"Multiple Grammy Award winner and MacArthur Fellow Cécile McLorin Salvant is a fearless singer, composer, and visual artist who is one of the most highly regarded jazz vocalists of her generation," David Krauss, MET Opera Principal Trumpet and host of the Speaking Soundly podcast, says of his guest. You can hear their conversation about Salvant's life and music, including her Carnegie Hall Perspectives series this concert season, here.

Rhiannon Giddens was on NPR's Code Switch podcast to talk with co-host B.A. Parker, who is learning to play the banjo and is looking to find community and reclaim an instrument rooted in Black culture. You can hear their conversation here.

"Music is a powerful tool. In an instant, it can change your mood, your perspective, or your life," Stacey Abrams says on her Crooked Media podcast, Assembly Required, introducing her conversation with Rhiannon Giddens. "No matter the motivation, music is an outlet, a force that builds us up or keeps us steady. It holds the capacity to move millions and to resonate with each individual, and every lyric, every note, every beat has the potential to share a message." You can watch and hear their conversation here. Giddens's new album with Silkroad Ensemble, American Railroad, is out next week; their fall tour begins tonight.

"Hurray for the Riff Raff is the perfect music for this moment," Anna Sale says of the guest on her Slate podcast, Death, Sex & Money. "In it, you hear the sweep of American history and propulsive motion, coming together in joy and protest and marking losses in family and community, and Alynda Segarra's voice—clear and melodic with a sly punk edge." You can hear their conversation, about Segarra's life and music, here.

Natalie Merchant spoke with Sheroes host Carmel Holt, a longtime friend, on the latest episode of the show and its special ten-part series The Road to Joni, honoring Joni Mitchell. This week, on episode four, "The Bridge to Joni," Merchant discusses her own relationship with Mitchell's music and shares a previously unreleased recording of her performing "All I Want" from her personal archives. You can hear the episode, which also features Madison Cunningham, here.

"My participation in country music was short lived, but it was the launchpad for my career," k.d. lang tells Talia Schlanger, guest host of CBC's Q, ahead of her reuniting with her band The Reclines for the first time in 35 years to perform on the Canadian Country Music Awards and her being inducted into the Canadian Country Music Hall of Fame this weekend. "It's nice to be recognized, that I had an impact for that small amount of time ... I'm lit up about it, what can I say? It was a really fun period of my life." You can hear their conversation here.

"Sarah Kirkland Snider is, quite simply, one of my favorite living composers," Stephen Rodgers, host of Resounding Verse, says on the latest episode of the podcast about poetry and song. "I love her vocal works. She has a great sense for the human voice, she sets text beautifully." "Alleluia," the third movement of Mass for the Endangered, composed by Snider with a libretto by poet/writer Nathaniel Bellows, is the subject of the episode. You can hear the episode here.

"I think he’s an absolute genius, and his way of thinking about creativity has totally shaped my way of thinking about creativity," Isaac Butler, host of Slate's Working podcast, says of his guest, composer and bandleader Darcy James Argue. They discuss the thought processes that go into Argue's compositions, as on his Secret Society ensemble's 2023 Nonesuch debut album, Dynamic Maximum Tension, and more. You can hear their conversation here.

Composer/guitarist Yasmin Williams returns to Aquarium Drunkard's Transmissions podcast to talk with host Jason P. Woodbury about her upcoming Nonesuch debut album, Acadia. "It's beautiful—a showcase for a one-of-a-kind artist. And while the focus remains Williams' fluid and lyrical guitar work, she's joined by a roster of ringers to help fill out the corners," says the show. You can hear their conversation here.

"More than 50 years later, this ensemble has forever changed the shape and sound of classical music," Jon Fasman says in a feature on Kronos Quartet on The Economist's The Intelligence podcast. "Kronos has also delighted in breaking genre barriers. They’ve played pieces by some of the greatest living classical composers, including Philip Glass, Steve Reich, and Terry Riley. But they’ve also played songs by Thelonius Monk and Jimi Hendrix. At its core, though, Kronos has dedicated itself to expanding chamber music repertoire ... Throughout it all, they’ve developed and performed scores rich with depth and meaning." You can hear the feature, including conversations with Kronos's David Harrington and Paul Wiancko, here.

"Since I was a kid, I was in love with the sky, the beauty of it, the freedom of it, like I could just float up forever," Laurie Anderson tells BBC Radio 4's Front Row presenter Tom Sutcliffe in a conversation about her upcoming album, Amelia, due August 30. "I remember as a kid doing that, running into the dark ... the ecstasy. Your arms are out like a plane, and you close your eyes and you run." You can hear their conversation here.

The Staves have released a new video podcast episode in which band mates and sisters Jessica and Camilla Stavely-Taylor chat about all things All Now, their new album. "I think wanting things to be really good can make you very afraid to try, because you're worried about failing, about falling short of that, which is such a trap—it keeps you kind of frozen," Camilla says. "Ultimately it doesn't matter, you have to just do things, keep those muscles moving, making things and being imperfect and imperfections are what life is about. That's human." You can watch their conversation here.