Wilco's 1995 debut, A.M., is now out again on vinyl. The band is set to begin a three-week tour this Thursday in the Main Lounge of the University of Iowa's Memorial Union. This afternoon at 3 PM CT, the band stops by the studios of radio station WXRT in their hometown of Chicago to talk about the tour and play guest DJ. The North American tour culminates with two shows in Chicago on October 18 and 19; Wilco heads to Europe in early November.

Shawn Colvin gave a trio of performances on the East Coast late last week, beginning with a set at Infinity Hall in Norfolk, Connecticut, that showed off her "quirky, thoughtful charm," says the Hartford Courant. Colvin "forged riveting moments" and "eased through a selection of tunes that brought out the luster in her singing."

Joshua Redman and his trio gave an Opening Night performance at the Indianapolis Jazz Festival earlier this month that All About Jazz calls "a brilliant start" to the festival, which ended yesterday. The set featured songs from Redman's latest Nonesuch release, Compass, review calls "another exquisite journey" from Redman.

David Byrne, long a bike enthusiast and proponent of this auto alternative, releases Bicycle Diaries, a new book described by the Los Angeles Times as "a two-wheeled travelogue from a keen cultural observer." He also begins an eight-city panel tour—Cities, Bicycles, and the Future of Getting Around—to discuss these issues. As New York magazine explains, "If the conventional idea of the artist is as a kind of highly specialized genius, Byrne prefers to be an omnivore."

Chris Thile recently premiered his Mandolin Concerto with the Colorado Symphony Orchestra and performs it again this weekend with the Oregon Symphony, after which, Thile joins his fellow Punch Brothers for a three-week US tour, including Carnegie Hall. The group’s next record is scheduled for 2010. "The new album is the next step in the natural progression of Punch Brothers," says band member Gabe Witcher, "from a group first assembled to render Thile’s composition, The Blind Leaving the Blind, to a collective compositional entity in its own right."

The Low Anthem closes out its European tour this week with stops in Hamburg, Brussels, Amsterdam, and Paris, before heading home to the States for Austin City Limits and an extensive US tour with Blind Pilot. And with a performance in Amsterdam this week, it's fitting that The Low Anthem is offering a free copy of its performance of Bob Dylan's "Dignity" recorded in that city when you sign up for the group's mailing list.

Youssou N'Dour talks to BBC Radio 4 ... Kronos premieres Damon Albarn piece in Spain ... Gidon Kremer, Kremerata Baltica perform Mendelssohn in Germany ... Low Anthem plays in Germany too ... Joshua Redman Trio launches Indy Jazz Fest ... Chris Thile, Colorado Sympohny give encore performances of his "astounding" Mandolin Concerto ... Allen Toussaint plays New York's Joe's Pub ... Laura Veirs tours with The Decemberists ... Sara Watkins plays the Americana Music Festival in Nashville ... and more ...

Bill Frisell's latest Nonesuch release, Disfarmer, is out now. The Christian Science Monitor calls the album "a tour de force of jazz creativity by Bill Frisell," with the guitarist creating "a profoundly eerie merger of old-timey mountain music and jazz."

Chris Thile's first Mandolin Concerto, Ad astra per alas porci, receives its official world premiere this week in three performances with the Colorado Symphony Orchestra under Jeffrey Kahane, following a test run of the piece at Interlochen this summer. "I feel like I've done a lot of examining of the mandolin's possibilities," Thile tells violin.com, "but this is the culmination of my efforts in that direction thus far." In an extensive interview with Sequenza 21, he says, "As long as I have something to play, something to sing, something to write, I'll be happy."

Christina Courtin's California concert schedule continues this week with performances in San Francisco and LA. Pop Matters describes the singer as "fearless, profound, and musically fascinating" and her "impressive" new album as "unlike anything else I have heard this year ... Lyrically precocious, and musically varied, Courtin presents herself as a chameleon, shifting through varied terrain from jazz to folk to country to pop and back again."