David Byrne brings his show—"as enigmatic and adventurous as his three decades-long career" (Boston Globe)—to Pittsburgh, Philadelphia, and DC ... Adams's Doctor Atomic explodes onto movie screens around the world ... Laurie Anderson's Homeland tours Italy ... Shawn Colvin tours the Northeast and talks to the Washington Post ... Toumani Diabaté travels the West Coast ... Bill Frisell Trio's film music plays Eastern Europe ... Glass-scored ballets leap from Toronto to Miami to Sweden ... Kronos does Denver with Alternative Radio ... k.d. lang plays the Mile High City too ... Brad Mehldau and Joshua Redman trios meet up in Spain ... Punch Brothers play the Peace Center Bluegrass Festival ... Pacific Northwest Ballet performs to Reich ... Laura Veirs plays Portland's Siren Festival ... and more ...

Following its Met premiere earlier this month, John Adams's 2005 opera Doctor Atomic was described as the composer's "most complex and masterly music" by the New York Times and "hauntingly powerful, deeply humane and eloquent" by the Boston Globe. This Saturday's matinee will be broadcast live in movie theaters around the world through The Met: Live in HD, which reaches close to 800 screens. Met General Manager Peter Gelb tells the Boston Herald: "I was determined to bring [Adams] to the company. Taking advantage of that with new media just adds to the experience."

Following her performance in Carnegie Hall's Zankel Hall this past Sunday, Dawn Upshaw is preparing for two nights at Lincoln Center's Gerald Lynch Theater, in a production of Kurtág's Kafka Fragments. She first brought the piece to Zankel Hall in 2005, under the direction of Peter Sellars and with violinist Geoff Nuttall, who also return for the current iteration. The New York Times talks to the soprano about the piece and her other current projects; she says: "I feel I’m doing the world—or my audience—the most good by bringing things to them that I either feel have an important message or bring perspective or beauty to their lives, and do it as honestly as I can."

The current run of k.d. lang's Watershed tour brought her to the Dallas-Ft. Worth area last night for a performance at Bass Performance Hall that the Star-Telegram called a "superb 90-minute set ... A wondrous, multilayered instrument seemingly assembled from smoke, cinders and a husky yearning, the voice ranged over a multitude of moods." Next up is a show at the Paramount Theatre in Austin tonight.

Malian kora player Toumani Diabaté is currently on tour in the US, and performs in the Bay area on Wednesday, November 5. The San Francisco Bay-Guardian's music blog, Noise, recently posted about his music and his recent album, The Mandé Variations, describing Diabaté's "ability to incorporate disparate sounds from Western pop, Indian classical music, and blues while remaining grounded in his country's tradition."

Kronos continues its multi-year residency at the University of Maryland's Clarice Smith Center ... Cleveland Orchestra gives swing-state Ohio a short break from the campaign with Adams's Gnarly Buttons ... Laurie Anderson gives Netherlands premiere of "Amelia Earhart" ... David Byrne takes his "effortless artistic grace" (Montreal Gazette) to Boston and The Borgata ... Toumani Diabaté begins his two-week US tour in Boston ... Bill Frisell's Trio plays film music in Portugal ... k.d. lang beats Byrne to The Borgata ... Brad Mehldau Trio plays two nights in Austria ... Sam Phillips plays two sets at Yoshi's ... Joshua Redman Trio continues its tour of Europe ... Dawn Upshaw joins pianist Stephen Prutsman at Carnegie Hall ... Wilco's in Wisconsin, getting out the vote ... and more ...

Toumani Diabaté begins a two-week tour with music from his latest solo record, The Mandé Variations, this Saturday at the Somerville Theater outside Boston. On Sunday, he comes to New York's Skirball Center, where The New Yorker suggests the "deeply meditative compositions" of the new record "promise to be quite stirring" live. Leading to next week's concerts in California, the Mercury News calls him "an unsurpassed master of the kora" whose performance on Mandé Variations "is incantatory, as Diabaté creates a rolling, hypnotic vibe that gives the album the feel of an extended suite."

It is with great regret that Randy Newman has had to postpone his forthcoming European tour on doctor's orders, because of physical limitations and severe pain caused by stenosis in the lower back and neck. The 18-date tour had been due to start this Saturday, November 1, in Berlin. "I deeply regret not being able to come," says Randy. "I like it so much in Europe, and I've always been treated so well. I'll get there as soon as I can."

Last weekend, Wilco performed at the 22nd annual Bridge School benefit concert  organized by Neil Young, with whom the band will be heading out on the road a month from now for a tour of North America. But you don't have to wait that long to see the band play live. Tune in to The Colbert Report on Comedy Central tomorrow night, when Wilco will be the show's guest. On Saturday, members of the band will play a free Concert for Change on behalf of the Obama campaign at the Union Theater in Madison, Wisconsin.

Fresh off their performance at New York's historic Apollo Theater in Harlem last night, k.d. lang and her band head up to Connecticut tonight to perform at the Fairfield Theatre in Bridgeport. And tomorrow morning, fans across the US can tune in to ABC's Good Morning America to watch k.d. perform the song "Coming Home" from her latest Nonesuch release, Watershed.

Edgar Meyer and Chris Thile close out their cross-country tour of music from their eponymous debut duo album tomorrow night at Carnegie Hall, for which they will be joined by special guest, violinist Mark O'Connor. Tonight, the pair's penultimate performance takes place at Lisner Auditorium at George Washington University in Washington, DC. Before Meyer and Thile head down to Washington, they'll visit the WNYC studios in New York for a live performance this afternoon on Soundcheck, beginning at 2 PM ET.

Laurie Anderson gave two performances of Homeland this weekend in Berkeley, California. "Singing, reciting, teasing, exciting and playing electric violin with a dynamic trio," says the San Francisco Chronicle, "Anderson brought the large audience at Zellerbach Hall to its feet for a prolonged and well-deserved standing ovation." The review describes the piece as "Anderson working in top form, engaging, witty, thought provoking and musically inspired ... [with] new songs that rank with Anderson's best work."