through" the track.

Chris Thile brings his Mandolin Concerto to the third city in as many weeks in a performance with the Alabama Symphony Orchestra in Birmingham tonight. Thile joined the Oregon Symphony this past weekend for the West Coast premiere of the piece. The Oregonian called it "nothing less than a reinvention of the possibilities of his instrument" from the "mandolin wizard."

Wilco's 1995 debut, A.M., is now out again on vinyl. The band is set to begin a three-week tour this Thursday in the Main Lounge of the University of Iowa's Memorial Union. This afternoon at 3 PM CT, the band stops by the studios of radio station WXRT in their hometown of Chicago to talk about the tour and play guest DJ. The North American tour culminates with two shows in Chicago on October 18 and 19; Wilco heads to Europe in early November.

Paul Jacobs's 1970s recordings of Debussy's Preludes for Nonesuch have been added to The NPR Classical 50 list of essential recordings. On the show, critic Ted Libbey calls them "quite remarkable" and dubs Jacobs "the gold standard for the piano music of Debussy." Says Libbey of the Preludes: "What you hear is so extraordinary."

Uncut magazine celebrates its 150th issue in November with a list of the 150 Greatest Albums of the 21st Century (so far). On the list are several Nonesuch releases, including three Wilco records, Brian Wilson's SMiLE, Ry Cooder's Chávez Ravine, Emmylou Harris's Red Dirt Girl, and Scritti Politti's White Bread, Black Beer.

Shawn Colvin gave a trio of performances on the East Coast late last week, beginning with a set at Infinity Hall in Norfolk, Connecticut, that showed off her "quirky, thoughtful charm," says the Hartford Courant. Colvin "forged riveting moments" and "eased through a selection of tunes that brought out the luster in her singing."

Joshua Redman and his trio gave an Opening Night performance at the Indianapolis Jazz Festival earlier this month that All About Jazz calls "a brilliant start" to the festival, which ended yesterday. The set featured songs from Redman's latest Nonesuch release, Compass, review calls "another exquisite journey" from Redman.